The new Sony PXW-FX9 XDCAM 6K Full-Frame Camera is what Sony fans have been waiting ever since the APS-C cameras Super 35 cameras like the FS5 and FS7 made the rounds. It is all that those cameras offered but now on a state of the art Full Frame sensor with Dual ISO capable of 800 and 4000 depending on the needed use. By being extremely sensitive the camera needs ND filtration and it doesn’t disappoint on that feature either by including a ramping – smooth increments ND filter from 1/4 to 1/128 which adjusts on Auto Mode depending on the scene without ruining the shot. An industry first.
On the Slow Motion front, the camera is consistent with Sony pedigree with now offering 120fps Full HD and with a promised firmware update 180fps Full HD and also 16-bit raw 4K/2K footage up to 120 fps to an external recorder. This is close but not quite what the FS5 is capable of in FHD which includes 240fps. The FS7 has in contrast 240fps @ 2K RAW Ext Rec & 180fps 1920*1080 Internal. Much closer to what the FX9 is capable of doing.→ Continue Reading Full Post ←
The recently announced Octopus Cinema Camera with a modular sensor, mount, and other components could, in theory, become a customizable professional solution slow motion camera that is unencumbered by firm specs but by a fluid and upgradeable sensor and component path. The Axiom camera is also something akin to this but has yet to ship. The Octopus has in prototype form been fitted with a 4/3 sensor capable of up to 240fps in 2k RAW and a full-frame that allows 3k up to 100fps.
The body looks eerily similar to Phantom cameras with the white machined exterior with fans and ports protruding the body. While 240fps at 2k is not what we could call really professional slow motion, it is based on an open architecture in hardware and software that could window the sensor down and possibly offer more frame rates at 1080p and 720p for maybe a 480fps RAW capture in HD.→ Continue Reading Full Post ←
Panasonic not to be outdone by sales rivals is pre-announcing the S1H camera to appease video-centric mirrorless users who want that extra edge. It has a 6k mode which will allow for better stabilization and cropping/punching in on 4k timelines while giving the user bragging rights. It has a 14 stop dynamic range spec which if we look at the sensor it is only on a couple of capture settings the rest is 12 bit.
There is also no mention of higher frame rates besides UHD 4k 60p which we presume will be 180fps 1080p max since this camera shares nearly the same internals as the other Panasonic S1 cameras. We do not expect this camera to have better slow motion video than the regular S1 even with its $4000 price tag. The camera looks to be aimed at the mid-high end of the video market and allow it to record without limits which on the regular S1 is 29min.→ Continue Reading Full Post ←
As it was initially unveiled at Photokina last year, the Panasonic Lumix S1 and S1R cameras are their answer to the domination of larger sensors in stills and video mirrorless cameras. Is there any reason now to buy a Full Frame DSLR when mirrorless is so advanced? The only thing we can think of is to have marginally longer battery life. The mirror is on its last legs and fans better start offloading their lenses if they don’t want to mess with adapters. In the case of Panasonic however, it is not possible to use Lumix Micro 4/3 lenses on the Leica/Sigma/Panasonic Full Frame L-Mount.
The S1 and S1R will both shoot up to 180fps 1080p video with a crop that may or may not be impactful. Seems the S1R has less crop on 1080p than the video geared S1 which is an odd spec. We will have to wait for more samples and info on the HFR mode to see which of these cameras offers the best slow motion performance. From the limited samples, we can say that the quality looks very good and at least on par with the Lumix GH5 at 120fps.→ Continue Reading Full Post ←
Not too long ago the Vision Research Phantom v2640 was amazing us with 4MP capture at 6,600fps with incredible quality. Now iX Cameras with offices in the UK, USA and Shanghai China is turning heads with an extreme spec sheet of 3 Megapixels 2048×1536 at 8,512fps and a Full HD 1080p frame rate of 12,742fps which is just 242fps higher than the Phantom v2640 at 12,500fps.
The relative camera memory speed and pixel capture rate is very similar between these two behemoths but you have to give the crown to the i-SPEED 726 for the 3 megapixel 8,512fps which brings in a whole new level of temporal detail at above Full HD resolution. Of course, these cameras do not share their pricing unless you request a quote which you cannot share publicly. However, expect to pay high 5 figures for the best the technology has to offer.→ Continue Reading Full Post ←
The announcement of the Panasonic S series is a complete acceptance that smaller m4/3 sensors are not the future but the past. As now Canon, Nikon, Fuji, Sony, Leica and now Panasonic have shifted priorities to Full Frame Sensors as mirrorless has allowed the smaller form factor without compromising low light performance and absolute stills image quality. Fuji is also going strong on Medium Format stills oriented cameras like the new portable GFX 50R which meshes a rangefinder camera with a huge MF sensor.
The move by Panasonic, which had been leading in mirrorless frame rates in continued recording with their Lumix GH5 and GH5s Series up to 240fps 1080p, will now focus on larger sensors that produce more heat and may be much slower to read at high speeds. Sony has so far been able to only have 120fps 1080p recording in their a7 series for example. If the Panasonic S1 at 24MP can only do 120fps 1080p which is still unknown, it will not bode well for slow motion frame rates for some time.→ Continue Reading Full Post ←