The Fuji X-H1 just announced does a lot of things right; It has a 200mbps 4k codec in UHD / DCI, 120fps Full HD which from the initial looks of it looks gorgeous and it finally has the 5-Axis Stabilizer on the sensor 5.5 stops worth that had eluded Fuji cameras for two years now. It even has a new Eterna color profile which makes it easy to color correct without being too flat or too processed.
However, the X-H1 is based on the same 24MP X-Trans APS-C sensor found on the X-T2 which while overall good, it has problems with color moire and fine textures due to the processing on the unconventional RGB pattern which has 4 adjacent green pixels and differs quite a lot from Bayer sensors. See this article from PetaPixel comparing both technologies here. But as far as video mode is concerned it looks to be a good contender to options like the GH5 and Sony 7 series.
No matter how hard Sony and other mirror-less systems try to kill the Mirrored SLR camera, it seems Nikon and Canon refuse to go down for the count. The latest Nikon D850 is a camera that is better in every respect to it’s predecessor but now treads in the rarified air of hyper resolution sensors that do up to 9fps at full 45.7 Megapixels with the added battery grip.
Of note for us is the inclusion of a full HD 1080p 120fps mode which matches that on the Canon 1DX Mark II and the excellent quality Sony a9 mirror-less cameras. There are no real samples of the D850 in slow motion aside from compressed preview videos that seem to show some aliasing in the mode. As to a crop we will have to wait and see but in 4k mode the camera is able to extract the image from the full sensor with no field of view crop which is the holy grail for large resolution sensors.
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