Category Archives: Media Showcase

The latest hi speed video by talented shooters on the web!

Fake Slow Motion Is It Worth It?

Fake Slow Motion

There has been a lot of work put it developing software that can interpolate frames for video editing and compositing applications. Twixtor in the late 90’s was perhaps the first time the technology could make something worthwhile and really produce acceptable results in a computationally acceptable timeframe.

Today the most used algorithm is Adobe’s Optical Flow in Premiere or Time Warp in After Effects which use vector directional plus acceleration of pixel values to derive in between frame data to generate new frame information from the preceding frame as point A and the next frame as point B.  The results can do some wonders to really slow down things above the frame rate ceiling of the camera. → Continue Reading Full Post ←

Panasonic EVA1 has 2k 240fps Spec!

Panasonic EVA1

The Panasonic AU-EVA1 Super 35mm Cinema Camera is a first for the company in several key fronts. For starters, it is abandoning the Micro 4/3 sensor in turn for a more industry standard S35 module which has a larger area and in turn much better light gathering power.  Gone also is the micro 4/3 lens mount which Panasonic favors and in its place a Canon EF Electronic mount which could have been called blasphemy to see this in a product line of this price range for Panasonic.

Since the sensor-flange distance is increased you will not be able to use the Micro 4/3 or 4/3 lenses you were using with an AF100 for example.  When it comes to slow motion this camera is no slouch with 240fps continuous recording to SDXC II v90 cards in both 2k resolution and full HD 1080p. It is also bringing it to the 4k 50/60p realm which now is becoming commonplace. → Continue Reading Full Post ←

Chronos 1.4 First Day Test Footage !

Chronos 1.4

Today we received the Chronos 1.4 camera from krontec.ca and we had just about 2 hours of overcast sunlight to give it a test drive. We have big expectations for this affordable slow motion Kickstarter project camera and will be putting it through its paces soon enough.  We are sharing our first-day production camera test footage which you might find interesting.

We were able to adapt our Canon glass with the help of a C-Mount to EOS mount adapter and it really makes a difference in sharpness and glass quality compared to C-Mount lenses. Not to say that the kit lens is bad by any means but it is simply not to the standards of full frame legendary Canon glass.  It is a big plus to be able to adapt almost any lens to the Chronos which opens up a lot of experimentation possibilities. → Continue Reading Full Post ←

Canon C200 Cinema Camera 120fps Slowmo!

Canon C200

There is no question Canon has had great success with their EOS Cinema line of cameras. They continue to dominate the rental production market and even when they are overpriced compared to competitor’s options it is in a class of its own when it comes to Dual Pixel Continuous AF with Canon EF lenses which are plentiful and part of the stable of most serious camera professionals.

The latest iteration just announced is the Canon EOS C200 EF Cinema Camera which has some serious performance improvements over the current price/performance kind in their camera line. The new camera slots between the lower priced C100 Mark II and the more professional 4k C300 Mark II. However the C200 records in 4k RAW Light format which gives 15 stops of dynamic range with all the benefits of RAW editing with some compression. → Continue Reading Full Post ←

Chronos 1.4 Footage From Final Camera is Great!

Chronos 1.4 Footage

The Chronos 1.4 has been shipping to early bird backers for the past week and the cameras continue to be produced at a hectic pace. We are sharing footage from the final production camera that user Gyppor received and needless to say it is quite good.  The resolution being 1280*1024 at its highest option or 1280*720p  HD as a more common mode creates a pleasing image with very little aliasing and good noise control.

The Luxima Technology  LUX1310 2/3 sized sensor is delivering very good performance that is closer to a 1″ due to the big pixel sizes at 6.6µm compared to say a Galaxy S8 at 1.2µm, these pixels are gigantic.  Even comparing a 1″ Sensor in the Sony RX100 V camera at 2.4µm bodes well for the Chronos 1.4 with nearly 3 times the size. → Continue Reading Full Post ←

Panasonic GH5 vs Red Epic Slow Motion!

Panasonic GH5 vs Red Epic Slow Motion

The Youtube channel CRFTSHO has created a guessing video game that pits the Panasonic GH5 vs the RED EPIC Camera in a slow motion 1080p match.  The fun is that even for the trained eye there is no easy way to tell which camera is actually on screen playing until you get the revelation footage which is the 2nd part of the game.

What is interesting about the results is that the RED Epic a camera worth over 10 times more than the Panasonic Lumix GH5 is almost indistinguishable and in some shots the cheaper camera is preferable in sharpness and detail.  It probably has to do with the GH5 doing full sensor downsampling up to 120fps at 1080p vs the RED doing sensor windowed mode. → Continue Reading Full Post ←