The team at Krontech.ca has been shipping the first units of the Chronos 2.1-HD 4/3″ Sensor high-speed camera to their customers and in turn, footage has started to become available online showing what this new super affordable 1080p slow-mo cam can do. We will be reviewing a unit in the future once the firmware is more polished and will give it a good spin to finally rank it in our camera guide.
At first glance, we have a very positive reaction to the footage shown. The noise control and per-pixel detail are excellent and a clear cut above what the much smaller 2/3″ sensor on the Chronos 1.4c was able to deliver. Larger sensors are a must for high-speed cameras to make use of more available light locations. We have gathered some excellent video examples that will let you have a pretty good idea of what you can shoot and at what quality level with this camera.
The Nissan GT-R continues to be unmatched in the high-end sports car world by offering a performance way above its price range. For the new NISMO GT-R 2020 they needed to film the car at full performance. After looking for solutions in the market it was immediately apparent that they needed a car with a rig system that could keep up with the new supercar.
As it turns out the only solution would be to build a custom GT-R with expert and Drifting world champion Mauro Calo, with camera rigs normally used in big Hollywood productions as you have seen in the Fast and the Furious series. Nissan decided to paint the car Matte black so it would not reflect on the other car’s paint and or create unwanted flares on camera lenses. The result is the best performing camera rig car ever made. It is capable of carrying a fully rigged camera system including but not limited to ARRI Alexa, RED Dragon, Sony Venice, Panasonic Varicam or high-speed solutions like the Vision Research Phantom Flex 4k.
Quite a few of our readers have asked for HSC to comment on the rumors of a Canon R5 Mirrorless camera that according to unsubstantiated information claims 120fps at 4k and 8k at 30p. The R5 may be the modern non-DSLR successor camera to the EOS 5D Mark IV and could become a major release for the company for this decade. As rumors go we can probably believe some of it but we have to be skeptical on the full specs because Canon has not shown the willingness to push the envelope as far for many years and has calmy let Panasonic and Sony take the firsts spots on video features.
We would love to see Canon go ahead and push the envelope with amazing video features that can revive the platform for serious video production the same way the 5D Mark II did back in 2008 when it took the video world by storm and made it possible to shoot quality video that looked a lot like the 5D still images that have dominated certain segments of still imagery business like weddings.
The Spanish Association of Broadcast, Cinema and TV Producers or PNBE for short, is sharing some information about a camera they are custom building for the purpose of shooting a new series for Spanish Television that explores Nature and Astrology “Or maybe Astronomy” which could be a translation error. The new camera will be able to shoot at pretty remarkable specs like 10k and 8k video including higher frame rates at many resolutions that surpass anything in its class.
The camera needs to have extreme detail and low light performance with RAW capabilities. Only a dozen will be built for the TV program but we assume they share the information in order to see if there is interest in the market for DPs and other professionals to own such a camera. We were happy to see that the spec sheet is very detailed with both H.264 and H.265 support aside from RAW and Cinema DNG formats in recording.
The recently announced Octopus Cinema Camera with a modular sensor, mount, and other components could, in theory, become a customizable professional solution slow motion camera that is unencumbered by firm specs but by a fluid and upgradeable sensor and component path. The Axiom camera is also something akin to this but has yet to ship. The Octopus has in prototype form been fitted with a 4/3 sensor capable of up to 240fps in 2k RAW and a full-frame that allows 3k up to 100fps.
The body looks eerily similar to Phantom cameras with the white machined exterior with fans and ports protruding the body. While 240fps at 2k is not what we could call really professional slow motion, it is based on an open architecture in hardware and software that could window the sensor down and possibly offer more frame rates at 1080p and 720p for maybe a 480fps RAW capture in HD.
The Latest on Hi Speed Affordable Imaging!