The recently announced Galaxy S20 phone line has been making some waves with impressive specs especially related to the camera modules. As always we are only interested here in the high speed video specs here at HSC “not even the new 8k video spec” and the new phones are an improvement over the S10 and Note 10 lines. However, it is important to note that not all S20s will share the same slow motion specs and that is what this post is about.
You may think that the S20 Ultra 5G will be the easy choice here but it is hardly as straight forward as that. The amount of technology packed in the Ultra phone along with four camera modules and one of them at over 100MP means they prioritized photo resolution over video shooting in their sensor selection. The Ultra will not natively support the 960fps spec but default to only 480fps.→ Continue Reading Full Post ←
Rumors surrounding the 2020 release of the OnePlus 8 phone are already heating up with a tentative May release date and a new camera module that can capture 960fps super slow motion at 720p, a clear step up from their previous phones at 480p. The OnePlus 7T can shoot 960fps but it is an interpolated mode from doubling the frames of 480p by 2x and doing the in-betweens in software.
What is interesting is that OnePlus since the OnePlus 6 has allowed for a full minute of playback in super slow motion from their 480p mode and has been one of the go-to phones for dependable slow motion capture that offers the longest recording time still to this day in higher than 240p modes.→ Continue Reading Full Post ←
The announcement of the Panasonic S series is a complete acceptance that smaller m4/3 sensors are not the future but the past. As now Canon, Nikon, Fuji, Sony, Leica and now Panasonic have shifted priorities to Full Frame Sensors as mirrorless has allowed the smaller form factor without compromising low light performance and absolute stills image quality. Fuji is also going strong on Medium Format stills oriented cameras like the new portable GFX 50R which meshes a rangefinder camera with a huge MF sensor.
The move by Panasonic, which had been leading in mirrorless frame rates in continued recording with their Lumix GH5 and GH5s Series up to 240fps 1080p, will now focus on larger sensors that produce more heat and may be much slower to read at high speeds. Sony has so far been able to only have 120fps 1080p recording in their a7 series for example. If the Panasonic S1 at 24MP can only do 120fps 1080p which is still unknown, it will not bode well for slow motion frame rates for some time.→ Continue Reading Full Post ←
GoPro has released 3 new cameras including the Hero 7 Black which is now the flagship product for the company. The key feature is HyperSmooth which is a predictive stabilization technology based on scene analysis and sensor telemetry to accurately anticipate motion and correct the image to generate a gimbal-like smooth appearance to the video. When you see the footage it is clear it is a huge improvement compared to even the Hero 6 Black which had a pretty good stabilizer.
The Stabilization, however, is limited to 4k 30/60p and other resolutions below 120p but anything above 120fps will use the previous stabilization feature which is not predictive and have no stabilization support at all at 1080p 240fps which is the highest slow motion mode. No 480fps or other higher fps settings are available as the camera uses both the same Hero 6 Black sensor and the same GP1 system chip for this new camera.→ Continue Reading Full Post ←
Blackmagic Design may have just solved the problem of RAW video capture for any camera and every type of user. In essence, it gives the benefits of RAW capture while allowing flexibility in file size depending on production needs. It is a compressed format but by using a clever demosaic algorithm that happens in-camera, it shrinks the file size much more than other formats while preserving quality and RAW features like White Balance, ISO, exposure, NR, clarity and color bit depth.
For Slow motion cameras, it may be the codec of the future as it will allow the best quality without the enormous file sizes associated with image sequences like DNG or other RAW formats. Being open source and free of licenses it aims to be adopted by the entire industry faster than other formats and will be free of the platform-specific nature of codecs like Apple’s ProRes which only works on Mac OS X. The Blackmagic RAW beta is already available here!→ Continue Reading Full Post ←
The RED Hydrogen One phone has a lot to live up to but contrary to many doubters it may be just that good when it comes to video and photo quality. How good? By some accounts, it may be unrivaled by any phone currently and possibly for the foreseeable future thanks to the special software that is running on that last year’s Snapdragon 835 chip which is now outdated but still usable to create what RED touts as an imaging phone for the connoisseur.
We expect 4k quality in better codecs than the competition, with the ability to surpass 4k 60p which is the current phone upper limit for frame rates and resolution. As far as higher frame rates go we simply cannot find a lot of information when it comes to the way video is captured but read along to see something that may get a little closer to unraveling the mystery. New phone final body images have been released here in the forums.→ Continue Reading Full Post ←