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edgertronic SC2X Unveiled 1910fps at 1080p!

edgertronic SC2X

edgertronic has unleashed what could be the most important affordable slow motion camera release this decade.  The new SC2X aims to finally jump the 1080p barrier of over 1000fps that has been the wall of performance for cameras under $50k USD.  The camera goes overboard with 1910fps at 1920*1088 pixels which offers TV, film, and web video production a new realm of possibilities with native resolution frame rates.

The camera looks and works exactly the same as the previous SC2+ release but with a flange ring in yellow golden color. The camera will work with all existing edgertronic cases, accessories and support systems as it is a direct upgrade for the line and maintains dimensions. The camera continues the use of the Nikon F mount which allows for manual aperture and focus on the supported lenses which are plentiful. → Continue Reading Full Post ←

Is Slow Motion In Movies a Passing Fad?

Slow Motion In Movies

In a new column written by Dann Gire of the Daily Herald, Slow Motion is questioned as a passing moment in film history where it is overused and loses power and effect over time.  We agree that some movies rely so heavily in slow motion effects that it becomes a primary role in the movie.  Movies such as Sherlock Holmes and 300 1&2 take it above the regular mundane level and truly makes art out of the technique.

We feel that with the democratization of slow motion devices in consumer pockets with phones and now professional high-speed cameras are dropping in value while improving performance. We expect the slow motion trend of screen time will not diminish but increase for years to come as gear is now flooding the market with high frame rates. → Continue Reading Full Post ←

Fake Slow Motion Is It Worth It?

Fake Slow Motion

There has been a lot of work put it developing software that can interpolate frames for video editing and compositing applications. Twixtor in the late 90’s was perhaps the first time the technology could make something worthwhile and really produce acceptable results in a computationally acceptable timeframe.

Today the most used algorithm is Adobe’s Optical Flow in Premiere or Time Warp in After Effects which use vector directional plus acceleration of pixel values to derive in between frame data to generate new frame information from the preceding frame as point A and the next frame as point B.  The results can do some wonders to really slow down things above the frame rate ceiling of the camera. → Continue Reading Full Post ←

Are Consumer Cameras About to Disappear?

Consumer Cameras sales

Tony Nurthrup has created a video eulogy of the consumer cameras along with a long explanation of why the camera as we know it will cease to exist. It is not only about the form factor change and plethora of options but the ability of camera companies to make money from their camera lines.

There has been a continued drop in consumer cameras of all kinds including SLR or ILC systems sales since their peak in 2011. The smartphone is killing the camera and no matter how many phone like features like WiFi, Bluetooth or Social Media share are incorporated in compact cameras; they continue to go down in sales and swamping the bargain bins of oblivion. → Continue Reading Full Post ←

edgertronic SC2+ Interview with Mike Matter!

edgertronicSC2

It is no small achievement to create a high speed camera of any kind; and to do it at 1/5th the regular price of competitive hardware is more of a balancing act between offering a robust product while still remain under budget.  In our review of the edgertronic SC2+ Color we saw that the camera not only performed as advertised but exceeded our expectations when it came to image quality, dynamic range and dependability.

In this ten question interview we ask Mike Matter, the CEO of Sanstreak the parent company of the edgertronic camera and the main hardware engineer behind the edgertronic SC2 and SC2+ Cameras, what the camera means for the high speed market, competitors, clients and the motivation for the choices behind it’s design. → Continue Reading Full Post ←

Fuji XP90 Has a 480fps Mode but How Good?

XP90Yellow

Fuji got quite a few products out at CES 2016 for photographers but nearly all had no real slow motion capabilities except for the Fuji XP90 Rugged waterproof compact camera.  It is the same 16.4 Megapixel CMOS sensor with 5x optical zoom and a pretty standard 28mm lens at the wide end as last year’s Fuji XP80.

It is still shockproof from 6ft, waterproof to 50ft and freeze-proof down to 14 degrees Fahrenheit.  But aside from the harsh treatment capabilities the camera has  a larger 3 inch screen vs 2.7″ on it’s predecessor and the 1080p video spec has been upped to 60p for a little slowdown. → Continue Reading Full Post ←