We are constantly looking for high-speed camera bargains and one of the best places to find them is on eBay where used cameras go to find a new home. It is hard to judge the actual state of a product until you use it but that is why you can ask questions to the seller and reach a deal if needed. You also have to take into account that many cameras get used in dangerous situations to record events where no human can be close to like on a rocket launch pad or testing artillery.
Make sure if you purchase a camera to be given a determined time to test it and make sure it is working as described. The whole point of finding these bargains is to save a boatload of money compared to purchasing them outright from the manufacturer. HSC is not paid a commission or promotion fee for these listings so make sure you do your due diligence before buying, we are not affiliated with the sellers. This month a few diamonds in the rough were found that could really bring an edge to your slow motion shooting. Let’s dig in!→ Continue Reading Full Post ←
The new v2.02 firmware update for the Panasonic EVA1 includes improved bit rates at a variety of frame rates like: 2k- 422-Intra Frame Recording 200M/100M Max 120fps (equivalent to 400Mbps) Which may improve slow-motion quality considerably by allowing more data to be saved instead of scrapped.
For digital recorder owners, there is a lot to be excited about as the camera will now output RAW data at: 5.7K/30p Full sensor, 4K/60p Crop , 2K/240p Sensor Crop. Since the 240fps mode saved internally exhibited very severe aliasing, moire and line skipping; the fact that RAW is now a possibility should bring the camera’s capabilities up a notch and deliver excellent slow-motion quality. We hope to have some samples of the RAW recording on the EVA1 in a future update.→ Continue Reading Full Post ←
Kinefinity the company behind the pretty capable and high-quality Terra cinema camera has announced in preparation for NAB 2018 the new MAVO 6k cinema camera in s35 and Large Format sensor options in the LF version. Along with the new body design and expansion options the camera will include ProRes 422HQ, ProRes 444 & ProRes 444XQ recording.
Kinefinity also has a RAW format “.KRW” and this has been updated to version 2.0 to support the new camera. This is akin to REDCODE RAW as the .KRW format can compress in RAW anywhere from 2:1 best quality lossless to 10:1 with more quality loss while maintaining the benefits of RAW like dynamic range, white balance, and higher bit-depth color. It also offers the possibility to record on cinema-DNG format In-Camera at 3:1, 5:1 and 7:1 compression. The camera has several high frame rate formats depending on crop resolution.→ Continue Reading Full Post ←
The Panasonic EVA1 camera has started to ship to pre-order owners and some footage has started to show on the web. The camera seems to be very good at low ISOs and up to ISO 5000 it defends itself well. After that banding and heavy noise starts to become a problem. One thing to keep in mind is that the 5.7k sensor is intended to supersample for 4k to deliver unbelievable detail levels while having a detrimental effect on super high ISO. The dual native ISO settings of 800 on the low end and 2500 ISO on the high end help the camera achieve dependable noise free and extremely clean footage in those modes.
The camera can also shoot up to 240fps full HD and or 2k super slow motion video and use it’s improved sensor specs to reduce rolling shutter. The camera should be able to deliver excellent high frame rates in good light but it seems the slow-motion option offers lower quality in codec and also in noise control. We have no clue what is causing this but it is apparent from the samples that detail and quality take a hard hit in these modes.→ Continue Reading Full Post ←
Move over Apple, the LG V30 recently released might be the best available video recording smart-phone ever. In fact the LG V30 is not high on slow motion frame rates, topping at 240fps 720p and does not have 60fps 4k like the latest iPhones but has an ace up it’s sleeve that might catapult the phone to be #1 among video recording professionals that want a phone they can use alongside their expensive dedicated video gear.
The LG V30 has 10 bit color for starters recorded to its flat profile called LG Cine-Log format which is very close to implementations from Sony, Canon & Panasonic Log formats. The other big feature is that it has probably the best manual control video interface in a phone to date with peaking for easier focus, manual shutter, aperture, ISO and a variety of frame rates.→ Continue Reading Full Post ←
The Panasonic AU-EVA1 Super 35mm Cinema Camera is a first for the company in several key fronts. For starters, it is abandoning the Micro 4/3 sensor in turn for a more industry standard S35 module which has a larger area and in turn much better light gathering power. Gone also is the micro 4/3 lens mount which Panasonic favors and in its place a Canon EF Electronic mount which could have been called blasphemy to see this in a product line of this price range for Panasonic.
Since the sensor-flange distance is increased you will not be able to use the Micro 4/3 or 4/3 lenses you were using with an AF100 for example. When it comes to slow motion this camera is no slouch with 240fps continuous recording to SDXC II v90 cards in both 2k resolution and full HD 1080p. It is also bringing it to the 4k 50/60p realm which now is becoming commonplace.→ Continue Reading Full Post ←
