Ever wondered how to use slow-motion footage effectively with Premiere Pro CC from Adobe’s Creative Cloud? This quick tutorial by YouTubers Becki and Chris will go through the basics of capturing, editing and organizing the footage for a consistent workflow. They used cameras like the GoPro Hero 5 Black, Sony a7s II, and the DJI Osmo to capture the footage.
NVIDIA has been hard at work on the problem posed by high frame rate interpolation of video data shot on lower fps. We have had this tech since the late 1990s with the advent of Twixtor and refined over the decades in systems like Twixtor Pro and Adobe’s Optical Flow in After Effects. You are still not getting real temporal detail data since the frames are created by extrapolating velocity and direction vectors plus pixel values between frames to get the result.
The Chinese tech company Xiaomi has released it’s latest high-end flagship phone the Mi 8 which has the highest ever specs for a Xiaomi Phone with great benchmark scores to boot. It has up to 8GB of RAM with a Snapdragon 845 chip at 2.8Ghz which should perform admirably. The phone is targeted for under $500 in Asia for the lower version spec and under $700 USD for the highest Explorer version.
The video modes are what you would expect from a competitive flagship with UHD 30p 4k and 1080p up to 60fps standard with the option to go 120fps and 240fps in both full HD and regular 720p HD modes. 240p is becoming a standard for full HD and it is encouraging to see that phones all over the globe are adopting these specs as near standard now at least in the higher end. The 4k 60p spec is missing here so the iPhone and other phones that can do it are still preferable for high-end phone video capture.→ Continue Reading Full Post ←
The new Fuji X-T100 may be an afterthought for videographers due to its stills focus. It has a 4k UHD mode but only records at 15fps which begs the question why bother including it? It is certainly useless for everything except time-lapse video recording if you think stuttering footage is rubbish. However, the camera does have a 720p 120fps mode that can record for up to 7minutes while conforming into a file at 30fps which equates to a 4x slowdown or if later edited at 24p a 5x slowdown from real time.
Fuji industrial design is just eye-catching and excellent when it comes to looks. The X-T100 does not disappoint with its retro but chiseled look with a flippy screen that screams for a better video mode. We are fans of the Fuji cameras and are glad to see that even in this low-end entry the high frame rate video recording feature is retained. We hope to see them implement 240fps or higher in future models as their recent efforts in the X-H1 show encouraging initial results in 1080p with superb color rendering.→ Continue Reading Full Post ←
The new HTC U12+ bucks the trend in the latest flagship phones that offer extreme high frame rates like 480fps and 960fps for short time frames. Instead, the phone touts 240fps at 1080p and 4k 60p as the main frame rate specs. This is competitive with the iPhone X & Samsung Galaxy S9 series where 4k at 60p is now the default offering for the UHD format on the high end and 240p at full HD on the SlowMo feature front.
This U12+ phone has dual cameras in the front and back which allow it to do interesting bokeh out of focus effects on all types of shots including video mode which may be a first. As to the quality of the effect in video, it will have to be scrutinized to see where it lands and if its good enough to use as a narrative video capture device. The phone has all the top specs of today and the camera has gathered a 103 score on the DXOMark test which is the 2nd best camera on a phone ever after the excellent Huawei P20 Pro at 109.→ Continue Reading Full Post ←
The Lumix TS7 by Panasonic “TS7 in the US, Canada, FT7 outside of North America” is a well-rounded package when it comes to pricing and features. It is a 4k 30/25/24 ready camera and it can go underwater 31 Meters or 102ft plus all the cool ruggedized features you might expect on a camera of this kind like being crush-proof up to 220lbs/100kg and freezeproof down to -10 °C / +14 °F. It is a real alternative to smaller action cameras like the GoPro, Xiaomi Yi 4k+ and Sony Action Cam series.
The lens is a 28–128 mm 35mm equivalent 4.6x zoom range which is quite sharp across the range as we have seen from samples. The main issue with this camera is the small 1/2.3″ BSI sensor and the fact that it packs 20MP or a resolution of 5184 x 3888px which is a little too cramped to be ideal for low light or in our view underwater performance without added bright artificial lighting. ISO goes from a low of 80 to a high of 6400 which probably is already pushing it too much. This camera would have been a better bet with a 10 or 12MP BSI sensor to maintain some edge in low light for the competition. → Continue Reading Full Post ←