Tag Archives: 200fps

Panasonic GH5s Boosts High ISO dumps IBIS!

Panasonic GH5s

So the rumors proved to be accurate on the GH5s and now we have a low light version of the GH5 that can shoot cleanly up to ISO 12,800 with up to 100k ISO and by then a much noisier picture. It is claimed by Panasonic that there was a 1.5 stop improvement in noise performance.  Judging by the initial video samples it is clear that the new 10.28MP sensor along with dual native ISO circuitry for each photosite “one at ISO 400” and “one at ISO 2400” make a huge performance leap if low light is desired in a m43 camera.

All is not rosy in Lumix land however as the camera now lacks IBIS or In Built Image Stabilization on the sensor which was a main selling point of both the GH5 and the G9.  Panasonic claims that it was a decision made to cater to filmmakers that need no wobble or vibrations in a shot that can be produced when the stabilizer fails. But why not just add an On-Off switch? 1080p 240fps is also included in the camera but as initial samples show it reduces quality substantially. → Continue Reading Full Post ←

Sony RX0 Slow Motion Aims at Pro Action Market!

Sony RX0 Slow Motion

As expected by recent rumors, Sony unveiled the RX0 a compact action camera that is more high-end oriented than any action camera before it. A Crash cam for video production that has a large 1″ sensor with high sensitivity and S-Log 2 flat profile.  It also has features like focus assist, full 4k 4:2:2 HDMI output to an external recorder and a 1/32000 shutter like other RX series cameras that gets rid of most of the rolling shutter distortion apparent in other action cameras.

While the GoPro Hero 4 and 5 have access to a Pro Tune Log style video profile; the camera is not really geared for high-end production. The RX0, however, is limited to 1080p 60fps internally with 4k output from HDMI to an external recorder as the only 4k output option. This gives GoPro, Yi 4k+, and Sony’s Action Cam series an edge of internal 4k recording. → Continue Reading Full Post ←

AXIOM Beta Camera Kit in Production!


The Axiom Apertus camera project is progressing forward with the completion of 25 developer Beta kits to backers of the camera. It is a working model without a final case and with ongoing software development. The camera is functional and has a Sony E-Mount at the moment but with the ability to change the mount if needed. The camera color science is being coded by A1ex of magic lantern fame. It will be a possibility to use digital “Film Stocks” at the push of a button to be able to match certain looks.

The footage from the beta camera is quite good with excellent film like characteristics in a 10-13 stop range.  There is a cinema camera feel that is absent from other cheaper camera options in the ILC and DSLR Camps.  The closest look is that from Blackmagic Design’s Cinema camera options.  When it comes to frame rates the Beta camera does 60fps full HD out of the HDMI but not much else. → Continue Reading Full Post ←

Panavision DXL Makes 8k 75fps possible!

Panavision DXL

Panavision the company that brought you the Genesis digital cinema camera which many credit for jump starting true digital cinematography for the big screen has done it again with the Panavision DXL.  An 8k 8192 x 4320 camera capable of recording higher frame rates at that resolution than what many 4k resolution options have still to achieve.

The company doesn’t offer a table or indication of slow motion high speed frame rates in the specs as the maximum frame rate they tout is 75fps at 8K 2.4:1 (8192 x 3456) which is slightly shorter in the vertical frame than the full capability which maxes at 60fps at the highest resolution. RED is heavily involved in the DXL by supplying the sensor, color science, REDCODE RAW Codec and many design cues. → Continue Reading Full Post ←

Kinefinity Terra 5k & 6K Offer up to 225fps!


The Chinese cinema camera company Kinefinity is adding two new models of cameras at this Year’s NAB event in Las Vegas.  The Kinefinity Terra 5k and 6k Models.  They differ in sensor and abilities with prices that just 5 years ago would have commanded much higher tiers.

Last Year’s Kinemax 6k and 4k graced our Camera Guide with a good showing now occupying 10th and 14th place but now they are aiming much much higher with better RAW frame rates up to 225fps in 2k and lower price points than most of the RAW capable competitors in the space. → Continue Reading Full Post ←

RED Scarlet-W Brings 150fps in 4k!


The RED Scarlet has always had a stigma to it since inception. It was supposed to be a 3k camera for 3k USD back when it was planned. With a fixed lens and slow motion capabilities all while shooting REDCode RAW video. That camera never materialized and in turn the Red Scarlet with modularity was born. Not quite an Epic but also a lot more expensive than the original promise.  It however delivered the image quality promised but not in the slow motion front. That is however until today with the Scarlet-W camera.

It has a 5K Full Frame (5120 x 2700)  RED Dragon sensor with a 16.5 stops of dynamic range. That is some of the best DR numbers quoted for a motion digital camera. However the Slow Motion aspects of this Scarlet W camera are of note and the following specs should get your attention if you are on the market and have 10k USD for a body and 6k for the needed accessories to shoot with it in a ready package. → Continue Reading Full Post ←