Tag Archives: 240p

OnePlus 9 Slow Motion mode gains 4k 120fps!

OnePlus has finally released its new flagship 2021 phones. And they have built a new 3 year partnership with medium format camera maker Hasselblad to build their phone camera modules.  On this first iteration, we get Ultra Wide 50MP, Wide 48MP or standard and a 3.3x telephoto with 8MP which is the lower quality of the bunch.

OnePlus has respected its own heritage when it comes to frame rates as the new 9 handsets retain the 240fps in Full HD 1080p and 480fps in HD 720p mode for somewhat super slow motion and a new mode of 120fps in full 4k which is exciting. OnePlus had the edge in recording duration in previous phones and this new variant might keep that edge. However, we feel disappointed the resolution did not go up to full HD at 480fps and allow for a 960fps HD mode like many other phones out there. → Continue Reading Full Post ←

Fujifilm X-E4 Slow Motion 240fps disappoints!

Fujifilm X-E4 Slow Motion

The recently released camera called the Fujifilm X-E4 shares many of the traits of their lower brethren but also from the higher-end models in a compact package. It ditches the better viewfinder for a small 2.36 million dot EVF that makes it a bit hard to see your composition but that also allows the camera to be smaller and more stylish than the beefy SLR style Fujis out there.

The Fujifilm X-E4 Slow Motion feature is the same as found on cameras like the excellent Fujifilm XS-10 which is a 120fps or 240fps full HD component that records in camera. Why are we not excited? well, the quality is lower than expected with some aliasing and moire characteristics that are so last decade. When are manufacturers going to offer the same 1080p quality at all frame rates instead of relegating the 120fps and 240fps modes to the lower bitrate and detail bin?

Fujifilm X-E4 Main Specs:

  • 26.1MP APS-C X-Trans BSI CMOS 4 Sensor
  • DCI/UHD 4K at 24p, 25p & 30 fps
  • 2.36m-Dot 0.62x OLED EVF
  • X-Processor 4 Image Processor
  • Compact classic body
  • 3.0″ 1.62m-Dot 180° Tilting Touchscreen
  • 425-Point Hybrid AF System
  • Film Simulation Modes
  • Bluetooth and Wi-Fi Connectivity
  • Lens Kit includes: XF 27mm f/2.8 R WR Lens
  • MSRP: 1,049.00 USD Lens Kit or $849.95 Body only!
  • Release date March 11th, 2021

Fujifilm X-E4 Slow Motion Specs:

Full HD (1920 x 1080)

  • 50p/59.94p
  • 100p/119.88p
  • 200p/239.76p
  • [100 to 200 Mb/s]

While we get the same frame rates as the best value/performance on Fuji’s arsenal the XS-10, you get the aliased version of the footage. While the final quality is passable for your Youtube Vlog, it will not be ready for more professional uses, the pixelation and stair-stepping looks like badly captured 720p video in a 1080p wrapper.

The video below by the amusing and great Kai W, has a sample of 200p video on the camera at the 4-minute mark.  You can clearly see the aliasing in the footage when you load it at full resolution.  We expect the 120fps mode to be much better but we already get pretty good 120p footage from most cameras nowadays. The 240fps mode is the standout here and it disappointed us fully.

Fujifilm X-E4 Hands-on Impressions WIN THIS CAMERA! by: Kai W

But what about?

Can you still make a remarkable slow motion shot with this camera?  In a word, Yes take a look at the Fujifilm’s XS-10 240fps mode which is probably the same as the one in the X-E4 as they share a lot in common feature-wise. Look closely at the very well shot video below:

Fujifilm X-S10 – 240fps slow motion test by Coastal Bay 4K: → Continue Reading Full Post ←

Fuji X-S10 Slow Motion 240fps Samples!

Now that the surprise camera of 2020 has been out for a while, it is time to revisit the 240fps mode included in the video features. At first glance, it delivered 720p quality or less in an upscaled 1080p wrapper.  However many Fuji fans asked us to revisit the slow motion quality of this camera as early samples supposedly did not do justice to what this mode was able to deliver.

We have to agree to some extent that the quality of this camera in 240fps Full HD slow motion is better than other even more expensive options but we still feel that Fuji cut corners when it comes to image quality here by dropping lines and having a pretty noisy output unless there is an ample amount of light.  We have some samples that will let you see what this camera is capable of and make you decide if it is a good enough option for your camera collection.

Fuji X-S10 Slow Motion 240fps Samples:

The camera can shoot up to 6 minutes in high frame rate mode and saves the file in a 60fps Full HD file for playback according to the official manual here. You can always lower the frame rate further to conform for 24p, 25p, and 30p if needed.

Fuji X-S10 Video Samples Below:

Fujifilm X-S10 Slo Mo 240fps test by Abu Habeeb:

Fujifilm X S10 240 FPS slow motion ,IBIS.Handheld Shooting without colour grade (ETERNA) by Aju Eapen: → Continue Reading Full Post ←

Slow Motion on DJI Pocket 2 & Fuji X-S10 Offers 240fps!

Slow Motion on DJI Pocket 2 & Fuji X-S10

Two very different new cameras were released this week that are able to shoot in 240fps Full HD 1080p. One is the Fujifilm X-S10 which is an all-rounder mirrorless camera with 6 stop IBIS and cinema video profiles for $999 body only, the other is the sequel to the very well received DJI Osmo Pocket now named DJI Pocket 2 dropping the OSMO part of the name & starting at $349 in its most basic form. Slow Motion on DJI Pocket 2 & Fuji X-S10 is close on both.

Both cameras are able to do 120fps as well but the interest peaks at 240p where the speed makes things moving slower more detailed, especially people as at that speed lifeforms moving relatively slow are excellent subjects. For faster animals like birds or flying insects, you need many more frames per second, usually in the 700+ range to create a good enough effect.

Slow Motion on DJI Pocket 2 & Fuji X-S10 – Two cameras that are very different but can shoot the same fps!

Fuji X-S10 Video Modes:

Video Recording Modes H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 to 200 Mb/s]

So starting with the Fuji X-S10 we cans ee that it has a plethora of video recording modes with the absence of the now much coveted 4k 60p which is not here in any form. We do have a 2k cinema mode with 60p which is an ok consolation prize but in a world of 4k it seems they could have added that 4k 60p just to be competitive.

We get 100fps and 200fps at 1080p in PAL format and 120fps and 240fps in NTSC mode. As far as we know every camera can be switched with a single menu to be able to use either of the two systems.

The great news here is that the slow motion modes at 1080p offer up to 200Mb/s in the codec which is pretty remarkable considering not many cameras pass 50Mb/sec in these modes.

The bad news is that the slow motion seems a bit mushy and pixelated which is an unwelcome sight. We found a short video showing this mode at the video below at 8:16:

Fujifilm X-S10 Hands-on Review by DPReview TV:

While we need more samples for full confirmation it does look more like a 720p up-rez than true 1080p, which is common in cameras that shoot these kinds of frame rates and are not dedicated slow motion cameras.  Even Jordan the reviewer above states that the quality of the footage at 240p is nothing to brag about and it is pretty low quality. Kind of sad considering the maximum bitrate of 200Mbps at 1080p.

The Fuji X-S10 is an interesting camera that can do a lot of things right, it is great that it offers very good frame rates as options and we will re-visit this camera in the future when more samples are available. If you are a Fuji system enthusiast, we actually think the new X-S10 is probably the best bargain for a powerful camera in Fuji Land and you really cannot go wrong if you want to shoot video with its great stabilization and flip out Vari-Angle screen.

DJI Pocket 2 Video Modes:

Slow Motion:

  • 240 fps Recorded at 1920 x 1080p
  • 120 fps Recorded at 1920 x 1080p
Video Rec Formats 3840 x 2160p at 24/25/30/48/50/60 fps (100 Mb/s MP4 via H.264/AVC, MPEG-4)
2720 x 1530p at 24/25/30/48/50/60 fps (100 Mb/s H.264/AVC, MPEG-4)
1920 x 1080p at 24/25/30/48/60 fps (100 Mb/s MP4 via H.264/AVC, MPEG-4)

The DJI Pocket 2 is a very impressive device. On the one hand, it has a larger sensor than its predecessor, one rivaling the old P&S prosumer cameras like the Canon G series back in the last decade.  The sensor is  1/1.7″ 64 Megapixels which allows for 8x true zoom crop on the image if needed.

On the other hand, it has a gimbal that is the main selling point that this camera has going for it. A true stabilized system akin to those on DJI drones but on your pocket/hand.  The performance of stabilization is remarkable and the addition of an optional lavalier mic. option with a clip-on module makes it ideal for Vloggers to shoot on a minute and cheap all in one package.

The slow motion modes at 120fps and 240fps are there and easily accessible which is great news since the original Pocket maxed out at 120fps with a 200fps hack that was not really usable.

We found a couple of great samples of slow motion 120p and 240p in the video review below at 9min 45seconds run time:

DJI Pocket 2 | Wider FOV, Bigger Sensor, 240fps by Potato Jet: → Continue Reading Full Post ←

iPhone 12 Pro Slow Motion is best yet for Apple!

iPhone 12 Pro Slow Motion

The iPhone 12 line is a continuation of what Apple has been hinting at since it got serious about video recording on their phones.  However, there is no increment in the maximum frames per second the phone is able to record with the 120p and 240p at 1080p as the maximum the phone is able to record. There is also what could be a feature that is missing that of 120fps 4k considering the phone is already recording 120fps at 4k for HDR video and then delivering it in a 60p wrapper.

With all that said the phone has impressive video and photo specs that will have rivals trying to compete in outlandish features like super zooms or more than 3 cameras to be able to get the spotlight off the iPhone.  There is no question the iPhone 12 is the best camera phone Apple has ever delivered but isn’t this the same result every year when a new device from the company is released? Yes and there lies the problem of yearly upgrades only getting incremental updates and not leapfrog features.

Video Recording iPhone 12 Pro:

  • HDR video recording with Dolby Vision up to 60 fps
  • 4K video recording at 24 fps, 30 fps, or 60 fps
  • 1080p HD video recording at 30 fps or 60 fps
  • 720p HD video recording at 30 fps
  • Optical image stabilization for video (Wide)
  • 2x optical zoom in, 2x optical zoom out; 4x optical zoom range (iPhone 12 Pro)
  • Digital zoom up to 6x (iPhone 12 Pro)
  • 2.5x optical zoom in, 2x optical zoom out; 5x optical zoom range (iPhone 12 Pro Max)
  • Digital zoom up to 7x (iPhone 12 Pro Max)
  • Audio zoom
  • Brighter True Tone flash
  • QuickTake video
  • Slo‑mo video support for 1080p at 120 fps or 240 fps
  • Time‑lapse video with stabilization
  • Night mode Time-lapse
  • Extended dynamic range for video up to 60 fps
  • Cinematic video stabilization (4K, 1080p, and 720p)
  • Continuous autofocus video
  • Take 8MP still photos while recording 4K video
  • Playback zoom
  • Video formats recorded: HEVC and H.264
  • Stereo recording

Video Recording iPhone 12 (NON PRO):

  • HDR video recording with Dolby Vision up to 30 fps
  • 4K video recording at 24 fps, 30 fps, or 60 fps
  • 1080p HD video recording at 30 fps or 60 fps
  • 720p HD video recording at 30 fps
  • Optical image stabilization for video (Wide)
  • 2x optical zoom out
  • Digital zoom up to 3x
  • Audio zoom
  • Brighter True Tone flash
  • QuickTake video
  • Slo‑mo video support for 1080p at 120 fps or 240 fps
  • Time‑lapse video with stabilization
  • Night mode Time‑lapse
  • Extended dynamic range for video up to 60 fps
  • Cinematic video stabilization (4K, 1080p, and 720p)
  • Continuous autofocus video
  • Take 8MP still photos while recording 4K video
  • Playback zoom
  • Video formats recorded: HEVC and H.264
  • Stereo recording

IPhone 12 Pro Slow Motion Samples are pending:

We received some so-called slow motion samples from the iPhone 12 but we have determined that they are fake and not from the phone themselves.  The iPhone 12 ships on October 23rd so any samples you might see online could only be from review units and there was no real video quality review that was authenticated. We will have to wait some time for the iPhone 12 video samples to start coming out.  We expect increased dynamic range and better overall noise profile on the iPhone 12 vs the 11, hopefully, we will see a real improvement in the way the phone captures slow motion in 1080p without much in the way of artifacts and aliasing.

Dolby Vision Recording on iPhone 12:

Dolby Vision | Demo | Dolby by Dolby:

In the video above you can see that Dolby Vision is basically a set of technologies that encode video in HDR with high precision color and brightness values that try to mimic reality. The new iPhone 12s record in Dolby Vision which probably use the high frame rate recording (60p for 30p) and 120p for 60p) HDR.

It is of note that slow motion video at 120fps or 240fps in 1080p will not use Dolby Vision as you would need those frame rates doubled to record it. It is a technology best used by 4k recording up to 60fps.

Of course, you will not get Hollywood production quality footage on the phone but it is still going to deliver a better image than your average camera due to the color science behind it.  Also of note is that you will need a TV, monitor or projector that has Dolby Vision compatibility to experience this high dynamic range video footage recording feature.

If you have such a TV we can recommend the clip below to test it:

Perfect Black HDR 8k Dolby Vision by Eugene Belsky: → Continue Reading Full Post ←

Multiply Your Video Frame Rate with Dain-App !

Multiply Your Video Frame Rate

We got over 20 messages with essentially the same video sample in our inbox this week. They all touted the new interpolation from the DAIN experimental App or (Depth Aware Video Interpolation App)  which now analyses footage with a Neural network AI algorithm that crunches motion vectors and even what seemed impossible before “Object Occlusion” to generate higher frame rates from lower fps sources.  The technology is pretty fascinating and should be further improved by more training and samples over the coming years.

For stop motion animators, this is a complete game-changer as now you could animate with as little as 8fps and then interpolate to 30fps or 60fps with very little in the way of tearing and artifacting as long as the footage is well lit and objects clearly defined.  To make matters more interesting, it also analyses footage with shallow depth of field yielding impressive results.

Multiply Your Video Frame Rate with Interpolation or the “I” Word for Slow Motion Enthusiasts:

We visited the Interpolation topic in the past on our Fake Slow Motion article and concluded that then, the quality of interpolation while good was far from usable and you really could not compromise real high fps footage from interpolated versions except in very simple cases.

Now with DAIN technology, we have no choice but to re-visit the cases and analyze what it is capable of.  We looked at a few dozen examples and it is clear the technology has progressed forward so much that now stop motion animation, 2D Cell-based cartoon animation, and even 3D animated sequences rendered at 30p can easily be turned in higher fps increments yielding impressive and in some cases miraculous results.

We would like you to first watch the video below to understand what a depth map is and how the software in DAIN can create frames from nothing that look just like real ones.  A depth map will generate an approximated view of the world in a Lidar-Like vision representation to figure out to the best of the AI estimation where objects are in a scene according to their location close or far to the camera.

Depth-Aware Video Frame Interpolation by Wenbo Bao:

Even at 48fps from  12fps source, it is clear the technology in DAIN can yield impressive results even with heavy organic detail in the background including foliage. The software does an admirable job of estimating the relative position of objects in the video scenes.

AI使用フレーム補間アプリ DAIN APP byTALBOの実験室 Ch.: → Continue Reading Full Post ←