Canon is often accused of being too slow to react and update their line compared to the competition. However when you look back and see cameras like the 7D Mark 1 which introduced 60p 720p video to the EOS line it is much harder to judge them as other cameras topped at 30p.
The 5D Mark III has been a best selling camera for Canon but it is getting long in the tooth. The lack of 4k video is a sore spot for the camera line that introduced cinematic looking footage to the masses. The upcoming 5D mark IV (4) rumors suggest that not only 4k is in the cards but 1080p 120fps as well.→ Continue Reading Full Post ←
The latest update of the Google Android Camera App on Android Marshmallow OS which is available on Nexus devices like the Google Nexus 5p and 6p has now a dedicated Slow motion mode built in the GUI menus.
The Slow motion mode on these devices used to be buried in the video options menu but now has a more prominent role in the Camera Menu that slides out. While support is limited to Google Nexus devices for now, it seems that Slow motion might be an increasingly important feature for smartphones.→ Continue Reading Full Post ←
The EOS 70D was a big upgrade from the 60D in that nearly everything was better from the AF for stills, performance and live view Autofocus. The Canon 80D just released improves even more on the 70D than ever before by using a truly exceptional AF stills module with 45 all cross type points. This is 1D level performance in a 1k USD price range.
They include a sensor that has Dual Pixel CMOS AF same as the recently released EOS 1DX Mk II which is a 5x more expensive camera. This is in our view the killer feature of the 1DX Mk II and of the 80D as it becomes a true usable video camera with reliable autofocus. Previously unimaginable in either handycams, other video cameras and DSLRs.→ Continue Reading Full Post ←
Canon has been quite layed back in the past few years after the splash it did with DSLRs and the 5D Mark II 30p,24p and original 7D offering 720p 60fps in frame rates. This was so las decade and while there have been improvements there has not been an indication of the camera line growing up to develop a true leap in the video mode to EOS users. We have seen a transition to other systems like the Panasonic GH4 Micro 4/3 and Sony NEX series by many video pros looking for better video quality and higher frame rates besides Canon and Nikon bodies.
The video quality while stagnant in Canon and Nikon land has actually increased to 4k in other systems with amazing low light performance like that of the a7s Sony series. Canon seems to have woken up from their slumber with the new Canon 1DX Mk II a Professional answer with a full frame sensor and what looks to be a worthy video mode that is now up to date and competitive with some of the best out there in the under 120fps camp.→ Continue Reading Full Post ←
There is a lot of expectation for the release of the Panasonic DVX200 4k camera. It has been proclaimed as a true professional tool that will last the test of time among other superlatives. What intrest us most is that the camera will offer the ability to shoot 60p at 4k and 120fps at full 1080p HD. While non of the frame rates are what we would call groundbreaking; they do serve the vast majority of the video production crowd with the most usable aspects of overcrank for sports and shooting techniques relying on fast panning motion and action shots.
While there is still a blackout of shots at 120fps there have been a few 4k released shots that show what the pre-production cameras are capable of. The performance of the Micro 4/3 sensor and the built in Leica 13x f/2.8 – f/4.5 Lens seems to be very good. The samples however show Dynamic range which is rated at 12 stops in the specs to be close to what a GH4 with VLOG can produce. Since these are pre production shots you cannot base the final image quality of the camera from these samples but the quality is there and it can only go up from here. As for low light abilities it will remain to be seen but if you expect Sony A7s quality you are barking at the wrong tree. It should perform close or better than what the Lumix GH4 is able to do. The camera should be released sometime in October this year with a MSRP of $5000 USD.→ Continue Reading Full Post ←
The DVX100 was a huge camera for Panasonic way back in December 2002. So 13 years later and after a website built around that camera and it’s users, now a viable upgrade path; if they haven’t already upgraded to something else most likely.
The new Panasonic DVX200 full name”AG-DVX200” has that portable and production ready for factor with pretty robust specs and a much larger sensor.→ Continue Reading Full Post ←
