Back in March 2008 a big splash in affordable Hi Speed arrived with the Casio EX-F1 Semi Pro camera. It promised to finally deliver the frame rates that were the realm of cameras in the tens of thousands of dollars but for the not to shabby price of $999 US.
NAB 2014 has already started to look like a 4k camera and UHD workflow oriented show from all angles. Manufacturers seem determined to push 4k at all costs and it seems looking at the product ranges that it will probably be adopted fully by the production crews of major TV Shows and News outfits. There are definite advantages to shooting 4k as opposed to 3D which is really a specialty format for limited uses. 4k can be used to create incredible looking crisp FHD 1080p that far out-resolves any 1080 camera to date, plus use footage as a canvas for re-framing and stabilization from wobbly shots.
What this means for slow motion cameras is that, as hardware has become 4x as powerful in order to capture and encode four times as many pixels as FHD 1080p, we get to reap the benefits in lower resolution modes. 4k capture permits lower resolution modes to jump as a side effect of more camera power as follows:→ Continue Reading Full Post ←
Besides the pretty exterior of a retro-feel classic camera trapped in a small sensor point & shoot, the SH-1 has a Slow Motion 120p 720 video mode built in that might be of good quality coupled with the new sensor 5 way stabilizer .