The recently announced Octopus Cinema Camera with a modular sensor, mount, and other components could, in theory, become a customizable professional solution slow motion camera that is unencumbered by firm specs but by a fluid and upgradeable sensor and component path. The Axiom camera is also something akin to this but has yet to ship. The Octopus has in prototype form been fitted with a 4/3 sensor capable of up to 240fps in 2k RAW and a full-frame that allows 3k up to 100fps.
The body looks eerily similar to Phantom cameras with the white machined exterior with fans and ports protruding the body. While 240fps at 2k is not what we could call really professional slow motion, it is based on an open architecture in hardware and software that could window the sensor down and possibly offer more frame rates at 1080p and 720p for maybe a 480fps RAW capture in HD.
The people at Cinemartin have publicly released new specs and images of the first industrial prototype of the cinema camera. There are some killer features like 8k RAW video at 24p and up to 96fps RAW recording in both 4k DCI and1080p HD. Some other frame rates include 48p and 60p in a variety of resolutions which are needed for cinema production in either higher fps or just as a shooting necessity like 48p to get the Hobbit look.
One of the most impressive features listed is the ability to shoot in true Vista Vision format at 7920 x 6024 pixels for 8k at 24p that turns out to be 47.7MP; also the Dual ISO recording feature which will be available by August 2019 which allows dual recording capability for an extreme Dynamic Range improvement. Other features include: Global Shutter, Internal full sensor downsampling, and in-camera electronic image stabilization.
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