The great slow motion YouTube channel Warped Perception has created what will probably be the best new high-speed video of the decade. By marrying what looks to be a Vision Research Phantom Flex 4k with a Canon 600mm F4 L lens for a killer and expensive combination, they have been able to show things rarely seen in regular footage like stress on the fuselage and air dynamics impacting the aircraft as they cross paths. Congratulations to WP for creating such an awe-inspiring video!
The team at Krontech.ca has been shipping the first units of the Chronos 2.1-HD 4/3″ Sensor high-speed camera to their customers and in turn, footage has started to become available online showing what this new super affordable 1080p slow-mo cam can do. We will be reviewing a unit in the future once the firmware is more polished and will give it a good spin to finally rank it in our camera guide.
At first glance, we have a very positive reaction to the footage shown. The noise control and per-pixel detail are excellent and a clear cut above what the much smaller 2/3″ sensor on the Chronos 1.4c was able to deliver. Larger sensors are a must for high-speed cameras to make use of more available light locations. We have gathered some excellent video examples that will let you have a pretty good idea of what you can shoot and at what quality level with this camera.
2020 is already becoming a very busy year for camera releases. The CES Show this past week had a bunch of announcements in the professional, amateur and aerial drone markets that shoot high frame rates. We will try to cover the most useful cameras in the coming weeks. We want to start with the Insta360 ONE R Modular camera from Chinese company Shenzhen Arashi Vision Co., Ltd. which is a very interesting product that de-couples the sensor module from the body so you can interchange the actual imaging hardware on the fly for specific shots/jobs.
The real gem for slow motion fans is the 4K version instead of the 360 and or the 1″ version which both max out at 120fps 1080p instead of 200p. Many people will cry foul at the 200fps spec when GoPro and DJI do 240fps as do most slow motion capable smartphones but 200fps, if done well with the 100Mbps codec, could be a real diamond in the rough for your arsenal in action cameras.
As 2019 comes to a close its that time to take a look back through the year’s camera releases and see which delivered the goods at an affordable price in slow motion. Phone slow motion continues to be a strong category, so strong in fact that we made a Best Slow Motion Phones of 2019 list that you can see here.
Stagnation in many camera segments aside from phones is still ongoing, the semi-professional and pro markets stay at 120fps and 240fps with the occasional 320fps camera that delivers just a tad better quality but at a price. For professional slow motion, there were announcements but not a shipping product yet, however previously released cameras like the Chronos 1.4c and edgertronic still own the affordable quality market. Read on for our best of 2019 results!
The recently announced Canon 90D, Canon EOS M6 II, Sony a6100 and Sony a6600 are cameras that refine everything that is already a current technology but bundle it in a lower price package with great performance. However, it is clear from the spec sheets that high frame rates have stagnated for the past few years in these camera lines with a maximum of 120fps at 1080p.
Sure some of them offer full-time autofocus in slow motion modes and face tracking which in the case of Sony is so good that you may not even match it if you had the best focus puller in the business hired for your shoot. But the frame rate war seems to be left to other camera lines and brands. Panasonic, for example, offers up to 180fps in their new S1H camera which should be in theory the best Panasonic mirrorless camera ever made and it should also allow for outstanding quality in 1080p 180fps.
The folks at Blackmagic design are at it again when it comes to destroying spec sheets compared to price. The BMPCC 4k was already one of the best-reviewed and popular choice among budget filmmakers that needed excellent quality and dynamic range. At only $1,295 that camera was a smash hit but had only a four thirds (4/3) sensor which was not ideal in size and required speed booster adapters to get the needed depth of field to simulate an S35 image.
Now the BMPCC 6k ($2,495.00) with EF Canon mount comes in with a full APS-C sensor with dual ISO characteristics like before but with the added imager size and full electronic lens support for EF glass. It would have been in our view ideal to use an electronic mount with shorter flange like the Sony Alpha or the new Canon RF mount so you could adapt even more lens combinations but they are catering to a large installed base of glass owners.