Sony has decided to release the RX100 VA worldwide and it effectively replaces the RX100 V production line. The new camera will have a better EVF refresh, modern Autofocus with improved tracking and a larger buffer of 233 images. We considered the newly announced RX100 VI camera to be just a longer lens version of the RX100 V but with an increased price tag. That camera does have a touchscreen and the reach but the fans of the faster f1.8-f2.8 lens of the RX100 V now can get a more up to date version.
Sony has released specs for a new IMX Cellphone oriented sensor that has a whopping 48 Megapixel photosite grid with a new Bayer altered pattern of quad pixel colors that aims to quadruple the dynamic range of the signal and increase detail retention significantly by supersampling every photosite and creating a final 12MP image with excellent characteristics.
As far as frame rates go we were glad to see very high-end read-out speeds for this sensor as full 4k video can max out at 90fps and other high fps settings include 1080p 240fps full area downsampling and 720p 480fps but with a cropped windowed frame extraction. At 48MP or 12 regular De-Bayered then we expect the crop to be quite extreme at the 720p mode unless they do a 4 or 6MP downsample.→ Continue Reading Full Post ←
Both the Galaxy S9 and S9+ phones shipped with 720p 960fps slow motion capability but the recording was limited to 0.2 seconds which is just too short a time span. This made it difficult to capture things in manual mode since the reaction time of your finger is about the same as the recording time making you miss moments. Pre-record made it easier but still limited to just 6.4 seconds playback in regular 30fps video timelines.
The new S9 update allows for manual high-speed recording to be used in 480fps slow motion mode at 720p for now 0.4 seconds or twice the recording time. This allows for easier capture of moments but in real time playback at 30fps it is the exact same playback time of 6.4 seconds. Since only 192 frames are recorded in the 0.4 seconds same as in the 960fps mode of 0.2sec then the only thing you gain is double the time to capture the moment. It would have been ideal to get also double the playback time. Memory buffer seems to be the limiting factor here!→ Continue Reading Full Post ←
The people at Cinemartin have publicly released new specs and images of the first industrial prototype of the cinema camera. There are some killer features like 8k RAW video at 24p and up to 96fps RAW recording in both 4k DCI and1080p HD. Some other frame rates include 48p and 60p in a variety of resolutions which are needed for cinema production in either higher fps or just as a shooting necessity like 48p to get the Hobbit look.
One of the most impressive features listed is the ability to shoot in true Vista Vision format at 7920 x 6024 pixels for 8k at 24p that turns out to be 47.7MP; also the Dual ISO recording feature which will be available by August 2019 which allows dual recording capability for an extreme Dynamic Range improvement. Other features include: Global Shutter, Internal full sensor downsampling, and in-camera electronic image stabilization.→ Continue Reading Full Post ←
TIME has posted a series of videos on the reaction of fans to the World Cup final game between France and Croatia shot by Videographer James Autery on the streets of New York City. While he only used 120fps video capture, it is enough to fully show human reaction detail. Follow the link below to watch them at their official site:
Ever wondered how to use slow-motion footage effectively with Premiere Pro CC from Adobe’s Creative Cloud? This quick tutorial by YouTubers Becki and Chris will go through the basics of capturing, editing and organizing the footage for a consistent workflow. They used cameras like the GoPro Hero 5 Black, Sony a7s II, and the DJI Osmo to capture the footage.