The Xiaomi Mi Mix 3 had a few leaks in the past weeks concerning the slow motion mode and the company even released a water balloon sample. We decided to wait for the real reviews and samples before making an opinion on this phone which is destined for the Chinese market first. The phone is supposed to shoot 960fps in 1080p mode which is exciting as an initial spec matching the Sony Xperia XZ2 and XZ3 phones in resolution and frame rate but we really have no slow motion duration spec yet.
After looking at the samples we have seen a clear indication of software interpolation to fill in video frames between high frame rate recorded video which looks to be 240p at 1080p and then conformed in software to 960fps on the fly using the phone’s hardware. The results are very good and beat anything we have seen before on phone frame rate interpolation which is a good thing, however, it looks like the phone is faking its way into slow motion 960fps.→ Continue Reading Full Post ←
The Z Cam E2 has finally started shipping and is now available for direct order at their site. The camera caught our attention for its low price of just $1999 and the high frame rate features of 240fps 1080p and 120fps 4k. It seems to be using the same 4/3 sensor as the great Panasonic GH5s but with extended features.
The camera company ZCam has also released some samples in a variety of scenarios so you can see what the camera is capable of. At first inspection, it is clear this camera is a clear step up from the Z Cam E1 which had some image quality issues. The E2 seems to go out of the box ready to produce class-leading imagery and offer some very nice high frame rate action. There are also some rumored comments that suggest the team is testing 300fps at 720p as an added bonus for future software.→ Continue Reading Full Post ←
People waited with extreme patience for the Canon Full Frame Mirrorless line for several years. The Verdict? Pretty good start but feels like a mid-range product. It lacks IBIS stabilization on the body sensor which has become one of the most coveted features for camera enthusiasts. It lacks dual card slots and most important of all for us it is 2014 frame rates for a camera of this class.
The camera does shoot 4k up to 30p but it has the same crop that has made the Canon 5D Mark IV a bad proposition for videographers that want 4k footage. The crop is 1.7x which is essentially a Micro 4/3rds sensor size with a speed booster but without all the benefits of those bodies like IBIS and very low rolling shutter with the added benefit of better frame rates. This feels for all intents and purposes like a base product for a line that needed to be released to compete but is still evolving technologically.→ Continue Reading Full Post ←
The slumbering Nikon has awakened to the mirrorless present and future and has shown their cards in a very strong but not class-leading mirrorless product line. The Nikon Z7& Z6 are nearly identical bodies with changes in the sensor and AF. The more expensive and higher resolution Z7 screams pixels with a 45.7MP Full Frame sensor ISO 64–25600 range which should be a direct replacement for D850 users. The other Z6 is a better low light camera geared more at wedding shooters and videographers at 24.5MP which should produce outstanding low light ISO 50–204800 with ISO expansion.
There is a lot to like in these cameras like a real 5 axis (5 Stop) IBIS stabilizer on the full frame sensor which also works on adapted lenses and works with Nikkor VR lenses from DSLR cameras to increase the 3 stops to a real 5 stops hybrid stabilization feature. The video modes offer 4k at 24, 25 and 30p which is so 2014 as is the 120fps full HD 1080p slow motion mode. AF also changes between models at 493 points on the Z7 and 273 on the Z6.→ Continue Reading Full Post ←
The people at Cinemartin have publicly released new specs and images of the first industrial prototype of the cinema camera. There are some killer features like 8k RAW video at 24p and up to 96fps RAW recording in both 4k DCI and1080p HD. Some other frame rates include 48p and 60p in a variety of resolutions which are needed for cinema production in either higher fps or just as a shooting necessity like 48p to get the Hobbit look.
One of the most impressive features listed is the ability to shoot in true Vista Vision format at 7920 x 6024 pixels for 8k at 24p that turns out to be 47.7MP; also the Dual ISO recording feature which will be available by August 2019 which allows dual recording capability for an extreme Dynamic Range improvement. Other features include: Global Shutter, Internal full sensor downsampling, and in-camera electronic image stabilization.→ Continue Reading Full Post ←
Ever wondered how to use slow-motion footage effectively with Premiere Pro CC from Adobe’s Creative Cloud? This quick tutorial by YouTubers Becki and Chris will go through the basics of capturing, editing and organizing the footage for a consistent workflow. They used cameras like the GoPro Hero 5 Black, Sony a7s II, and the DJI Osmo to capture the footage.