Tag Archives: Cinema 4k

GH5s More Rumored Specs Emerge With 240fps!

GH5s

The latest info from 43 Rumors stemming from supposed leaks on the GH5s or “Low Light Version of the GH5” suggest a 10.28MP sensor with up to 240fps Full HD recording capability.    There seems to be an out of step rush to deliver this camera compared to previous releases by Panasonic which may or may not end with a product on the specified date of Jan 8th, 2018.

There has been a clear progression of frame rates from Lumix GH cameras from 60p to 96p, 120p and most recently 180fps with the GH5 and G9.  However, if the GH5s ships with 240fps we can safely assume that the spec will now be the bare minimum frame rate for a flagship camera in full HD instead of the 120fps most can shoot in high-quality mode.  The GH5 suffered from quality degradation above 120fps with aliasing and moire taking a toll. If the new camera can deliver 240fps with the same quality as 120fps then it will be a milestone mirrorless camera. → Continue Reading Full Post ←

DJI Phantom 4 Pro Delivers 4k 60fps!

DJI Phantom 4 Pro

It seems DJI is doing the impossible these days to make the competition look bad. They are executing on all cylinders by releasing industry leading products every couple of months now. The latest DJI Phantom 4 Pro and DJI Inspire 2 are so advanced compared to the competition that it really starts to become a monopolistic playing field.

The DJI Mavic Pro is already the most impressive drone when it comes to portability and now the new drones fill the gaps in image quality and performance where the Mavic Pro simply can’t compete. GoPro has already recalled the GoPro Karma Drone due to loosing power while hovering without warning posing a risk down below. If these DJI drones are solid, then other makers have to step up their game fast. → Continue Reading Full Post ←

Sony FS7 Mark II Slow Motion Stays at 180fps!

Sony FS7 Mark II

In what could be condensed into a mild refresh at best; the newly released Sony FS7 Mark II Super 35mm 4k Camera does little to entice owners of the Sony FS7 to upgrade. It seems to be a way to replace the camera and entice new buyers without actually offering anything really revolutionary.

To be fair there are a few improvements like the E Mount now has a PL like locking mechanism for easier lens detachment without twisting. This is ideal for lenses with filters and matte box attached. Also the integrated electronic Variable ND brings it in line with other cameras that offer this compelling option to avoid ND filters altogether while setting the camera for 1/180º shutter. Added also is BT.2020 color space for UHD recording at 10 and 12 bits, 10 assignable buttons vs 6 in the Mark 1 and a few new LEDs and ergonomic fixes from user feedback on the Mark 1. → Continue Reading Full Post ←