The newly released Canon G7 X III and G5 X II Powershot cameras are finally upping the stagnant slow motion features of these lines to a very 2014 spec of 120fps Full HD. Up to now Canon had capped the Full HD Performance at 60fps 1080p and a maximum of 120fps at 720p with a severe crop. There is no mention of a 240fps 720p spec which makes us believe that there is no 720p video option besides maybe a 30p mode.
Both cameras sport a 20.1MP 1″ inch Stacked CMOS sensor and DIGIC 8 Image Processor reminiscent of the Sony RX series. We estimate this might be the same Sony sensor employed but without the super slow motion capabilities of 480/500fps and 960/1000fps modes that have made that line of cameras a cut apart.→ Continue Reading Full Post ←
It’s been a while since we’ve covered the fps4000 camera mainly due to development time taking longer than initially estimated. However, Graham Rowan the engineer behind the camera has now posted the first 4k 480fps footage shot in RAW on the fps4000 camera which uses a sophisticated memory arrangement on the onboard super-fast flash RAM to be able to record lengths of time unimaginable before on slow motion cameras at high resolution.
This camera is a very different kind of technology from regular high-speed cameras that record to volatile DRAM. The fps series records to flash chips that are soldered to the mainboard and allow a variety of frames rates and resolutions depending on the sensor used but all is saved on the flash memory as a non-volatile stream of data. Modern SSD chips are so good at re-allocating reading and writing bits that the life of the components is now measured in decades of regular use instead of a few years. The fps4000 is using this technology fully to enable memory bandwidth magnitudes greater at a significantly reduced cost.→ Continue Reading Full Post ←
Two brave filmmakers Ryan Chylinski and MaryLiz Bender used autonomous remote high speed cameras powered by solar power, batteries & placed at SpaceX launchpads to show the stunning power and luminosity of these modern marvels or rocketry. While you can see some vertical banding in the darkest shots “Probably lack of dark calibration before a long wait” there is no denying that the result is breathtaking. No word on which type cameras were used to shoot this material but we estimate it was at 1080p FHD and maybe a Chronos 1.4.
“We place autonomous ultra-high speed video cameras at the launchpads of SpaceX, NASA, and ULA. These are cameras we position well ahead of the liftoff, design to survive the elements and, since no humans can be anywhere near the rockets, trigger without any interaction. The results are stunning.” Project & Support Link Here!→ Continue Reading Full Post ←
To better encapsulate the slow motion happenings of the web we are starting a new post type called Fraction/s as in “Fractions of a Second” that shows anything and everything related to slow motion that has happened recently. This is based on the fact that high speed imaging hardware releases have been stabilizing and slowing down compared to previous years. This way we can better cover anything small or large related to this craft.
Thanks to our readers who have submitted a lot of this information which sometimes escapes us. There is a lot of interest in slow motion related information but it is easy to get buried in the mountain of daily information. We hope that we cover many of these occurrences so you get to see them.→ Continue Reading Full Post ←
So now that the Xperia 1 phone has started shipping to some parts of Asia and Oceania it is time to see what the initial slow motion 960fps samples look like. It seems that the length of the playback video is unchanged at 6.4 seconds for 720p and 3.2 seconds for 1080p. So 96frames are recorded at 1080p 960fps and 192frames at 720p. This is the same restrictive spec for three years in a row by Sony.
You would think by now the phone could have increased the slow motion buffer to something useful like at least half a second instead of 0.2sec for 720p and 0.1sec for 1080p. Think again, it seems we will not get anywhere near usable times in 2019 from the Xperia Line again. Your best bet for recording on Sony will be to get a camera like the excellent RX Series that allow much longer recording times and greater resolution.→ Continue Reading Full Post ←
Panasonic not to be outdone by sales rivals is pre-announcing the S1H camera to appease video-centric mirrorless users who want that extra edge. It has a 6k mode which will allow for better stabilization and cropping/punching in on 4k timelines while giving the user bragging rights. It has a 14 stop dynamic range spec which if we look at the sensor it is only on a couple of capture settings the rest is 12 bit.
There is also no mention of higher frame rates besides UHD 4k 60p which we presume will be 180fps 1080p max since this camera shares nearly the same internals as the other Panasonic S1 cameras. We do not expect this camera to have better slow motion video than the regular S1 even with its $4000 price tag. The camera looks to be aimed at the mid-high end of the video market and allow it to record without limits which on the regular S1 is 29min.→ Continue Reading Full Post ←