The Panasonic Lumix BGH1 is a strange camera if you are used to DSLR or Mirrorless camera body styles. It is tiny and full of connections with no screen unless you provide one via a computer that is tethered or an HDMI field monitor. It uses the same dual ISO sensor found on the Panasonic Lumix GH5s which is a very good low light camera in a Micro 4/3ds package. The BGH1 has a better internal recording set of options than the GH5s but it is more intended as a tethered studio solution with the addition of Genlock synch and SDI out.
The camera also has VFR or a Variable frame rate mode which is identical to the Lumix GH5s as it records from 1fps to 240fps in Full HD 1080p and delivers pretty good performance up to 200fps then lowers the quality along with providing a small added crop to the image at 225fps and 240fps. It is still not as sharp as regular 1080p video and the codec is saved at a lower bit rate but having 240fps as an option is great.→ Continue Reading Full Post ←
Sony has revealed the ZV-1 Vlogging camera which uses the tried and true technology of the RX100 series and simplifies the body controls plus allows the screen to be of the vari-angle kind to work essentially as a do it all solution for web Vlogs. The body is reminiscent of the latest RX100 VII and very close to the previous generations but with the added benefit of a real video-oriented 360-degree screen.
As an RX Camera it features our favorite slow motion mode of the compact camera world, the Motion Eye or HFR Sony mode which offers up to 1000fps on sub HD resolution at capture time and near 1080p at 240fps with excellent quality. We dive into the camera’s slow motion mode to see if anything has improved from the RX line and if this camera with it’s lower entry price makes more sense to own than the RX100 line.→ Continue Reading Full Post ←
The new Sony PXW-FX9 XDCAM 6K Full-Frame Camera is what Sony fans have been waiting ever since the APS-C cameras Super 35 cameras like the FS5 and FS7 made the rounds. It is all that those cameras offered but now on a state of the art Full Frame sensor with Dual ISO capable of 800 and 4000 depending on the needed use. By being extremely sensitive the camera needs ND filtration and it doesn’t disappoint on that feature either by including a ramping – smooth increments ND filter from 1/4 to 1/128 which adjusts on Auto Mode depending on the scene without ruining the shot. An industry first.
On the Slow Motion front, the camera is consistent with Sony pedigree with now offering 120fps Full HD and with a promised firmware update 180fps Full HD and also 16-bit raw 4K/2K footage up to 120 fps to an external recorder. This is close but not quite what the FS5 is capable of in FHD which includes 240fps. The FS7 has in contrast 240fps @ 2K RAW Ext Rec & 180fps 1920*1080 Internal. Much closer to what the FX9 is capable of doing.→ Continue Reading Full Post ←
The Sony RX100 VII or also known as the RX100M7 is the latest in the stacked 1″ CMOS sensor line from the company in what amounts to another evolutionary incremental step without a real revolution. New is the impressive real-time AF technology from the Sony a9 professional camera now miniaturized into this pocketable beast with up to 20fps at full resolution and up to 90fps in high burst mode but for only 7 shots which is kind of a letdown as it is very limited.
The HFR mode in previous RX series cameras have been one of our favorites among the cameras released in the past few years by including truly usable 240p, 480/500p, and 960/1000p depending on NTSC or PAL mode selection with also the ability to trigger a pre and post record time to not miss the moment. This ability is akin to what a real dedicated serious slow motion camera can deliver. The problem is that the RX cameras are severely time-limited at 4 seconds quality priority time and or 7 seconds in shoot time priority.→ Continue Reading Full Post ←
Let us start by saying that we are huge fans of the Lumix line by Panasonic and their cameras in general. The GH5 is still a powerhouse of a camera for serious video work and the 180fps FUll HD slow motion is better than many others before or since at that frame rate while at 120fps is as good as the best Sonys out there. However, the recently announced Lumix G95 drops the ball in several fronts when it comes to really good video performance which has become a trademark for Panasonic.
The G95 has all the looks and character of a great hybrid camera but has a crippled video mode that may put off many buyers looking for the perfect intermediate camera. The 4k, for example, has a 1.25x crop on top of the nearly 2x crop of the micro 4/3 sensor. Making it a little larger than the area of a 1″ sensor. This will sacrifice video quality in the lack of supersampling and low light will suffer from the added megapixels.→ Continue Reading Full Post ←
The slumbering Nikon has awakened to the mirrorless present and future and has shown their cards in a very strong but not class-leading mirrorless product line. The Nikon Z7& Z6 are nearly identical bodies with changes in the sensor and AF. The more expensive and higher resolution Z7 screams pixels with a 45.7MP Full Frame sensor ISO 64–25600 range which should be a direct replacement for D850 users. The other Z6 is a better low light camera geared more at wedding shooters and videographers at 24.5MP which should produce outstanding low light ISO 50–204800 with ISO expansion.
There is a lot to like in these cameras like a real 5 axis (5 Stop) IBIS stabilizer on the full frame sensor which also works on adapted lenses and works with Nikkor VR lenses from DSLR cameras to increase the 3 stops to a real 5 stops hybrid stabilization feature. The video modes offer 4k at 24, 25 and 30p which is so 2014 as is the 120fps full HD 1080p slow motion mode. AF also changes between models at 493 points on the Z7 and 273 on the Z6.→ Continue Reading Full Post ←