Category Archives: Previews

Chronos 4k12 and Q12 Hi-Speed Announced!

Krontech the Canadian Hi-speed camera company has released press information for two new global shutter camera releases due to ship in 2024.  While they did excellent work with the Chronos 1.4 720p and Chronos 2.1 HD 1080p slow motion cameras, many users of the platform clamored for more resolution and better image quality.  Enter the new Chronos 4k12 a full 4k Camera capable of 1,397 FPS at 8 bit 4096 x 2160 resolution or at 3840 x 2160
UHD 1,491 FPS.  

To put this in perspective, the Phantom 4k camera does 4k at 1k fps and costs around $80k USD for a starter kit.  This new Chronos camera has some serious punch for the TV, Web, and Film industries that need the extra resolution. We can see many production houses adopting this camera for production without breaking the bank in a compact and fully contained package.  → Continue Reading Full Post ←

Panasonic Lumix GH6 does 300fps in Full HD!

We have been expecting Panasonic to deliver a GH5 and or GH5s replacement camera for over a year now. The pandemic and component shortages pushed back the release of almost all high tech imaging equipment. The Lumix GH6 is now announced and it does everything right for Micro 4/3 and then some but will that be enough to make the format survive in a world of ever-decreasing Full Frame camera prices getting cheaper?  

The GH6 has a new sensor, new Venus processing engine, new IBIS with up to 7.5 stops which is bordering on ridiculous, and a body that has active cooling. For HSC however, only one set of specs matters and that is frame rates for video. The camera is now on top of the Lumix and almost all of their pro division cameras by shooting up to 300fps 10 bit Full HDish, 240fps Full HD 10bit, and 120fps at 4k 10 bit.  For slow motion enthusiasts, it looks to be a great camera on paper and at just under $2,200 USD it is not going to break the bank.  But after all of this, should you invest in the GH6 as a slow motion tool or save more for an affordable dedicated high speed camera? → Continue Reading Full Post ←

DJI Ronin 4D Delivers Cinematic Stabilized Slow Motion!

In what could be called a new paradigm or class of camera, DJI the drone maker has launched a couple of cinema full-frame cameras geared to professional productions that merge their Ronin gimbal products with their Drone pro Zenmuse cameras to create a massively appealing system for pros and enthusiasts that want no compromise stabilization with enough image quality to be able to use them in professional productions for TV and film.  The pricing at just over 11.5k for the 8k version and 7.2k for the 6k version is small potatoes for movie and TV studios but might put off some buyers. 

It is of note that a fully working system bundle is assembled at that price which is much better than other options. It includes the Gimbal, camera and body, 1TB SSD M.2 card, battery, touch screen and cabling. In cinema systems like RED and ARRI this is just the brain or camera body with everything else being added on top as ancillary costs. The frame rates on these cameras are limited to 120fps as the highest at 4k and 75fps at 8k.  They might not be huge but the quality and stabilization should make them quite useful.  → Continue Reading Full Post ←

iPhone 13 is years behind in Slow Motion!

Apple has finally announced the iPhone 13 which may be one of the most underwhelming refreshes of the handset in many years. While there is a lot of new stuff, nothing added is really groundbreaking in the way previous phones have awed when it comes to features in imaging. It is certainly a clear refinement of nearly every aspect of the hardware and software with better low light gathering and a first for a phone the addition of ProRes recording at 1080p and 4k 30p depending on the phone storage spec.

There are neat features like rack focusing which allows for AI-assisted machine learning depth of field selection based on people’s faces whenever their eyes are visible and or enter or exit the frame.  It is kind of gimmicky as it seems to do away with precise manual control of the feature but this is yet to be explored fully by reviewers. When it comes to Slow Motion capture, we have essentially no change for the 4th year in a row! → Continue Reading Full Post ←

Sony IMX472-AAJK sensor offers huge frame rates in 4/3ds format!

Sony has released some white paper specs on a new Micro 4/3rds sensor that is as of now, the most advanced ever on the format considering the mix of Backside illumination, Stacked technology and high resolution color at 10 bits on full sensor read outs. The frame rates offered are also quite impressive with up to 1139fps at 0.46 Megapixels or 1760px Horizontal x 262px Vertical on the fastest range and 121fps at the full sensor area read-out at 20.9MP.

The Panasonic GH6 is coming later this year and it is estimated that this new sensor is actually the one that will be used on that camera. If Lumix technology can make full use of the sensor specs even for small fractions of time, we could have a killer slow motion mass produced camera.  The VFR mode on Panasonic Lumix cameras has always been more than acceptable and they could breathe new life into the format if these sensor specs are used to their fullest. We expect at least 1080p at 240fps which will be a slightly stretched delivery from the 1760 x 1318 240.2fps mode listed on the sensor specs → Continue Reading Full Post ←

Lumix GH6 will do 120fps 4k & maybe more!

Lumix GH6 Panasonic

Panasonic unveiled in May the GH5 Mark II which is a slight refresh of the venerable m4/3rds GH5 with live streaming, better dynamic range in video, better AF algorithms, and slightly better IS on a very similar body with just a few cosmetic red buttons and rings for refresh purposes.  The slow motion remains at 180fps VFR at 1080p and 60p at 4k on the GH5 II since it is using the same sensor and imaging engine. It is a better overall camera than the original but a mild refresh nonetheless. 

That brings us to the pre-announced GH6 which is an in-development camera that aims to refresh the entire Micro 4/3ds line in Panasonic and aimed at professional video users.  It sports a new sensor, new imaging engine, new body and new technologies yet to be disclosed.  According to rumors, this camera should be able to keep micro 4/3rds alive for another five years delivering an array of video and photo features that will set it apart much like the original GH5 carved a place in camera history. We have also received rumored specs that may or may not pan out regarding frame rates which we find somewhat credible.  → Continue Reading Full Post ←