Beyond the press, Youtube channel from Finland has posted an incredible video that showcases the power of 72 Chronos 1.4 cameras in the Chronos Ring system to deliver 330,000 fps making it able to capture Oxy-Acetylene gas explosions at ridiculously slow speeds. It is so fast that a single camera would have to travel at 43.175 Kilometers/second which is over 5x faster than the International Space Station. That is the power of daisy-chaining slow motion gear that is considerably inexpensive compared to high priced options and giving you incredible results. Props for the Team at Krontech.ca for sharing their system with the world. More info about the Chronos Camera and the Chronos Ring at: https://www.krontech.ca
The Twitter account of the Krontech.ca company has posted here a render and a short info spec on a supposed 48 camera rig that can process an awe-inspiring 68 Gigapixels/sec which they arrive at by aggregating the 1.4Gpx/s on the Chronos 1.4c camera multiplied by 48 different units. (Update: Real Product See Our Post Here!)
“Ladies and gentlemen, please welcome the “Chronos 68″ made of 48 Chronos 1.4 cameras thus able to process 68 Gpx/s. Is anyone in to buy?” Krontech.ca
Being this April 1st which could make it an April Fools prank we are cautious about calling this a real rig, or product, but it sure looks pretty capable as a way to capture a 360-degree view of something. Whatever the case, this is probably not going to be cheap but geared to professional movie making or very hardcore labs. Krontech.ca website here! What do you think? -HSC
The Tesla500 Youtube Channel is at it again with an impressive build and experiment. David Kronstein the creator of the Chronos has attached a camera to a specially modified mower and blade assembly to shoot what a lawnmower does directly on the blade’s edge. The mower was only run at 1/2 speed, to avoid a camera failure, resulted in about 180 G-forces at the edge of the camera.
Needless to say, it really shows how good the camera is at withstanding abuse. While we do not condone you do this with any camera it is cool to know it can be done and still have beautiful high speed imagery to go with it. Congrats to David for the successful build! The G-forces involved would kill any living thing with a brain in seconds hence why a camera is a good subject, Please don’t try this at home! Watch the video below:
As 2018 comes to a close it is time to look back through the year’s camera releases and see which delivered quality at an affordable price in slow motion. Phone slow motion options above 480fps were a big surprise this year and the frame rate quality improved in other cameras up to 240fps.
There has been a stagnation in the mid to professional camera range at the 240fps with no big improvements afterward. The best quality and value once again came from the Chronos 1.4c from Krontech and the edgertronic cameras which offer professional quality results at a very reasonable price. Read on for our best of 2018 results!
Ever wondered how super slow motion in the past was capable of multi-thousand fps performance with just film exposures? Well, they used customized camera rigs that combined multiple rolls of films, mirrors, and synch cables to essentially get a result beyond what the limitations of the equipment forced upon the shooter.
In a very cool video by Camera Tech on Youtube from 2015 they were able to get a custom mirror rig to shoot simultaneously on two GoPro cameras with a semi-translucent angled mirror that splits the light to each camera lens by 50% making it possible to sum both frame rates in post by alternating the frames captured by both cameras with a very slight time difference equivalent to 1/frame rate expected.
The Chronos 1.4c team based in B.C. Canada has been hard at work unleashing the features of the camera hardware and adding software features that should make the camera more valuable to video professionals everywhere. The new firmware adds HDMI live mirroring support for monitoring which is clean and lets you record its output. Another feature is the inclusion of native CinemaDNG save format image sequences which retain 16bits of color data and allow you to really streamline the workflow without time-consuming conversions.
In our testing over the last 4 days, we have really put the firmware “available here” through its paces and found very minimal issues in the software related to usability but no freezes and rock solid operation over around 14hrs of operation. By saving to CinemaDNG we have no issues with cards getting write space errors due to saving the 1.8MB files individually. We feel this format is really unleashing the camera’s quality fully with a faithful sensor capture representation.