At the end of February right before the Pandemic really got going worldwide and when the world seemed a lot simpler, Fuji surprised us with the launch of the Fuji X-T4 APS-C 1.5x crop sensor body. It comes completely unexpected to the community of slow motion enthusiasts as the majority of cameras only support a maximum of 120fps with a few Panasonics doing 180p and only the GH5s doing 240fps 1080p.
What makes this camera different is the quality of the output at 240p which is far and above the king in the APS-C format and destroys the GH5s aliased image with a very good and detailed rendition of the scene with a codec strong enough to allow for enough detail and color to really push the format further than any EVIL mirrorless camera before it.→ Continue Reading Full Post ←
Quite a few of our readers have asked for HSC to comment on the rumors of a Canon R5 Mirrorless camera that according to unsubstantiated information claims 120fps at 4k and 8k at 30p. The R5 may be the modern non-DSLR successor camera to the EOS 5D Mark IV and could become a major release for the company for this decade. As rumors go we can probably believe some of it but we have to be skeptical on the full specs because Canon has not shown the willingness to push the envelope as far for many years and has calmy let Panasonic and Sony take the firsts spots on video features.
We would love to see Canon go ahead and push the envelope with amazing video features that can revive the platform for serious video production the same way the 5D Mark II did back in 2008 when it took the video world by storm and made it possible to shoot quality video that looked a lot like the 5D still images that have dominated certain segments of still imagery business like weddings.→ Continue Reading Full Post ←
The newly announced Sony a6400 is what the a6300 should have been almost two years ago. It is still missing a key feature that was introduced with the a6500 that of IBIS or Sensor Stabilization which works with any lens added to the system. However, if you remove the IBIS fail from the equation this is a killer camera for just $900 which in this day and age of $1000+ cellphones, it is quite a bargain for the body only.
We were amazed by the 120fps full HD quality of other sony alpha cameras like the a9 and the a7 III which fully track subjects while recording in super slow motion which really makes the feature stand out compared to other cameras which force you to go manual while on that mode. The codec quality has also been bumped in this camera for 120p to 100Mbps from 60Mbps on earlier cameras like the a6300 which should preserve more detail while sacrificing little in image crispness.→ Continue Reading Full Post ←
The slumbering Nikon has awakened to the mirrorless present and future and has shown their cards in a very strong but not class-leading mirrorless product line. The Nikon Z7& Z6 are nearly identical bodies with changes in the sensor and AF. The more expensive and higher resolution Z7 screams pixels with a 45.7MP Full Frame sensor ISO 64–25600 range which should be a direct replacement for D850 users. The other Z6 is a better low light camera geared more at wedding shooters and videographers at 24.5MP which should produce outstanding low light ISO 50–204800 with ISO expansion.
There is a lot to like in these cameras like a real 5 axis (5 Stop) IBIS stabilizer on the full frame sensor which also works on adapted lenses and works with Nikkor VR lenses from DSLR cameras to increase the 3 stops to a real 5 stops hybrid stabilization feature. The video modes offer 4k at 24, 25 and 30p which is so 2014 as is the 120fps full HD 1080p slow motion mode. AF also changes between models at 493 points on the Z7 and 273 on the Z6.→ Continue Reading Full Post ←
The Fuji X-H1 just announced does a lot of things right; It has a 200mbps 4k codec in UHD / DCI, 120fps Full HD which from the initial looks of it looks gorgeous and it finally has the 5-Axis Stabilizer on the sensor 5.5 stops worth that had eluded Fuji cameras for two years now. It even has a new Eterna color profile which makes it easy to color correct without being too flat or too processed.
As expected based on early comments of the slow motion mode on the GH5s, the camera has pronounced aliasing “seen in this video by Max Yuryev” and softness the higher the frame rate goes. Even at 120p it is less detailed than the standard GH5. It may be a function of supersampling in the higher megapixel 20MP GH5 vs the 10.2MP GH5s which is creating the new artifacts.
While the GH5s can shoot up to 192fps without cropping the sensor, anything above that up to 240fps it has a slight sensor crop which further decreases quality. While the VFR mode on the camera is better than most cameras in the price range that attempt the feat, it is of note that the quality instead of increasing or remaining the same as the sister model takes a hit which may kill it as an option for slow motion needs. We still believe the standard GH5 is the best Lumix option even when compared to the G9 in VFR mode.→ Continue Reading Full Post ←