Our of our readers Chinito Pinoy has shared a pretty remarkable video with us that we would like to share. It is upscaling of sub HD resolution high-speed video at 240p, 480p and 960p from the Sony RX10 IV at 480 and 960fps and the A7S Mark III at 240fps from Sub HD to 4k UHD.
In what could be called a new paradigm or class of camera, DJI the drone maker has launched a couple of cinema full-frame cameras geared to professional productions that merge their Ronin gimbal products with their Drone pro Zenmuse cameras to create a massively appealing system for pros and enthusiasts that want no compromise stabilization with enough image quality to be able to use them in professional productions for TV and film. The pricing at just over 11.5k for the 8k version and 7.2k for the 6k version is small potatoes for movie and TV studios but might put off some buyers.
It is of note that a fully working system bundle is assembled at that price which is much better than other options. It includes the Gimbal, camera and body, 1TB SSD M.2 card, battery, touch screen and cabling. In cinema systems like RED and ARRI this is just the brain or camera body with everything else being added on top as ancillary costs. The frame rates on these cameras are limited to 120fps as the highest at 4k and 75fps at 8k. They might not be huge but the quality and stabilization should make them quite useful.
Apple has finally announced the iPhone 13 which may be one of the most underwhelming refreshes of the handset in many years. While there is a lot of new stuff, nothing added is really groundbreaking in the way previous phones have awed when it comes to features in imaging. It is certainly a clear refinement of nearly every aspect of the hardware and software with better low light gathering and a first for a phone the addition of ProRes recording at 1080p and 4k 30p depending on the phone storage spec.
There are neat features like rack focusing which allows for AI-assisted machine learning depth of field selection based on people’s faces whenever their eyes are visible and or enter or exit the frame. It is kind of gimmicky as it seems to do away with precise manual control of the feature but this is yet to be explored fully by reviewers. When it comes to Slow Motion capture, we have essentially no change for the 4th year in a row!
It seems the leaks have come down heavily on the to be formally announced Hero 10 Black from GoPro. The latest by Winfuture.de & @rquandt. The most important part of the leak speaks about the use of the new GP2 chipset which is at least 2x faster than the already long in the tooth GP1 which was a great processing unit when released a few iterations back but now has a bit of catch up to do.
The leak also talks about new Hypersmooth 4.0 which seems to use also the oversampled sensor to deliver gimbal-like motion stabilization performance for the camera without the use of a physical stabilizing unit. We really like Hypersmooth 2 and 3 and if the GP2 is such a better processing core, it should in theory yield even better smoothness on most footage resolutions. Frame rates have also taken a big leap here, and we speculate on what it could mean for slow motion enthusiasts.
Slow Motion camera releases are slow at this time of year but that doesn’t mean we have to be deprived of cool stuff to see. We have gathered a few slow motion videos that warrant your time and attention and surely push the art of capturing snapshots of time forward.
Even when these high speed cameras that in most cases are worth a lot more than the typical luxury midsize car, many creators are getting their hands on them and being creative in ways that could not be imagined in an earlier timeframe. From natural phenomena to technological feats, the footage has that mesmerizing quality that only this type of footage can instill on the viewer.
Sony has now released the third iteration of their Xperia 1 series which are the flagship phones from the company that really push the capabilities of the brand. Many point out that Sony smartphones are excellently made and perform admirably while also including the now coveted 3.5mm audio jack which has been removed at the behest of Apple iPhone influence in the vast majority of phones. We will say it once more, USB C audio adapters are terrible connections compared to 3.5mm jacks which offer the best possible audio transmission possibilities without compression and other trade-offs.
The new Sony Xperia 1 III continues the 120fps 4k HDR pedigree of the Xperia 1 II which is clearly a much-coveted feature for video enthusiasts. This time around the phone improves color, compression, and HDR fidelity to deliver an outstanding image when light allows it. The phone also has the typical 1080p 120fp and 240fps frame rate that have been showing up as commonplace features in flagship smartphones but absent is any higher frame rates that were included the Motion Eye TM technology used in previous Sony phones allowing 1000fps 1080p recording for a short time.