Tag Archives: AF

Sony a99 II Slow Motion Samples!

Sony a99 II Slow Motion

The Sony a99 II with SLT “fixed translucent mirror design” has been awaited by the A Mount users who only have this camera to upgrade. It is by no means a slouch with it’s impressive specs like 42MP BSI Sensor and 12fps full AF picture shooting.  It also has 4k video recording at 24, 25 and 30p and a 120fps slow motion mode that works at 1080p full HD.

The slow motion quality has been mostly an obscure feature since no samples have been available until recently.  The original a99 had 60fps full HD on a 24MP sensor but the a99 II Doubles every spec and performance is not affected. It is really a monster of a camera for still shooters that can go head to head with the Nikon D5 and or Canon 1DX Mark II without skipping a beat.

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Canon EOS 5D Mark IV Slow Mo Quality!

Canon EOS 5D Mark IV

We have gotten a few questions about the EOS 5D Mark IV when it comes to it’s 120fps 720p slow motion mode.  We covered it back in August but samples were hard to find back then; all that has changed and now we can rate and position the camera in our HSC Camera Guide ranking.  While it will not win any contests for resolution or frame rate we think it is a good all around camera with useful features for video enthusiasts.

The negatives like high price,  Moire & Aliasing prone slow mo resolution, huge inefficient 4k bit rates on an old codec, 1.74x crop in 4k recording and big system bulk still apply for this camera.  The Panasonic GH5 for instance destroys the 5D Mark IV in the video spec department but that is ok considering the 5D Mark IV is a stills workhorse with a full frame sensor first and an excellent AF and high ISO performance package.

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Sony RX100 V Manual Shows Higher HFR Resolution!

Sony RX100 V

It seems the Sony RX100 V is not only improved in recording time but also on resolution.  Our reader “slowmosage” sent us his new findings on the official manual and in fact Sony states much higher resolution read out for the HFR mode at 480fps, 500fps, 960fps and 1000fps than the RX100 IV had.

The increases are not trivial and shows that the actual readout in the horizontal at 500fps and 480fps is the same number of pixels read out at the near full HD 240fps and 500fps 1824*1026. This is a big improvement compared to the previous HFR modes and confirms that the resolution seen in the sample footage not only looks better but it is based on more pixels read out.

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Sony RX100 V Slow Motion Samples!

sony rx100 v cam frame rates

The Sony RX100 V has already started to reach reviewers and enthusiasts; the slow motion clips are starting to grace the web and there is a lot to like about the quality that the camera produces as well as the creativity behind the shots. There is a lot of power in this pocketable P&S camera and it sure makes for the perfect travel companion without all the bulk.

The quality seems slightly improved from last year’s RX100 IV but now with the added addition of a faster sensor and flash memory package with twice the depth buffer allows for some very usable recordings in HFR slow motion mode.

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Sony RX100 V Has Extended Slowmo Mode!

Sony RX100 V Camera

Sony today announced the Sony Cyber-shot RX100 V portable 1″ sensor camera. It replaces last year’s excellent RX100 IV which is at #8 rank in our HSC Camera Guide for slow motion gear on a budget.   This next iteration is more robust in several aspects including HFR record time which is nearly doubled due to a larger and faster frame buffer. This makes it much more useful in Quality Priority mode offering up to 4 seconds 240fps NTSC or 250fps PAL at almost Full HD 1080p resolution.

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Canon 5D Mark IV Slow Motion Samples!

Canon 5D Mark IV

For many the EOS 5D Mark IV was to be the resurrection of the DSLR camera as a video professional’s tool of choice. However just looking at the reactions online and the spec sheet itself it looks like Canon missed the mark by a mile in this aspect.  Several camera shortcomings like the codec, crop factor in 4k and lower resolution for higher frame rates come to mind.

The over four year wait which was about the same between the Mark II and Mark III models is extremely long for a product class that needs to evolve constantly in order to remain competitive. With Sony and Panasonic doing real innovation in the video space in a much smaller time frame usually 18 months, Canon needed a product that could withstand to scrutiny for a few years.

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