The people at Cinemartin have publicly released new specs and images of the first industrial prototype of the cinema camera. There are some killer features like 8k RAW video at 24p and up to 96fps RAW recording in both 4k DCI and1080p HD. Some other frame rates include 48p and 60p in a variety of resolutions which are needed for cinema production in either higher fps or just as a shooting necessity like 48p to get the Hobbit look.
One of the most impressive features listed is the ability to shoot in true Vista Vision format at 7920 x 6024 pixels for 8k at 24p that turns out to be 47.7MP; also the Dual ISO recording feature which will be available by August 2019 which allows dual recording capability for an extreme Dynamic Range improvement. Other features include: Global Shutter, Internal full sensor downsampling, and in-camera electronic image stabilization.→ Continue Reading Full Post ←
The newly announced CINEMARTIN FRAN 8K Camera claims some huge numbers in terms of resolution and performance. Up to 8K (8000×6000) RAW / Uncompressed 12 Bit video capture at 24fps and up to 96fps in 2k & 1080p for high frame rates but more on that later in this post. There is only one image of the camera we were provided with and that is the RED Brain like rendering above which sports a mounting port which in the lab is fitted with a Canon EF Mount which is preferred among cinema oriented users especially if it is an active one.
FRAN also offers in the spec sheet 15.5 stops of dynamic range at 12 bit which competes directly with the best cinema cameras out there. CINEMARTIN claims the camera will come in below the competition in price while offering a true global shutter sensor with no rolling shutter distortion. Using a 4/3 sized sensor at 50MP with 48MP being used for 8k Capture it may seem overkill when it comes to low light performance. It may be able to deliver resolution levels never before seen on cinema cameras but low-light will surely be a hurdle for the camera to overcome.→ Continue Reading Full Post ←
Yes the BMPCC 4k looks like a DSLR crossed with a late 1990s digital camera but it’s insides are not only powerful but could also mean that you can essentially afford two units of this camera instead of a Panasonic GH5s for example and get similar quality with the added ability to shoot RAW and power an XLR microphone directly from the camera with phantom power. Bang for your buck!
As for fast frame rates the camera can shoot 4k 60fps & 120fps 1080p in full RAW or Apple ProRes codec options. We sure wished the camera could shoot 240fps in full HD and 120fps in 4k even while time limited. It would have placed the camera in a much better position on our list due to its $1,295.00 USD price tag which is really the best value for money in a camera today. Well for September 3rd which is the actual ship date which may or may not derail your purchasing plans.→ Continue Reading Full Post ←
There is an aura over the Panasonic GH5s that has not been seen in a m43 camera possibly ever. It is mainly due to the outstanding low light quality in 4k 24, 30p and 60p that beats full frame cameras like the Canon 5D Mark IV and competes head to head until ISO 25,600 with the king of low light the Sony a7s Mark II. But as always, our focus is on the high frame rates which the camera also does quite good on.
The 4k 60fps quality is very close to the 30p quality which means excellent and you can shoot at 60p at night without worrying about noise. The 240fps mode which is a first for a Lumix camera in full HD means that the camera aims to compete with Sony RX series cameras that have stacked sensors. We believe the quality to be acceptable but not good enough to be broadcast quality as stair stepping jaggies are all over the frame with the occasional moire pattern on fine detail that can break a shot.→ Continue Reading Full Post ←
In the case of the RED EPIC-W with Gemini S35 sensor, it is the first time RED has used a dual Native ISO sensor like the ones seen on the Panasonic EVA1 and GH5s which have two different native sensitivities to deliver extremely clean footage with the widest dynamic range. Witha claimed 16.5 stops of dynamic range in standard mode & a gain of approximately two stops of light, from 800 to 3200 ISO without increasing the image noise. DPs of all kinds will savor these advances to shoot in dark situations knowing the output will be dependable.→ Continue Reading Full Post ←
Has Canon finally woken up from the deep slumber that has crippled the progress in their camera line when it comes to video performance? On paper, the Canon EOS M50 a mirrorless camera that seems to improve in almost every way to previous efforts by the company. We have 4k recording at 24/25 but where is 30P? 120fps slow Motion 720 HD Video in a lower cost body and their excellent Dual Pixel AF System which is one camera feature where the others are playing catch-up.
If the rumors are solid; which seem to be considering the images leaked and detailed information then Canon may finally be releasing cameras that will be worth your while and a clear path out of the EF mount into a mirrorless future. We remain detached until we have image samples and slow-motion footage but its clear Canon and possibly Nikon will not remain still for much longer and let Sony, Olympus, Panasonic, and smartphones eat their installed user base little by little.→ Continue Reading Full Post ←