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Huawei Mate 30 Pro New Slow Motion Samples!

Huawei Mate 30 Pro New Slow Motion Samples

The Huawei Mate 30 Pro has been out for a few weeks outside the US, mainly in China and India and we have gathered 15 video samples from its slow motion mode which as of today is the best performing high-speed phone ever developed.  We had some shortcomings about the way the phone reaches the highly hyped 7,680fps mode which is 1920fps multiplied by 4x in software from a small snapshot of the video memory.

We also had some suspicions that the 1080p 960fps mode was also interpolated but looking at the samples we gathered it seems that was a premature call. The phone is actually capturing the full frame rate at 1080p or close to that.  The real max mode is 1920fps at 720p which is then interpolated to 7,680fps with good success by the new Kirin 990 chipset. Your mileage may vary and the results depend on the subject matter more than anything as organic slower motion looks much better than fast unpredictable bursts that break the interpolation algorithm. → Continue Reading Full Post ←

Huawei Mate 30 Pro Slow Motion The Real Story!

Huawei Mate 30 Pro Slow Motion

Huawei has just launched the Mate 30 Pro and Mate 30 Pro 5G Smartphones which sport an impressive camera module with a large sensor array that shoots at 40 Megapixels.  We had rumors sent a couple of weeks back but had our reservations due to the less than optimal slow motion in the P20 and other Huawei Smartphones.  The phone is now untouched by the competition as it can shoot a half-second at 1920fps 720p or 960fps total which translates to 32 seconds on a 30p timeline.

The headline slow motion feature of 7680fps is not real as it is derived from the 1920fps 720p half-second which the phone then uses AI selection to isolate a 0.12 seconds segment of the capture then finally interpolated by the Kirin 990 Chipset to the full 7680fps. So it does a 4x slow motion on top of it to get the great-looking result. → Continue Reading Full Post ←

Slow Motion Tutorial for Premiere Pro CC by Becki and Chris!

Ever wondered how to use slow-motion footage effectively with Premiere Pro CC from Adobe’s Creative Cloud? This quick tutorial by YouTubers Becki and Chris will go through the basics of capturing, editing and organizing the footage for a consistent workflow.  They used cameras like the GoPro Hero 5 Black, Sony a7s II, and the DJI Osmo to capture the footage.

Their techniques will apply to any camera that shots high frame rates like 60p and above.  Maybe in a future tutorial, they are able to use higher frame rate footage from more capable cameras and even use the optical flow feature to really slow things down in post. You can subscribe to their channel here and support them! → Continue Reading Full Post ←

Slow Motion News March 2018!

Slow Motion News March 2018

After several camera announcements where slow motion was a main feature instead of an afterthought, things have been calming down until the next wave which will break closer to NAB 2018 from April 7th to 12th in Las Vegas.  There will probably be quite a few announcements in the professional space which is mainly where things heat up when it comes to higher quality resolution at higher frame rates.

We expect Sony to steal the show with probably the a7s Mark III which by any measure will probably retain the low light king title for the foreseeable future. If the a7 III released recently is any indication then a lower megapixel sensor anywhere between 12-16MP Full Frame with the same technology in a stacked sensor will give us a camera so capable that room for improvement will be mainly on the ergonomics, interface and higher frame rates going forward. → Continue Reading Full Post ←

Solar Eclipse Slow Motion Recording?

We have received quite a few messages about how to shoot the solar eclipse next Monday, August 21st 2017 in slow motion.  After all the more frames you capture, the more temporal detail that will be preserved but there is a threshold when diminishing returns from shooting high fps take a toll on image quality, dynamic range and color accuracy.

In short, the rule of shooting the total solar eclipse at high speed will be based on timing on one hand and detail retention on the other. We have found in our research that you really do not need more than 120fps in order to get a great solar corona snapshot with enough detail and variance.  24 and 30fps regular frame rates are also good and perfectly acceptable. → Continue Reading Full Post ←

Fake Slow Motion Is It Worth It?

Fake Slow Motion

There has been a lot of work put it developing software that can interpolate frames for video editing and compositing applications. Twixtor in the late 90’s was perhaps the first time the technology could make something worthwhile and really produce acceptable results in a computationally acceptable timeframe.

Today the most used algorithm is Adobe’s Optical Flow in Premiere or Time Warp in After Effects which use vector directional plus acceleration of pixel values to derive in between frame data to generate new frame information from the preceding frame as point A and the next frame as point B.  The results can do some wonders to really slow down things above the frame rate ceiling of the camera. → Continue Reading Full Post ←