The people at Cinemartin have publicly released new specs and images of the first industrial prototype of the cinema camera. There are some killer features like 8k RAW video at 24p and up to 96fps RAW recording in both 4k DCI and1080p HD. Some other frame rates include 48p and 60p in a variety of resolutions which are needed for cinema production in either higher fps or just as a shooting necessity like 48p to get the Hobbit look.
One of the most impressive features listed is the ability to shoot in true Vista Vision format at 7920 x 6024 pixels for 8k at 24p that turns out to be 47.7MP; also the Dual ISO recording feature which will be available by August 2019 which allows dual recording capability for an extreme Dynamic Range improvement. Other features include: Global Shutter, Internal full sensor downsampling, and in-camera electronic image stabilization.→ Continue Reading Full Post ←
The newly announced CINEMARTIN FRAN 8K Camera claims some huge numbers in terms of resolution and performance. Up to 8K (8000×6000) RAW / Uncompressed 12 Bit video capture at 24fps and up to 96fps in 2k & 1080p for high frame rates but more on that later in this post. There is only one image of the camera we were provided with and that is the RED Brain like rendering above which sports a mounting port which in the lab is fitted with a Canon EF Mount which is preferred among cinema oriented users especially if it is an active one.
FRAN also offers in the spec sheet 15.5 stops of dynamic range at 12 bit which competes directly with the best cinema cameras out there. CINEMARTIN claims the camera will come in below the competition in price while offering a true global shutter sensor with no rolling shutter distortion. Using a 4/3 sized sensor at 50MP with 48MP being used for 8k Capture it may seem overkill when it comes to low light performance. It may be able to deliver resolution levels never before seen on cinema cameras but low-light will surely be a hurdle for the camera to overcome.→ Continue Reading Full Post ←
The new v2.02 firmware update for the Panasonic EVA1 includes improved bit rates at a variety of frame rates like: 2k- 422-Intra Frame Recording 200M/100M Max 120fps (equivalent to 400Mbps) Which may improve slow-motion quality considerably by allowing more data to be saved instead of scrapped.
For digital recorder owners, there is a lot to be excited about as the camera will now output RAW data at: 5.7K/30p Full sensor, 4K/60p Crop , 2K/240p Sensor Crop. Since the 240fps mode saved internally exhibited very severe aliasing, moire and line skipping; the fact that RAW is now a possibility should bring the camera’s capabilities up a notch and deliver excellent slow-motion quality. We hope to have some samples of the RAW recording on the EVA1 in a future update.→ Continue Reading Full Post ←
Kinefinity the company behind the pretty capable and high-quality Terra cinema camera has announced in preparation for NAB 2018 the new MAVO 6k cinema camera in s35 and Large Format sensor options in the LF version. Along with the new body design and expansion options the camera will include ProRes 422HQ, ProRes 444 & ProRes 444XQ recording.
Kinefinity also has a RAW format “.KRW” and this has been updated to version 2.0 to support the new camera. This is akin to REDCODE RAW as the .KRW format can compress in RAW anywhere from 2:1 best quality lossless to 10:1 with more quality loss while maintaining the benefits of RAW like dynamic range, white balance, and higher bit-depth color. It also offers the possibility to record on cinema-DNG format In-Camera at 3:1, 5:1 and 7:1 compression. The camera has several high frame rate formats depending on crop resolution.→ Continue Reading Full Post ←
The Panasonic EVA1 camera has started to ship to pre-order owners and some footage has started to show on the web. The camera seems to be very good at low ISOs and up to ISO 5000 it defends itself well. After that banding and heavy noise starts to become a problem. One thing to keep in mind is that the 5.7k sensor is intended to supersample for 4k to deliver unbelievable detail levels while having a detrimental effect on super high ISO. The dual native ISO settings of 800 on the low end and 2500 ISO on the high end help the camera achieve dependable noise free and extremely clean footage in those modes.
The camera can also shoot up to 240fps full HD and or 2k super slow motion video and use it’s improved sensor specs to reduce rolling shutter. The camera should be able to deliver excellent high frame rates in good light but it seems the slow-motion option offers lower quality in codec and also in noise control. We have no clue what is causing this but it is apparent from the samples that detail and quality take a hard hit in these modes.→ Continue Reading Full Post ←
The Panasonic AU-EVA1 Super 35mm Cinema Camera is a first for the company in several key fronts. For starters, it is abandoning the Micro 4/3 sensor in turn for a more industry standard S35 module which has a larger area and in turn much better light gathering power. Gone also is the micro 4/3 lens mount which Panasonic favors and in its place a Canon EF Electronic mount which could have been called blasphemy to see this in a product line of this price range for Panasonic.
Since the sensor-flange distance is increased you will not be able to use the Micro 4/3 or 4/3 lenses you were using with an AF100 for example. When it comes to slow motion this camera is no slouch with 240fps continuous recording to SDXC II v90 cards in both 2k resolution and full HD 1080p. It is also bringing it to the 4k 50/60p realm which now is becoming commonplace.→ Continue Reading Full Post ←