The new Sony PXW-FX9 XDCAM 6K Full-Frame Camera is what Sony fans have been waiting ever since the APS-C cameras Super 35 cameras like the FS5 and FS7 made the rounds. It is all that those cameras offered but now on a state of the art Full Frame sensor with Dual ISO capable of 800 and 4000 depending on the needed use. By being extremely sensitive the camera needs ND filtration and it doesn’t disappoint on that feature either by including a ramping – smooth increments ND filter from 1/4 to 1/128 which adjusts on Auto Mode depending on the scene without ruining the shot. An industry first.
On the Slow Motion front, the camera is consistent with Sony pedigree with now offering 120fps Full HD and with a promised firmware update 180fps Full HD and also 16-bit raw 4K/2K footage up to 120 fps to an external recorder. This is close but not quite what the FS5 is capable of in FHD which includes 240fps. The FS7 has in contrast 240fps @ 2K RAW Ext Rec & 180fps 1920*1080 Internal. Much closer to what the FX9 is capable of doing.→ Continue Reading Full Post ←
The recently announced Canon 90D, Canon EOS M6 II, Sony a6100 and Sony a6600 are cameras that refine everything that is already a current technology but bundle it in a lower price package with great performance. However, it is clear from the spec sheets that high frame rates have stagnated for the past few years in these camera lines with a maximum of 120fps at 1080p.
Sure some of them offer full-time autofocus in slow motion modes and face tracking which in the case of Sony is so good that you may not even match it if you had the best focus puller in the business hired for your shoot. But the frame rate war seems to be left to other camera lines and brands. Panasonic, for example, offers up to 180fps in their new S1H camera which should be in theory the best Panasonic mirrorless camera ever made and it should also allow for outstanding quality in 1080p 180fps.→ Continue Reading Full Post ←
The folks at Blackmagic design are at it again when it comes to destroying spec sheets compared to price. The BMPCC 4k was already one of the best-reviewed and popular choice among budget filmmakers that needed excellent quality and dynamic range. At only $1,295 that camera was a smash hit but had only a four thirds (4/3) sensor which was not ideal in size and required speed booster adapters to get the needed depth of field to simulate an S35 image.
Now the BMPCC 6k ($2,495.00) with EF Canon mount comes in with a full APS-C sensor with dual ISO characteristics like before but with the added imager size and full electronic lens support for EF glass. It would have been in our view ideal to use an electronic mount with shorter flange like the Sony Alpha or the new Canon RF mount so you could adapt even more lens combinations but they are catering to a large installed base of glass owners.→ Continue Reading Full Post ←
The new v2.02 firmware update for the Panasonic EVA1 includes improved bit rates at a variety of frame rates like: 2k- 422-Intra Frame Recording 200M/100M Max 120fps (equivalent to 400Mbps) Which may improve slow-motion quality considerably by allowing more data to be saved instead of scrapped.
For digital recorder owners, there is a lot to be excited about as the camera will now output RAW data at: 5.7K/30p Full sensor, 4K/60p Crop , 2K/240p Sensor Crop. Since the 240fps mode saved internally exhibited very severe aliasing, moire and line skipping; the fact that RAW is now a possibility should bring the camera’s capabilities up a notch and deliver excellent slow-motion quality. We hope to have some samples of the RAW recording on the EVA1 in a future update.→ Continue Reading Full Post ←
In the case of the RED EPIC-W with Gemini S35 sensor, it is the first time RED has used a dual Native ISO sensor like the ones seen on the Panasonic EVA1 and GH5s which have two different native sensitivities to deliver extremely clean footage with the widest dynamic range. Witha claimed 16.5 stops of dynamic range in standard mode & a gain of approximately two stops of light, from 800 to 3200 ISO without increasing the image noise. DPs of all kinds will savor these advances to shoot in dark situations knowing the output will be dependable.→ Continue Reading Full Post ←
On Semiconductor has launched two new 4k ready CMOS global shutter sensors with new technology for reduced noise and improved image quality. The parts are geared to surveillance, automotive, consumer devices and industrial applications. Both sensors are able to do high frame rates at 4k at full resolution.
The XGS 8000 is an 8.8 Mp (4096 x 2160) 4k / UHD resolution Global Shutter CMOS image sensor in 1/1.1 inch optical format capable of 120fps at full 8.8MP resolution. This first one geared for smaller devices. The XGS 12000 is a 12.6 Mp (4096 x 3072) CMOS image sensor in 1″ inch format, supporting up to 90 fps readout at full 12.6MP resolution. This sensor is better for higher resolution solutions.→ Continue Reading Full Post ←