Tag Archives: 96fps

Fran 8k Camera Line is Announced!

Fran 8k Camera

The Spanish company Cinemartin known for their camera monitors is now officially launching the Fran 8k line of cameras in three flavors. The Fran 8k LT at an introductory price of €7,920 Euros or $9,000 USD which shoots 8k at 24p and up to 96fps in 2k resolution in either DNG RAW, PNG or ProRes while sporting a 37 mm x 27 mm (Diagonal 46.2 mm) sensor size slightly larger than a Full Frame 35mm. The LT version will not sport features like Programmability and image stabilization which the other higher cost models will support.

The cameras are built to order and require a 10% deposit when reserved. They are geared at the commercial and cinema markets which require the utmost image quality and 8k resolution on a very large sensor. The frame rates at 4k max out at 60p and at 2k max out at 120fps on the two higher-end models.  The introductory prices will only be available until 31st of December 2018. looking at the video samples released it is clear the quality of the image will be cinematic and contain extreme detail. The file sizes will also be enormous but that is to be expected with a frame size of 7920px * 3024px or 24Megapixels on the LT and 47MP on the Plus! → Continue Reading Full Post ←

Fran 8k Camera by Cinemartin First Manufacturing Sample!

Fran 8k Camera

The people at Cinemartin have publicly released new specs and images of the first industrial prototype of the cinema camera.  There are some killer features like 8k RAW video at 24p and up to 96fps RAW recording in both 4k DCI and1080p HD. Some other frame rates include 48p and 60p in a variety of resolutions which are needed for cinema production in either higher fps or just as a shooting necessity like 48p to get the Hobbit look.

One of the most impressive features listed is the ability to shoot in true Vista Vision format at 7920 x 6024 pixels for 8k at 24p that turns out to be 47.7MP; also the Dual ISO recording feature which will be available by August 2019 which allows dual recording capability for an extreme Dynamic Range improvement.  Other features include: Global Shutter, Internal full sensor downsampling, and in-camera electronic image stabilization. → Continue Reading Full Post ←

FRAN​ Camera by CINEMARTIN Promises 8k and High Frame Rates!

FRAN Camera 8k

The newly announced CINEMARTIN FRAN 8K Camera claims some huge numbers in terms of resolution and performance.  Up to 8K (8000×6000) RAW / Uncompressed 12 Bit video capture at 24fps and up to 96fps in 2k & 1080p for high frame rates but more on that later in this post.  There is only one image of the camera we were provided with and that is the RED Brain like rendering above which sports a mounting port which in the lab is fitted with a Canon EF Mount which is preferred among cinema oriented users especially if it is an active one.

FRAN also offers in the spec sheet 15.5 stops of dynamic range at 12 bit which competes directly with the best cinema cameras out there. CINEMARTIN claims the camera will come in below the competition in price while offering a true global shutter sensor with no rolling shutter distortion.   Using a 4/3 sized sensor at 50MP with 48MP being used for 8k Capture it may seem overkill when it comes to low light performance. It may be able to deliver resolution levels never before seen on cinema cameras but low-light will surely be a hurdle for the camera to overcome. → Continue Reading Full Post ←

Canon C700 FF and RED EPIC-W Dual ISO do High Frame Rates!

With NAB 2018 getting near, new announcements are starting to trickle in.  The two newest are the Canon EOS C700 FF Full-Frame Cinema Camera & the RED DIGITAL CINEMA EPIC-W BRAIN with Gemini 5K S35 Sensor.  These two are serious cinema cameras aimed at recording in high-end codec formats and supporting RAW codecs.  Both cameras support higher frame rates but do not offer extreme high speeds like dedicated slow-motion cameras.

In the case of the RED EPIC-W with Gemini S35 sensor, it is the first time RED has used a dual Native ISO sensor like the ones seen on the Panasonic EVA1 and GH5s which have two different native sensitivities to deliver extremely clean footage with the widest dynamic range. Witha claimed 16.5 stops of dynamic range in standard mode & a gain of approximately two stops of light, from 800 to 3200 ISO without increasing the image noise. DPs of all kinds will savor these advances to shoot in dark situations knowing the output will be dependable. → Continue Reading Full Post ←

GH5s Slow Motion Quality is Inferior to GH5!

GH5s Slow Motion

As expected based on early comments of the slow motion mode on the GH5s, the camera has pronounced aliasing “seen in this video by Max Yuryev” and softness the higher the frame rate goes. Even at 120p it is less detailed than the standard GH5.  It may be a function of supersampling in the higher megapixel  20MP GH5 vs the 10.2MP GH5s which is creating the new artifacts.

While the GH5s can shoot up to 192fps without cropping the sensor, anything above that up to 240fps it has a slight sensor crop which further decreases quality.  While the VFR mode on the camera is better than most cameras in the price range that attempt the feat, it is of note that the quality instead of increasing or remaining the same as the sister model takes a hit which may kill it as an option for slow motion needs.  We still believe the standard GH5 is the best Lumix option even when compared to the G9 in VFR mode. → Continue Reading Full Post ←

GH5 Firmware 2.0 Has Huge Improvements!

GH5 Firmware 2.0

The just announced Firmware for the Panasonic GH5 offers the promised improvements when the camera was launched like 400Mbps All-I compression for 4k 10 bit recording and or 200MBPS 1080p.  Also promised was near 6k Anamorphic shooting and HDR Ready Log Recording Gamma. All of that is in the firmware but the surprise comes from all the extra improvements that made the way into the 2.0 firmware release.

The new unexpected features range from a full tethering option for Mac or PC with free downloadable software to improved autofocus recording which was one of the weakest features of the camera.  As far as slow motion related improvements it seems the firmware is not making any headway there. The bitrate improvements do not mention the VFR mode. → Continue Reading Full Post ←