Both the Galaxy S9 and S9+ phones shipped with 720p 960fps slow motion capability but the recording was limited to 0.2 seconds which is just too short a time span. This made it difficult to capture things in manual mode since the reaction time of your finger is about the same as the recording time making you miss moments. Pre-record made it easier but still limited to just 6.4 seconds playback in regular 30fps video timelines.
The new S9 update allows for manual high-speed recording to be used in 480fps slow motion mode at 720p for now 0.4 seconds or twice the recording time. This allows for easier capture of moments but in real time playback at 30fps it is the exact same playback time of 6.4 seconds. Since only 192 frames are recorded in the 0.4 seconds same as in the 960fps mode of 0.2sec then the only thing you gain is double the time to capture the moment. It would have been ideal to get also double the playback time. Memory buffer seems to be the limiting factor here!→ Continue Reading Full Post ←
Sony has released an altered version of the RX100 V camera for the Australian market which keeps all of the good features of the RX100 V camera but also changes it’s internals and software to allow for increased buffer space for images and video in HFR mode and allows the AF module to include the Fast Hybrid AF system with 315 focal-plane phase-detection points to match that of the RX100 VI which was announced just last month.
The memory increase itself allows for 24fps continuous shooting with a buffer up to 148 JPEG frames. That also allows improved High Frame Rate recording times, and fast continuous AF with stills and while recording UHD 4K video. Recording of 7 seconds of recording in Shoot Time Priority at the 240 fps setting which matches the one in the regular RX100 V and RX100 VI in America.→ Continue Reading Full Post ←
NVIDIA has been hard at work on the problem posed by high frame rate interpolation of video data shot on lower fps. We have had this tech since the late 1990s with the advent of Twixtor and refined over the decades in systems like Twixtor Pro and Adobe’s Optical Flow in After Effects. You are still not getting real temporal detail data since the frames are created by extrapolating velocity and direction vectors plus pixel values between frames to get the result.
The Chronos 1.4c Team has released the latest v0.3 RC2 software for testing. Be aware that this is not mission critical stable software so only use on your own private testing and not for recording mission critical shoots. The Interface can now be flipped to the left side though we would love to see an option to be concentrated on the lower part for better screen real-estate distribution.
We have tested over the last few days and are happy to report that the software has been stable and rock solid with no lock-ups and no sluggishness. The Color science was improved since the first v0.3 RC1 release to render the red colors among others more faithfully. In our testing, there was a definite improvement but we would like to see better treatment of the deep blues and magentas. We are happy to see White Balance is now supporting built-in presets!→ Continue Reading Full Post ←
So we encourage you to sign the petition here and place some comments that also call for increasing the frame rate options in S16 mode so that the camera captures better slow motion footage. The camera will already be capable of 120fps Full HD 1080p crop in windowed mode but a S16 crop would allow for extra frame rate options at that resolution. 96fps would be one possibility. And while you are at it maybe ask for 720p crop and 240fps which is not probable but worth a try. -HSC
The FUJIFILM X-H1 which offers 120fps 1080p slow motion was a worthwhile effort to offer high frame rates that are usable to their video-centric base. It still was not as good as the Sony or Panasonic slow motion options due to aliasing, moire, and noise but with a little post work, it could be used with success in an edited piece. FUJI then with a firmware update for their stills flagship the X-T2 allowed the camera to now shoot the same 120fps 1080p slow motion which makes sense considering they use the same sensor on both cameras.