It looks like DJI has not set in stone the frame rate spec of the recently released OSMO Pocket which we found to be excellent in handling and gives a beautiful low light stabilized image considering the small sensor size and price. It even beat out the GoPro Hero 7 in dynamic range and noise control but fell short of frame rates being on our good side. Thanks to our reader Frank for the tip!
In a new video by Drone NewsGuy from Youtube, the pro app and latest beta firmware for the OSMO Pocket are tested and you can enable a somewhat hidden setting to get 200fps in real terms out of the small device. The catch is that the setting requires the phone app to be activated every time you want to use it and will remain there until you change settings to something else. We would love for DJI to allow the 200fps setting right out of the box on the interface and not only that, allow for even greater fps in 720p mode and even a small VGA mode for users needing that extra frame rate.
Early on in the beta testing of the device, the OSMO Pocket by DJI released this week had gimbal stabilized 1080p 120fps included in the specs. However, by launch, the slow motion frame rate disappeared. There were anecdotal discussions that the device overheated in the mode and that is why it was pulled out of the product launch. However, there are no official statements to back this up.
DJI Should release the new firmware update for the OSMO Pocket by December 15th just in time for Christmas delivery of the product. At Just $349 USD, it will probably be a GoPro killer as a stocking stuffer during the holiday season. Initial samples show the low light video quality besting the GoPro but the slow-motion mode is still less detailed than the Action Camera. The stabilization is incredible and beats everything in its price range including the Hero 7 Black.
The new Mavic Air may actually be the drone you have been waiting for. It has most of the technologies that have evolved on pricier drones like the Inspire series and Phantom high-end consumer offerings like obstacle avoidance, awareness sensors, and now at this tiny size, a 4k 30p 3-axis gimbal stabilized camera. The 4k recording ups the ante at 100mbps compared to the Mavic Pro’s 60mbps which was a big issue for motion artifacts and clearly separated the quality lines on phantom and Mavic series.
The new drone also has the ability to shoot 120fps Full HD 1080p video in what looks like improved quality “but still a little noisy” which is also a plus. The sensor is the same as on the Mavic Pro with a 1/2.3″ size at 12MP with HDR still shooting mode and an 85°-degree FOV. The main feature of course is the size which is slightly bigger than last year’s spark but with finally 4k image quality. Portability is probably the most important drone feature today.
As suspected in a previous article from HSC the Panasonic G9 bitrate for VFR or high frame rate mode is much lower than on the GH5. The Manual has been released for the G9 showing this lower spec. It is of note that the codec used on both cameras is very efficient which lends itself to good quality even at 20mbps. However, for those that want to prioritize fine detail and the utmost sharpness, the GH5 will, in the end, be the better option for slow motion.
There is also the upcoming announcement rumor of the GH5s Lumix camera now with leaked images here with 240fps at full HD using a completely new sensor which may be able to improve of the GH5 slow-motion quality which in our analysis was lacking when using 150fps and 180fps on the regular GH5. Aliasing and moire were evident in footage which is not present in the 120fps mode. Considering the GH5s might be recycling the same image processing engine but with a new sensor, we may still see some artifacts.
So you have an iPhone and want to get the best video possible out of it. Should you stay with Apple’s camera implementation or should you branch out and look for better capture apps? Those that do the best job at compressing your footage and extracting the utmost quality from it.
For years the App to flock to if you own an iPhone is the FiLMiC Pro for iPhone, iPad and iPod Touch by Cinegenix. It was used in the Zacuto revenge of the Camera shootout in 2012 to capture the segments with the iPhone which rivaled, according to the audience of judges, cameras much stronger in specs and capture quality. It tied with the Canon C300 and beat the Sony FS100. That test was highly subjective with a lot of light to fill in the soft spots of the camera, however that did not detract from the fact that FiLMiC Pro did an amazing job at delivering a more grade-able and professional looking footage than Apple’s stock implementation on the then iPhone 4s. You can see the test here!
The Latest on Hi Speed Affordable Imaging!