Mobile World Congress in Barcelona came and went and two phones are the real stars of the show. The Galaxy S7 by Samsung and the LG G5 which are both of the most anticipated Android phones ever. The Korean companies go head to head on features and looks and while they are close in specs they differ a lot when it comes to camera specs and the fine details.
The LG G5 disappoints by only being able to record at 1080p 60fps which tops it’s frame rate recording. This is even a step down from the LG G4 which recorded 120fps at 720p. The LG G5 as a slow motion phone is now off the table. Which leaves us with the Samsung Galaxy S7 and it’s near twin the Galaxy S7 Edge with a curved screen but same specs.→ Continue Reading Full Post ←
What came as sort of a surprise and some mitigated anger to current recent owners of the camera, JVC announced that the JVC GY-LS300 4k, HD and SD capable camcorder will now be offered at $1,000 USD cheaper from a MSRP of $3,995 to $2,995. Furthermore it has a few new features added in a free firmware upgrade to current and new owners of the camera in April.
The update brings full HD 120fps capability to an already robust camera along with “JVC Log Gamma” recording mode. The camera offers a Micro 4/3 mount for easy use of different lens mounts including Canon and Nikkor lenses which is a big strength of this setup. Hundreds of adapted lenses can be used from almost any manufacturer. The JVC Log mode is supposed to increase dynamic range by 800%. We find that claim a little on the superlative side and probably will bring 2-3 real stops improvement in DR.→ Continue Reading Full Post ←
Nikon has delivered a shockwave for affordable slow motion with the three new Nikon DL Cameras announced yesterday. At first glance it seems a refresh of previous cameras with a 1″ sensor module but actually these are a completely new breed.
For starters the cameras offered are basically the same bare bones electronics with the difference being in a specific focal length for the fixed lens assembly. The cameras are presented in a DL18-50mm for the wide angle shooters, DL24-500mm for the sports and nature crowd who need the reach and DL24-85mm for portraits and general photography with a Super Macro mode.→ Continue Reading Full Post ←
Video ramping is not new, it is actually been here for quite a few years in cameras and widely accessible in modern video editors. The problem is that it is still a hard thing to do properly. You either get choppy results, artifacts or pretty amazing ones by chance or by sheer trial and error and are not easily repeatable. This is where Speedramp by Prolost.com comes in!
After effects has had Time Remapping for a few years in the CS releases including Premiere Pro; but as with almost any built in feature in software it is hardly polished as well as it could be. Speedramp builds on top of the Adobe Time Remapping by incorporating a simple to use workflow that is capable of being tweaked and altered by simple parameters until you get the desired effect.→ Continue Reading Full Post ←
MWC – Mobile World Congress in Barcelona which takes place next week from February 22 to 25th has been heating up the rumor mill when it comes to phone announcements. CES was kind of a weak show for mobile announcements but the MWC Barcelona event will correct all that with many new phones announced.
As we only cover gear that is capable of shooting high frame rates for slow motion video there are some rumored phones that just jump out. It seems that 120fps at least at 720p is now commonplace enough not to warrant a lot of scrutiny but now the trend is 120fps 1080p and 240fps at 720p as a new standard for flagship phones started by the iPhone 6s and cemented by the Huawei Nexus 6p of 2015.→ Continue Reading Full Post ←
The just announced Olympus SH-3 Camera not only does 4k video at 15fps which is far from ideal but also allows serious HD video performance in a 1/2.3″ (6.17 x 4.55 mm) Sensor fixed 24x zoom camera product with 1080p 60fps and 120fps at 720p with a smaller res 240fps mode that may work for some experimental shots. For owners of the SH-2 of last year the frame rates were already there in the same exact specs except for the 15fps 4k.
There is no question this is a mild refresh of the camera compared to last year’s SH-2. Besides some extra software image filters and 4k at 15fps which is kind of an unusual frame rate and more a gimmick that a usable video format; there is not much else to report as feature improvements.→ Continue Reading Full Post ←
