Samsung has unveiled the heavily leaked and rumored Galaxy S9 at MWC Barcelona 2018. It is now a reality and the rumors got most of it right but the frame rate mostly expected which was 480fps at full HD has now morphed into 960fps at HD 720p. You would be heavily excited about the new frame rate options except for the fact that the resolution is not really 720p but a heavily soft and aliased version.
Camera companies are too loose to call video formats HD and Full HD when they are really just upscaling lower resolution video up to save in an overly compressed format. The inclusion of now 1080p 240fps has to be the better spec here as the 960fps mode tops out at 0.2 seconds for a 6-second playback at 30fps. Hardly ideal and much like what we saw in the Sony Xperia XZ phones of 2017.→ Continue Reading Full Post ←
Has Canon finally woken up from the deep slumber that has crippled the progress in their camera line when it comes to video performance? On paper, the Canon EOS M50 a mirrorless camera that seems to improve in almost every way to previous efforts by the company. We have 4k recording at 24/25 but where is 30P? 120fps slow Motion 720 HD Video in a lower cost body and their excellent Dual Pixel AF System which is one camera feature where the others are playing catch-up.
If the rumors are solid; which seem to be considering the images leaked and detailed information then Canon may finally be releasing cameras that will be worth your while and a clear path out of the EF mount into a mirrorless future. We remain detached until we have image samples and slow-motion footage but its clear Canon and possibly Nikon will not remain still for much longer and let Sony, Olympus, Panasonic, and smartphones eat their installed user base little by little.→ Continue Reading Full Post ←
The Chronos 1.4 Team has now posted the first incarnation of the RAW Camera data to DNG File tool to convert the sensor information files to usable Adobe DNG sequences. They also have posted a sample image comparing the before and after characteristics of the image quality if saved on H.264 in camera and then the same scene shot and saved in RAW format which converted to DNG yields a substantial improvement in image quality as we explored in our previous post about this issue here.
The camera is expected to allow direct to DNG format file saving in the future but now you can shoot in the camera RAW format and later convert as an interim solution without sacrificing quality on the H.264 files. Maybe in the future, the camera will be able to simultaneously save RAW and H.264 files as a proxy feature to be able to easily sample clips in editing before conversion. We believe the DNG format should be your one-stop solution for this camera if image quality is important for your use case.→ Continue Reading Full Post ←
The Fuji X-H1 just announced does a lot of things right; It has a 200mbps 4k codec in UHD / DCI, 120fps Full HD which from the initial looks of it looks gorgeous and it finally has the 5-Axis Stabilizer on the sensor 5.5 stops worth that had eluded Fuji cameras for two years now. It even has a new Eterna color profile which makes it easy to color correct without being too flat or too processed.
Panasonic announced two new cameras this week the ZS200 America / TZ200 Europe which offers the worlds longest wide to super zoom range in a 1″ sensor form factor with a 24-360mm equivalent F3.3-6.4 lens and the larger sensor 4/3ds 20MP “Same as GH5″ Lumix GX9 which tops out at 60fps 1080p which we will not cover any further. We have a cut off of 120fps for slow-motion cameras. The ZS200, however, looks to be Panasonic’s answer to the excellent and full-featured RX series of cameras like the RX10 IV and RX100 V.
The main selling point of this camera is the appeal of carrying a 15X zoom in your pocket along with a 1″ sensor which beats most superzoom cameras that use tiny 1/1.8″ or 1/2.5” sensors. Panasonic is able to do this by extending the lens to almost 3 times the camera’s width footprint including lens ring which looks kind of ridiculous but is effective at contracting enough to fit on a large pocket. The image below shows only 3/4ths of the extension.→ Continue Reading Full Post ←
We received a set of Adobe DNG image samples from Krontech to check the resolution, dynamic range and grading potential of the camera when using the RAW recording mode. As of now the utility to convert the raw data is still being tested but we were impressed by the results the camera was able to achieve by offloading the de-bayering process to a more capable converter like the Adobe Camera RAW module.
The Chronos files were already good when properly exposed but did suffer from some aliasing and moire in fine detail while resolution also took a hit by saving in a compressed H.264 format. Now with the DNG RAW capability, we are glad to see that the camera image quality made an enormous improvement in the resolution, color fidelity, and dynamic range. It really brings out the real potential of the camera for a variety of applications, also creating a cleaner result in the noise department when processed correctly.→ Continue Reading Full Post ←