Two very different new cameras were released this week that are able to shoot in 240fps Full HD 1080p. One is the Fujifilm X-S10 which is an all-rounder mirrorless camera with 6 stop IBIS and cinema video profiles for $999 body only, the other is the sequel to the very well received DJI Osmo Pocket now named DJI Pocket 2 dropping the OSMO part of the name & starting at $349 in its most basic form. Slow Motion on DJI Pocket 2 & Fuji X-S10 is close on both.
Both cameras are able to do 120fps as well but the interest peaks at 240p where the speed makes things moving slower more detailed, especially people as at that speed lifeforms moving relatively slow are excellent subjects. For faster animals like birds or flying insects, you need many more frames per second, usually in the 700+ range to create a good enough effect.→ Continue Reading Full Post ←
We consider the Canon C70 as the real successor to the 5D Mark II which started the ILC DSLR revolution. It ticks almost all the boxes for a vast array of users and does so on a somewhat realistic price point. We get a Cinema caliber sensor in S35 format at 4k Cinema and UHD that is capable of producing 16 real stops of dynamic range. The camera actually is using simultaneous dual gain technology to merge the exposure from both settings into an amazingly beautiful progression between light and dark.
The Canon C70 Slow Motion Mode has real 120fps 4k with HDR and full Canon dual pixel AF technology and even can crop to Super 16mm to record 180fps at 1080p and 2k resolution to provide you with that extra oomph which was sorely needed in Canon land. The camera does have some drawbacks but it is so good out of the box that we may have an avalanche of switchers to the format from Sony, Nikon, and Panasonic.→ Continue Reading Full Post ←
Samsung will start shipping to stores the Galaxy Note 20 and Galaxy Note 20 Ultra on August 21, 2020. This new phone is the latest and greatest on their line of ultra-performance devices that offer little compromise at a premium price. It has a 108MP sensor on an f1.8 lens on the Note 20 Ultra 5G version that can do crazy zoom and pixel averaging in low light. The more pixels you record even if they are small let you do more computational photography processing to average noise and artifacts out to end with a crisper lower resolution image that is pleasing and punches above it’s weight.
However, not all is good news since the video mode in Samsung devices when it comes to slow motion has been stalling in the last iterations to a max 960fps mode in HD 720p which is now on this phone an interpolated 480fps mode that is slowed 2x to 960p. This makes the Note 20 line an inferior slow-mo device to even the Galaxy S10 which offers real 960fps. The good thing here is a full second of recording at 480fps on the Note 20 line which translates to 16 seconds playback at 30fps and 32seconds with interpolation.→ Continue Reading Full Post ←
The Black Magic Design URSA camera line has been one of our favorite high frame rate options for many years now as it is a blend of excellent quality at a relatively low price with the added bonus of RAW recording and ProRes options. Now the company has announced the latest iteration of the camera with a monstrous pixel size of 12k or 80 Megapixels per frame. All of this in an APS-C super 35mm crop from Full Frame sensor that is built to satisfy the requirements of their Black Magic RAW codec or BRAW for short which is in this camera the only recording format available.
What interests us as always are the high frame rates and this camera does not disappoint when it comes to this spec. The only real problem we see is that recording is made only from 4k resolution and up, completely avoiding 3k, 2k and HD resolutions which could yield even higher frame rates with probably a huge crop in the 80MP frame which will probably yield a noisy and artifact prone image hence why they probably avoided recording down on those modes.→ Continue Reading Full Post ←
The Spanish Association of Broadcast, Cinema and TV Producers or PNBE for short, is sharing some information about a camera they are custom building for the purpose of shooting a new series for Spanish Television that explores Nature and Astrology “Or maybe Astronomy” which could be a translation error. The new camera will be able to shoot at pretty remarkable specs like 10k and 8k video including higher frame rates at many resolutions that surpass anything in its class.
The camera needs to have extreme detail and low light performance with RAW capabilities. Only a dozen will be built for the TV program but we assume they share the information in order to see if there is interest in the market for DPs and other professionals to own such a camera. We were happy to see that the spec sheet is very detailed with both H.264 and H.265 support aside from RAW and Cinema DNG formats in recording.→ Continue Reading Full Post ←
The new Sony PXW-FX9 XDCAM 6K Full-Frame Camera is what Sony fans have been waiting ever since the APS-C cameras Super 35 cameras like the FS5 and FS7 made the rounds. It is all that those cameras offered but now on a state of the art Full Frame sensor with Dual ISO capable of 800 and 4000 depending on the needed use. By being extremely sensitive the camera needs ND filtration and it doesn’t disappoint on that feature either by including a ramping – smooth increments ND filter from 1/4 to 1/128 which adjusts on Auto Mode depending on the scene without ruining the shot. An industry first.
On the Slow Motion front, the camera is consistent with Sony pedigree with now offering 120fps Full HD and with a promised firmware update 180fps Full HD and also 16-bit raw 4K/2K footage up to 120 fps to an external recorder. This is close but not quite what the FS5 is capable of in FHD which includes 240fps. The FS7 has in contrast 240fps @ 2K RAW Ext Rec & 180fps 1920*1080 Internal. Much closer to what the FX9 is capable of doing.→ Continue Reading Full Post ←