This week we had the announcement by Samsung of the Galaxy S21 phone line which is the de-facto Android handset in most of the world. The Galaxy S21 Slow Motion has essentially the same feature set as the Galaxy S20 of 2020 when it comes to high-speed video. The Galaxy brand went serious with Slow Motion since the Galaxy S9 with the 960fps mode at 720p which we can still see here with somewhat improved resolution and recording time.
The S21 line is by almost any standard a refinement of the line with very subtle but important updates on the previous S20 phones. We get the Snapdragon 888 which is the brightest and fastest SoC in non-Apple land. We get 120Hz adaptive screen refresh rate and 108MP telephoto camera on the Ultra version with 10x hybrid zoom, and half that at 64MP on the regular S21 and S21+ which only offer 3x hybrid zoom. We also get 8k video recording on all of the phones at 24p which we will have to test if it is really delivering on the promise.→ Continue Reading Full Post ←
Now that the surprise camera of 2020 has been out for a while, it is time to revisit the 240fps mode included in the video features. At first glance, it delivered 720p quality or less in an upscaled 1080p wrapper. However many Fuji fans asked us to revisit the slow motion quality of this camera as early samples supposedly did not do justice to what this mode was able to deliver.
We have to agree to some extent that the quality of this camera in 240fps Full HD slow motion is better than other even more expensive options but we still feel that Fuji cut corners when it comes to image quality here by dropping lines and having a pretty noisy output unless there is an ample amount of light. We have some samples that will let you see what this camera is capable of and make you decide if it is a good enough option for your camera collection.→ Continue Reading Full Post ←
Now that Panasonic has officially announced the Lumix S5 Full frame camera which we saw as a direct replacement for the GH5 line even when now it seems a GH6 may be in the cards for a future release, it is now time to examine the slow motion modes on the camera to see if they stand a chance at becoming a feature which will be a seller for the new device or just one more feature.
When the GH5 was announced about 3 years ago it came with a 180fps 1080p mode that was better than many camera’s 120fps modes and quickly became our favorite Lumix camera for slow motion as we noticed how the quality of the 240fps mode on the GH5s low light geared camera was heavily inferior in resolution. The GH5 really became the best value along with the G9 for 180fps slow-mo modes in Full HD.→ Continue Reading Full Post ←
The Lumix GH5 is still one of the best video powerhouse cameras ever produced. It doesn’t overheat, it shoots incredible 4k oversampled video at up to 60fps 4k or 180fps 1080p with near Full HD quality but it’s Achilles heel, the Micro 4/3ds sensor which is small and quite inferior in low light compared to Full Frame or even APS-C rivals. The GH5s is the low light lower megapixel version with dual Gain senor which is actually very clean in low light and can go toe to toe with the best out there but has no IBIS which is a big loss.
Now Panasonic is set to announce the Lumix S5 Full frame mirrorless camera which essentially migrates most GH5 features into a full-frame body with nearly the same introductory price of $1998 USD but improves 4k 60p with 4:2:2 color at 10-bit instead of 4:2:0 8 bit on the GH5. You get IBIS, and also the 180fps Full HD of other S L-mount cameras by Panasonic. It is still too early to tell what kind of quality the 1080p 180fps mode will be capable of but it does hold promise as the S1H and S1 do a pretty good job on these modes.→ Continue Reading Full Post ←
It’s here, yes it is finally here you are not seeing things. In what may be the most anticipated camera release in years, Sony has finally unveiled the a7s III video-centric mirrorless camera. It has all the new performance benefits of processing and AF seen on other Sony bodies but now applied to a 12 Megapixel back-illuminated full-frame sensor geared to shoot pristine 4k and be able to shoot stills as a secondary function. The original 5D from Canon shot 12.8 MP in 2005 when it was introduced and it is still being used out there by many professionals as it was and still is a wedding workhorse. However 15 years later which in the camera world seems like a century, we get a brand new Sony camera with 12MP and that is actually a great thing!
The slow motion on this camera has a lot of good but also some hidden secrets that you should know about before plunking your hard-earned cash. We get what may be the best 120fps 4k footage we have seen in any camera under 10k USD at full 4:2:2 10 bit quality which after looking at the samples left us with nothing but praise to see such a well-executed mode with the added benefit of being able to shoot nearly 1hr worth of it before the camera temperature spoils the party. Excellent performance!→ Continue Reading Full Post ←
Canon has now released the final specs and estimated release dates for the EOS R5 and R6 cameras. There is a lot of good advancement in features especially in video mode as what many believe is an afront to Sony and Panasonic who dominate video recording on ILCs. The R5 can record 24fps and 30fps 8k video or 8192 x 4320 pixels in RAW quality which is a staggering 1TB of storage or 2600 Mbits/s for only 51 minutes of recording time. That means that every hour you will eat up through a full TB of your RAID backup storage. We see this mode being transcoded to an intermediate format like Blackmagic RAW or BRAW or Apple ProRes as soon as possible.
There is more bad news, on the 120fps 4k front there is no other option of recording but All-I which saves every frame independently in 10-bit 4:2:2 which is good for excellent quality but at the cost of 1,880 Mbits/s which is 224MB/sec or 13,447MB / minute of recording time. Better get a ton of memory cards and hard drives ready!→ Continue Reading Full Post ←