People waited with extreme patience for the Canon Full Frame Mirrorless line for several years. The Verdict? Pretty good start but feels like a mid-range product. It lacks IBIS stabilization on the body sensor which has become one of the most coveted features for camera enthusiasts. It lacks dual card slots and most important of all for us it is 2014 frame rates for a camera of this class.
The camera does shoot 4k up to 30p but it has the same crop that has made the Canon 5D Mark IV a bad proposition for videographers that want 4k footage. The crop is 1.7x which is essentially a Micro 4/3rds sensor size with a speed booster but without all the benefits of those bodies like IBIS and very low rolling shutter with the added benefit of better frame rates. This feels for all intents and purposes like a base product for a line that needed to be released to compete but is still evolving technologically.→ Continue Reading Full Post ←
The slumbering Nikon has awakened to the mirrorless present and future and has shown their cards in a very strong but not class-leading mirrorless product line. The Nikon Z7& Z6 are nearly identical bodies with changes in the sensor and AF. The more expensive and higher resolution Z7 screams pixels with a 45.7MP Full Frame sensor ISO 64–25600 range which should be a direct replacement for D850 users. The other Z6 is a better low light camera geared more at wedding shooters and videographers at 24.5MP which should produce outstanding low light ISO 50–204800 with ISO expansion.
There is a lot to like in these cameras like a real 5 axis (5 Stop) IBIS stabilizer on the full frame sensor which also works on adapted lenses and works with Nikkor VR lenses from DSLR cameras to increase the 3 stops to a real 5 stops hybrid stabilization feature. The video modes offer 4k at 24, 25 and 30p which is so 2014 as is the 120fps full HD 1080p slow motion mode. AF also changes between models at 493 points on the Z7 and 273 on the Z6.→ Continue Reading Full Post ←
By popular demand, we have found some new samples for both the OnePlus 6 and the Xiaomi Mi 8 phones for you to see. We have to give the nod between these two phones to the OnePlus 6 as it offers 240fps 1080p and 3.75 seconds worth of 720p 480fps and even 60p 4k. The quality on the super slow motion modes is not up there with a dedicated slow-motion camera but it is a big improvement in the recording department by allowing 3.75 secs on the 480p mode on the OnePlus 6 compared to the very restrictive 960fps 0.24sec on the Galaxy S9.
The Xiaomi Mi 8 is a big improvement from their earlier phones but simply cannot compete in terms of frame rates with the best the Android world has to offer. The quality on any phone will be restricted by the memory buffer, codec and read-out speed from the sensor. Quality still has a ways to go for being true HD or Full HD so remember before choosing a phone, it may not do as well as that fancy Slow Motion on Youtube or TV.→ Continue Reading Full Post ←
Oppo the phone company based in Dongguan, China has released their flagship phone the Oppo Find X. Comparisons will be made to the iPhone X nut just in name but also on shape and design. However, the Oppo has no notch but it also has a similar aesthetic to the Galaxy S9 from Samsung but with the impressive feature which slides a motorized top part with both the rear and front cameras. Design wise this phone might be the most impressive and elegant phone ever made up to this point.
The phone has no 4k 60p like others in its class but does have 240fps 1080p and 480fps 720p video. There is something akin to this phone and the OnePlus 6 in that they share the video specs. Are these phones similarly built or it is just a fluke? We tend to see a homogenized spec sheet on these handsets as technology is standardized in China within camera modules. It is encouraging to see so many phones having the slow motion feature included and prominently displayed in the feature run-down.→ Continue Reading Full Post ←
The Lumix TS7 by Panasonic “TS7 in the US, Canada, FT7 outside of North America” is a well-rounded package when it comes to pricing and features. It is a 4k 30/25/24 ready camera and it can go underwater 31 Meters or 102ft plus all the cool ruggedized features you might expect on a camera of this kind like being crush-proof up to 220lbs/100kg and freezeproof down to -10 °C / +14 °F. It is a real alternative to smaller action cameras like the GoPro, Xiaomi Yi 4k+ and Sony Action Cam series.
The lens is a 28–128 mm 35mm equivalent 4.6x zoom range which is quite sharp across the range as we have seen from samples. The main issue with this camera is the small 1/2.3″ BSI sensor and the fact that it packs 20MP or a resolution of 5184 x 3888px which is a little too cramped to be ideal for low light or in our view underwater performance without added bright artificial lighting. ISO goes from a low of 80 to a high of 6400 which probably is already pushing it too much. This camera would have been a better bet with a 10 or 12MP BSI sensor to maintain some edge in low light for the competition. → Continue Reading Full Post ←
Has Canon finally woken up from the deep slumber that has crippled the progress in their camera line when it comes to video performance? On paper, the Canon EOS M50 a mirrorless camera that seems to improve in almost every way to previous efforts by the company. We have 4k recording at 24/25 but where is 30P? 120fps slow Motion 720 HD Video in a lower cost body and their excellent Dual Pixel AF System which is one camera feature where the others are playing catch-up.
If the rumors are solid; which seem to be considering the images leaked and detailed information then Canon may finally be releasing cameras that will be worth your while and a clear path out of the EF mount into a mirrorless future. We remain detached until we have image samples and slow-motion footage but its clear Canon and possibly Nikon will not remain still for much longer and let Sony, Olympus, Panasonic, and smartphones eat their installed user base little by little.→ Continue Reading Full Post ←