In the case of the RED EPIC-W with Gemini S35 sensor, it is the first time RED has used a dual Native ISO sensor like the ones seen on the Panasonic EVA1 and GH5s which have two different native sensitivities to deliver extremely clean footage with the widest dynamic range. Witha claimed 16.5 stops of dynamic range in standard mode & a gain of approximately two stops of light, from 800 to 3200 ISO without increasing the image noise. DPs of all kinds will savor these advances to shoot in dark situations knowing the output will be dependable.→ Continue Reading Full Post ←
Panasonic has released an updated firmware that claims to fix some instability issues while recording video at higher frame rates using VFR. The Firmware Version 2.2 Available here aims to reduce or eliminate instances where the camera could stop recording video or in some instances refuse to record in VFR mode. Some users have reported rare incidents of corrupted files, recording stops and some camera lockups that could be related to the VFR function buffer and write to SD card procedure. It will be a matter of testing this new firmware to see if it resolves these issues.
In some instances, it was narrowed down to slow SD cards that could not keep up with the data rates necessary or cards that had internal fragmentation that could cause corruption on clips. Glad to see Panasonic addressing this issue. The camera also adds a new menu item for customizing the function button on the new Leica H-ES200 200mm 2.8 lens to different parameters. Firmware Link!→ Continue Reading Full Post ←
The Axiom Apertus camera project is progressing forward with the completion of 25 developer Beta kits to backers of the camera. It is a working model without a final case and with ongoing software development. The camera is functional and has a Sony E-Mount at the moment but with the ability to change the mount if needed. The camera color science is being coded by A1ex of magic lantern fame. It will be a possibility to use digital “Film Stocks” at the push of a button to be able to match certain looks.
The footage from the beta camera is quite good with excellent film like characteristics in a 10-13 stop range. There is a cinema camera feel that is absent from other cheaper camera options in the ILC and DSLR Camps. The closest look is that from Blackmagic Design’s Cinema camera options. When it comes to frame rates the Beta camera does 60fps full HD out of the HDMI but not much else.→ Continue Reading Full Post ←
Panavision the company that brought you the Genesis digital cinema camera which many credit for jump starting true digital cinematography for the big screen has done it again with the Panavision DXL. An 8k 8192 x 4320 camera capable of recording higher frame rates at that resolution than what many 4k resolution options have still to achieve.
The company doesn’t offer a table or indication of slow motion high speed frame rates in the specs as the maximum frame rate they tout is 75fps at 8K 2.4:1 (8192 x 3456) which is slightly shorter in the vertical frame than the full capability which maxes at 60fps at the highest resolution. RED is heavily involved in the DXL by supplying the sensor, color science, REDCODE RAW Codec and many design cues.→ Continue Reading Full Post ←
Lytro started in the consumer space a few year’s back by enabling light field camera sensor technology in a portable package. Back then it allowed the user to select the focus point in the image to control depth of filed after the shot had been taken. This is emulated by Panasonic on the GX8 and GH4 with Post Focus but that is a feature that does some tricks with multiple images and lens focus points to select final depth of field.
Lytro does this by capturing all the rays of light entering the sensor at different angles and times to create a light field or three dimensional map of a real subject or scene. The consumer cameras sold in less than stellar numbers due in part to low resolution and while they tried with the Lytro Ilum to bring a more SLR like camera with 40 mega-rays or down-converted to 4 traditional megapixels. It also bombed as the post focus feature was not enough pull to get consumers to adopt the platform; along with claims of low dynamic range and artifacts in bright spots. The Ilum camera is still available for purchase at under $370 USD from the 1299 introductory price; quite a drop!→ Continue Reading Full Post ←
The RED Scarlethas always had a stigma to it since inception. It was supposed to be a 3k camera for 3k USD back when it was planned. With a fixed lens and slow motion capabilities all while shooting REDCode RAW video. That camera never materialized and in turn the Red Scarlet with modularity was born. Not quite an Epic but also a lot more expensive than the original promise. It however delivered the image quality promised but not in the slow motion front. That is however until today with the Scarlet-W camera.
It has a 5K Full Frame (5120 x 2700) RED Dragon sensor with a 16.5 stops of dynamic range. That is some of the best DR numbers quoted for a motion digital camera. However the Slow Motion aspects of this Scarlet W camera are of note and the following specs should get your attention if you are on the market and have 10k USD for a body and 6k for the needed accessories to shoot with it in a ready package.→ Continue Reading Full Post ←