Tag Archives: 96fps

Fran 8k Camera by Cinemartin First Manufacturing Sample!

Fran 8k Camera

The people at Cinemartin have publicly released new specs and images of the first industrial prototype of the cinema camera.  There are some killer features like 8k RAW video at 24p and up to 96fps RAW recording in both 4k DCI and1080p HD. Some other frame rates include 48p and 60p in a variety of resolutions which are needed for cinema production in either higher fps or just as a shooting necessity like 48p to get the Hobbit look.

One of the most impressive features listed is the ability to shoot in true Vista Vision format at 7920 x 6024 pixels for 8k at 24p that turns out to be 47.7MP; also the Dual ISO recording feature which will be available by August 2019 which allows dual recording capability for an extreme Dynamic Range improvement.  Other features include: Global Shutter, Internal full sensor downsampling, and in-camera electronic image stabilization. → Continue Reading Full Post ←

FRAN​ Camera by CINEMARTIN Promises 8k and High Frame Rates!

FRAN Camera 8k

The newly announced CINEMARTIN FRAN 8K Camera claims some huge numbers in terms of resolution and performance.  Up to 8K (8000×6000) RAW / Uncompressed 12 Bit video capture at 24fps and up to 96fps in 2k & 1080p for high frame rates but more on that later in this post.  There is only one image of the camera we were provided with and that is the RED Brain like rendering above which sports a mounting port which in the lab is fitted with a Canon EF Mount which is preferred among cinema oriented users especially if it is an active one.

FRAN also offers in the spec sheet 15.5 stops of dynamic range at 12 bit which competes directly with the best cinema cameras out there. CINEMARTIN claims the camera will come in below the competition in price while offering a true global shutter sensor with no rolling shutter distortion.   Using a 4/3 sized sensor at 50MP with 48MP being used for 8k Capture it may seem overkill when it comes to low light performance. It may be able to deliver resolution levels never before seen on cinema cameras but low-light will surely be a hurdle for the camera to overcome. → Continue Reading Full Post ←

Canon C700 FF and RED EPIC-W Dual ISO do High Frame Rates!

With NAB 2018 getting near, new announcements are starting to trickle in.  The two newest are the Canon EOS C700 FF Full-Frame Cinema Camera & the RED DIGITAL CINEMA EPIC-W BRAIN with Gemini 5K S35 Sensor.  These two are serious cinema cameras aimed at recording in high-end codec formats and supporting RAW codecs.  Both cameras support higher frame rates but do not offer extreme high speeds like dedicated slow-motion cameras.

In the case of the RED EPIC-W with Gemini S35 sensor, it is the first time RED has used a dual Native ISO sensor like the ones seen on the Panasonic EVA1 and GH5s which have two different native sensitivities to deliver extremely clean footage with the widest dynamic range. Witha claimed 16.5 stops of dynamic range in standard mode & a gain of approximately two stops of light, from 800 to 3200 ISO without increasing the image noise. DPs of all kinds will savor these advances to shoot in dark situations knowing the output will be dependable. → Continue Reading Full Post ←

GH5s Slow Motion Quality is Inferior to GH5!

GH5s Slow Motion

As expected based on early comments of the slow motion mode on the GH5s, the camera has pronounced aliasing “seen in this video by Max Yuryev” and softness the higher the frame rate goes. Even at 120p it is less detailed than the standard GH5.  It may be a function of supersampling in the higher megapixel  20MP GH5 vs the 10.2MP GH5s which is creating the new artifacts.

While the GH5s can shoot up to 192fps without cropping the sensor, anything above that up to 240fps it has a slight sensor crop which further decreases quality.  While the VFR mode on the camera is better than most cameras in the price range that attempt the feat, it is of note that the quality instead of increasing or remaining the same as the sister model takes a hit which may kill it as an option for slow motion needs.  We still believe the standard GH5 is the best Lumix option even when compared to the G9 in VFR mode. → Continue Reading Full Post ←

GH5 Firmware 2.0 Has Huge Improvements!

GH5 Firmware 2.0

The just announced Firmware for the Panasonic GH5 offers the promised improvements when the camera was launched like 400Mbps All-I compression for 4k 10 bit recording and or 200MBPS 1080p.  Also promised was near 6k Anamorphic shooting and HDR Ready Log Recording Gamma. All of that is in the firmware but the surprise comes from all the extra improvements that made the way into the 2.0 firmware release.

The new unexpected features range from a full tethering option for Mac or PC with free downloadable software to improved autofocus recording which was one of the weakest features of the camera.  As far as slow motion related improvements it seems the firmware is not making any headway there. The bitrate improvements do not mention the VFR mode. → Continue Reading Full Post ←

Panasonic GH5 Firmware 1.1 Allows 10 Bit 60p 1080!

Panasonic GH5 Firmware 1.1

The Panasonic GH5 ushered the era of 10-bit video recording on a portable prosumer interchangeable lens camera for the first time. Panasonic promised some features which at launch would not make the cut but would be added when firmware was released that would improve the spec sheet.  The new 1.1 version of the Firmware will enable 10bit recording on 1080p 24p, 25p, 29.98, 29.97p, 59.94p & 50p all at 100 Mbps.

While the camera offered 10 Bit recording at 4k from the get go it was not available above 29.97fps which left the 60fps 4k mode out in the cold for the increased color space. The update and all subsequent ones will also do not allow 10 Bit to be used above 30p in 4k so the 60fps UHD spec will remain at 4:2:0 8 Bit color. → Continue Reading Full Post ←