Tag Archives: deal

Fuji X-H1 Aims to Compete in Pro Video!

Fuji X-H1

The Fuji X-H1 just announced does a lot of things right; It has a 200mbps 4k codec in UHD / DCI, 120fps Full HD which from the initial looks of it looks gorgeous and it finally has the 5-Axis Stabilizer on the sensor 5.5 stops worth that had eluded Fuji cameras for two years now.  It even has a new Eterna color profile which makes it easy to color correct without being too flat or too processed.

However, the X-H1 is based on the same 24MP X-Trans APS-C sensor found on the X-T2 which while overall good, it has problems with color moire and fine textures due to the processing on the unconventional RGB pattern which has 4 adjacent green pixels and differs quite a lot from Bayer sensors. See this article from PetaPixel comparing both technologies here.  But as far as video mode is concerned it looks to be a good contender to options like the GH5 and Sony 7 series. → Continue Reading Full Post ←

Panasonic TZ200 does 1080p 120fps!

Panasonic TZ200

Panasonic announced two new cameras this week the ZS200 America / TZ200 Europe  which offers the worlds longest wide to super zoom range in a 1″ sensor form factor with a 24-360mm equivalent F3.3-6.4 lens and the larger sensor 4/3ds 20MP “Same as GH5″ Lumix GX9 which tops out at 60fps 1080p which we will not cover any further. We have a cut off of 120fps for slow-motion cameras.  The ZS200, however, looks to be Panasonic’s answer to the excellent and full-featured RX series of cameras like the RX10 IV and RX100 V.

The main selling point of this camera is the appeal of carrying a 15X zoom in your pocket along with a 1″ sensor which beats most superzoom cameras that use tiny 1/1.8″ or 1/2.5” sensors.  Panasonic is able to do this by extending the lens to almost 3 times the camera’s width footprint including lens ring which looks kind of ridiculous but is effective at contracting enough to fit on a large pocket.   The image below shows only 3/4ths of the extension. → Continue Reading Full Post ←



The end of 2017 is upon and its time to look back through the year’s camera releases and see which delivered quality at an affordable price in slow motion.  HD quality slow motion options took a big leap this year in the phone space and on new entrants in the semi-professional camera fields. It was quite a year in many respects!

Many promised cameras still have not seen the light of day which means they will not be counted in the running. Only cameras that are shipping in quantity with a reasonable wait time and available now are being considered for this post. We will still make note of what may be coming soon for high-speed enthusiasts. → Continue Reading Full Post ←

Chronos Kickstarter Camera One Year Later!

Chronos Kickstarter Camera

David Kronstein has published a walkthrough video of the Krontech warehouse, assembly installations, and offices located near Vancouver Canada, in what could be described as a rapid expansion of a startup that just a year ago was just coalescing.  With now 337 Chronos 1.4c cameras shipped to Kickstarter backers and also direct purchase buyers; this is a significant number of units for any high-speed camera and we can probably expect that number to increase!

David also goes shares his thanks to the people who helped make the camera project possible and where the company can grow from here. We expect great things from Krontech not that they have shown the ability to mass produce gear that works and as it continues to improve with software releases. We are excited about their future and congratulate them on their success thus far. → Continue Reading Full Post ←

Panasonic EVA1 Ships Starts to Show Footage!

Panasonic EVA1

The Panasonic EVA1 camera has started to ship to pre-order owners and some footage has started to show on the web.  The camera seems to be very good at low ISOs and up to ISO 5000 it defends itself well. After that banding and heavy noise starts to become a problem.    One thing to keep in mind is that the 5.7k sensor is intended to supersample for 4k to deliver unbelievable detail levels while having a detrimental effect on super high ISO.   The dual native ISO settings of 800 on the low end and 2500 ISO on the high end help the camera achieve dependable noise free and extremely clean footage in those modes.

The camera can also shoot up to 240fps full HD and or 2k super slow motion video and use it’s improved sensor specs to reduce rolling shutter. The camera should be able to deliver excellent high frame rates in good light but it seems the slow-motion option offers lower quality in codec and also in noise control. We have no clue what is causing this but it is apparent from the samples that detail and quality take a hard hit in these modes. → Continue Reading Full Post ←

Panasonic G9 vs GH5 for Video Compared!

Panasonic G9 vs GH5

Panasonic seems to be doing a lot of things right lately with their fantastic GH5 with 10 bit recording and 4k 60p for the first time in a mirrorless camera and of course the 180fps Full HD slow motion to boot.  The just-announced Lumix G9 is a monster of a camera in its own right but Panasonic is right to segment it as a Stills first and video second machine.

The GH5 is the best video-centric portable camera in recent memory and the aim with the G9 is to go after the Sony a9 which is arguably the best stills camera ever conceived performance wise.  The G9 is capable of shooting 60 RAW images in a single burst per second and while the buffer is only 50 RAWs worth; it becomes easily renewed thanks to dual card slots. → Continue Reading Full Post ←