Tag Archives: editing

Insta360 ONE R action cam can do 200fps in 1080p!

Insta360 ONE R 4k

2020 is already becoming a very busy year for camera releases. The CES Show this past week had a bunch of announcements in the professional, amateur and aerial drone markets that shoot high frame rates.  We will try to cover the most useful cameras in the coming weeks.  We want to start with the Insta360 ONE R Modular camera from Chinese company Shenzhen Arashi Vision Co., Ltd. which is a very interesting product that de-couples the sensor module from the body so you can interchange the actual imaging hardware on the fly for specific shots/jobs.

The real gem for slow motion fans is the 4K version instead of the 360 and or the 1″ version which both max out at 120fps 1080p instead of 200p.   Many people will cry foul at the 200fps spec when GoPro and DJI do 240fps as do most slow motion capable smartphones but 200fps, if done well with the 100Mbps codec, could be a real diamond in the rough for your arsenal in action cameras. → Continue Reading Full Post ←

CNET Makes Basic Phone Slow Motion How-To Video!

 We find that while the video is simple, it does a good job in explaining the methods on Apple’s iOS and Android to get slow motion footage ready for posting on the web or social media.   There is some basic editing and trimming for cutting the nonaction parts.

You can find the official video link here if needed: https://www.cnet.com/videos/make-slow-motion-videos-on-a-phone/

High Speed Video & Incorporating Sound!

High Speed Video Sound

Nick Moore the creator of the Youtube channel of the same name has done a primer video on the recording of audio along with high-speed video.  He goes into some detail about the usability aspects and limitations of recording audiothat is usable. Interestingly it can also mean you are better off faking the audio in post production for a better effect especially if you want it for a movie or tv show that demands quality audio.

The frequencies needed and data capture rate matter a lot in slow motion audio recording.  In the end, it is a balancing act of what can be heard by the human ear and what you can exploit on reasonable time frames. It is much easier for example to record audio up to 240fps but it becomes increasingly less usable the higher the frame rate goes. At 1000fps you probably will not have anything worth keeping. → Continue Reading Full Post ←

Fake Slow Motion Is It Worth It?

Fake Slow Motion

There has been a lot of work put it developing software that can interpolate frames for video editing and compositing applications. Twixtor in the late 90’s was perhaps the first time the technology could make something worthwhile and really produce acceptable results in a computationally acceptable timeframe.

Today the most used algorithm is Adobe’s Optical Flow in Premiere or Time Warp in After Effects which use vector directional plus acceleration of pixel values to derive in between frame data to generate new frame information from the preceding frame as point A and the next frame as point B.  The results can do some wonders to really slow down things above the frame rate ceiling of the camera. → Continue Reading Full Post ←