Now that the excellent a7s Mark III video recording mirrorless camera has been out for over six months, it is time to revisit the slow motion component and see what quality we can expect from the Sony a7s III Slow Motion Samples. Many have praised the 4k 120fps mode which is heavily detailed, low noise and suffers from only a very small crop factor that is hardly a problem.
We looked at the Full HD 1080p 240fps mode on the camera and it was clear it did not match the 120fps 4k mode as it was not only less detailed but full of aliasing and moire if you looked for it. It was clear the camera was not up to professional standards when in this mode which is to be expected from a full-frame sensor cropping to 1080p. That said, this camera is a powerhouse that easily takes the mantle as Sony’s best mirrorless compact video camera.→ Continue Reading Full Post ←
Just in time for the Japanese Olympics if they ever take place, Sony has released the Sony Alpha 1 or A1 for short which is probably the most powerful mirrorless camera ever produced. Customary for Japanese camera manufacturers in Olimpic years, the likes of Canon and Nikon have released their professional flagship products like the 1DX and D6 which are still SLR mirrored products that have the highest possible Autofocus features for a camera of that type as well as speed and dependability.
Sony has had some inroads in that space with the Sony a9 series but they were missing a higher megapixel count version that could really differentiate it from the pack and the A1 seems to be just that kind of product. By shooting 8k video at 24,25 and 30p it becomes future-proof for the next decade as far as resolution goes and by taking 30 images per second in stills mode at the full 50MP resolution with AF Tracking, it is one blinding fast beast. The fact that it also shoots 120fps 4k and 240fps Full HD doesn’t hurt it either.→ Continue Reading Full Post ←
It’s here, yes it is finally here you are not seeing things. In what may be the most anticipated camera release in years, Sony has finally unveiled the a7s III video-centric mirrorless camera. It has all the new performance benefits of processing and AF seen on other Sony bodies but now applied to a 12 Megapixel back-illuminated full-frame sensor geared to shoot pristine 4k and be able to shoot stills as a secondary function. The original 5D from Canon shot 12.8 MP in 2005 when it was introduced and it is still being used out there by many professionals as it was and still is a wedding workhorse. However 15 years later which in the camera world seems like a century, we get a brand new Sony camera with 12MP and that is actually a great thing!
The slow motion on this camera has a lot of good but also some hidden secrets that you should know about before plunking your hard-earned cash. We get what may be the best 120fps 4k footage we have seen in any camera under 10k USD at full 4:2:2 10 bit quality which after looking at the samples left us with nothing but praise to see such a well-executed mode with the added benefit of being able to shoot nearly 1hr worth of it before the camera temperature spoils the party. Excellent performance!→ Continue Reading Full Post ←
The Black Magic Design URSA camera line has been one of our favorite high frame rate options for many years now as it is a blend of excellent quality at a relatively low price with the added bonus of RAW recording and ProRes options. Now the company has announced the latest iteration of the camera with a monstrous pixel size of 12k or 80 Megapixels per frame. All of this in an APS-C super 35mm crop from Full Frame sensor that is built to satisfy the requirements of their Black Magic RAW codec or BRAW for short which is in this camera the only recording format available.
What interests us as always are the high frame rates and this camera does not disappoint when it comes to this spec. The only real problem we see is that recording is made only from 4k resolution and up, completely avoiding 3k, 2k and HD resolutions which could yield even higher frame rates with probably a huge crop in the 80MP frame which will probably yield a noisy and artifact prone image hence why they probably avoided recording down on those modes.→ Continue Reading Full Post ←
Canon has now released the final specs and estimated release dates for the EOS R5 and R6 cameras. There is a lot of good advancement in features especially in video mode as what many believe is an afront to Sony and Panasonic who dominate video recording on ILCs. The R5 can record 24fps and 30fps 8k video or 8192 x 4320 pixels in RAW quality which is a staggering 1TB of storage or 2600 Mbits/s for only 51 minutes of recording time. That means that every hour you will eat up through a full TB of your RAID backup storage. We see this mode being transcoded to an intermediate format like Blackmagic RAW or BRAW or Apple ProRes as soon as possible.
There is more bad news, on the 120fps 4k front there is no other option of recording but All-I which saves every frame independently in 10-bit 4:2:2 which is good for excellent quality but at the cost of 1,880 Mbits/s which is 224MB/sec or 13,447MB / minute of recording time. Better get a ton of memory cards and hard drives ready!→ Continue Reading Full Post ←
The new Z CAM E2 – M4 Micro 4/3″ sensor cinema 4k camera offers performance that punches way above its own price weight of just $1,499 @ Adorama which is $500 less than the very similar regular Z CAM E2 just lacking Multicam synch support which is a very minor trade off considering the power and benefits you gain. It has Triple native ISO of 80 / 160 / 800 and 13 stops of DR using their ZLog profile, and 16 stops of DR in WDR mode which does some HDR processing.
The frame rates are also outstanding for such a low-cost camera and while the higher setting requires H.265 encoding which for many is not ideal considering it lowers the bit depth from 10 bits to 8, it offers what many cameras only dream of. 160fps in 4k in beautiful resolution and up to 240fps in 1080p which has very good quality with some compromises.→ Continue Reading Full Post ←