At the end of February right before the Pandemic really got going worldwide and when the world seemed a lot simpler, Fuji surprised us with the launch of the Fuji X-T4 APS-C 1.5x crop sensor body. It comes completely unexpected to the community of slow motion enthusiasts as the majority of cameras only support a maximum of 120fps with a few Panasonics doing 180p and only the GH5s doing 240fps 1080p.
What makes this camera different is the quality of the output at 240p which is far and above the king in the APS-C format and destroys the GH5s aliased image with a very good and detailed rendition of the scene with a codec strong enough to allow for enough detail and color to really push the format further than any EVIL mirrorless camera before it.→ Continue Reading Full Post ←
Meet the new GoPro Hero 8 Black which is a refinement of last year’s Hero 7 Black. It has better hyper smooth stabilization, it has now stabilized slow motion modes and has a smaller form factor with a clever undercarriage that folds into the mount support system to reduce footprint which is very clever. The real big changes are the Mods which are attachments that let you expand the capabilities of the camera to get a more professional kit if needed. They are relatively inexpensive but do offer a better package than what the competition has to offer.
The Slow Motion modes remain identical to the Hero 7 Black of last year as it still uses the same GP1 processing engine which was released over two years ago with the Hero 6 Black. By now it would have been ideal to see an updated processor and sensor combo to get even higher frame rates like 4k 120p and 1080p 480fps but GoPro has decided to press the last drop of juice from their custom chip investment to keep up with their restructuring goals.→ Continue Reading Full Post ←
The Kinefinity Terra 4k camera which starts at $3,999 body only and a ready to shoot package at $5,499 has now released information of a new firmware upgrade that will be released in May of this year which increases the slow-motion capabilities of the camera markedly. The camera was no slouch before when it came to frame rates which had 240fps at 2k and 100fps at 4k. It actually records in RAW and has excellent quality with no moire and aliasing since it is effectively cropping the sensor area to get a 1:1 pixel read-out for the slow mo.
For this low a price you really have no viable options that shoot these frame rates in excellent quality except for the recently announced Chronos 2.1 HD which does 1000fps at 1080p in DNG RAW. The Kinefinity line of cameras has started to become a go-to place for cinema quality at reasonable prices. Many Video Pros are actually becoming owners of the camera and praise the rock-solid quality of the build, operation and beautiful image quality with ample dynamic range. The Chinese have really built the Cinema camera for the common man.→ Continue Reading Full Post ←
The newly announced CINEMARTIN FRAN 8K Camera claims some huge numbers in terms of resolution and performance. Up to 8K (8000×6000) RAW / Uncompressed 12 Bit video capture at 24fps and up to 96fps in 2k & 1080p for high frame rates but more on that later in this post. There is only one image of the camera we were provided with and that is the RED Brain like rendering above which sports a mounting port which in the lab is fitted with a Canon EF Mount which is preferred among cinema oriented users especially if it is an active one.
FRAN also offers in the spec sheet 15.5 stops of dynamic range at 12 bit which competes directly with the best cinema cameras out there. CINEMARTIN claims the camera will come in below the competition in price while offering a true global shutter sensor with no rolling shutter distortion. Using a 4/3 sized sensor at 50MP with 48MP being used for 8k Capture it may seem overkill when it comes to low light performance. It may be able to deliver resolution levels never before seen on cinema cameras but low-light will surely be a hurdle for the camera to overcome.→ Continue Reading Full Post ←
In the case of the RED EPIC-W with Gemini S35 sensor, it is the first time RED has used a dual Native ISO sensor like the ones seen on the Panasonic EVA1 and GH5s which have two different native sensitivities to deliver extremely clean footage with the widest dynamic range. Witha claimed 16.5 stops of dynamic range in standard mode & a gain of approximately two stops of light, from 800 to 3200 ISO without increasing the image noise. DPs of all kinds will savor these advances to shoot in dark situations knowing the output will be dependable.→ Continue Reading Full Post ←
Kinefinity the company behind the pretty capable and high-quality Terra cinema camera has announced in preparation for NAB 2018 the new MAVO 6k cinema camera in s35 and Large Format sensor options in the LF version. Along with the new body design and expansion options the camera will include ProRes 422HQ, ProRes 444 & ProRes 444XQ recording.
Kinefinity also has a RAW format “.KRW” and this has been updated to version 2.0 to support the new camera. This is akin to REDCODE RAW as the .KRW format can compress in RAW anywhere from 2:1 best quality lossless to 10:1 with more quality loss while maintaining the benefits of RAW like dynamic range, white balance, and higher bit-depth color. It also offers the possibility to record on cinema-DNG format In-Camera at 3:1, 5:1 and 7:1 compression. The camera has several high frame rate formats depending on crop resolution.→ Continue Reading Full Post ←