The Sony RX100 VI camera has not reached the reviewers yet for a full in-depth look but the early press shoots did gather some slow-motion footage which shows the camera in action. We also got a final word from a good source that the camera has the exact same HFR resolution and timing features as the RX100 V which means there is no improvement in the quality of the image when shooting higher frame rates.
In fact, you may even get lesser quality footage due to the lens being now an 8x f2.8 to f4.5 lens 24-200mm (35mm Equivalent) which is much slower and by optical standards, it should trail the 2.91x f/1.8-2.8 Lens 24-70mm (35mm Equivalent) of the RX100 V. So you get a $250 price increase for a better AF system, better color in video, a better tilt screen which is now full touch and the ability to zoom 8x. If those things are important to you then the extra money may be worth it.→ Continue Reading Full Post ←
So nearly two years after the excellent RX100 V by Sony was released, which won on our recommendation for slow-motion camera on a budget for both 2016 and 2017, the new RX100 VI or the sixth iteration of this specific camera line has been announced. It keeps the same body size but out goes the fast f1.8-f2.4 lens of old which was surprisingly good for a now average f2.4 to f4.5 24-200mm equivalent or 8x optical zoom which is great as a do it all range. Many are not thrilled but we will have to see if the sensor advancements, the new 4 stop stabilization, and noise suppression works well enough to keep it an acceptable low light option.
Our main interest in these cameras lies in the fact that HFR mode or (High Frame Rate) has been a key selling point since the cameras first appeared. The RX 100 V improved resolution and recording time and we are glad to see that the new RX 100 VI maintains those specs. We estimate it will at least be the same 7sec in Shoot Time Priority and 4 seconds in Quality Priority.→ Continue Reading Full Post ←
Yes the BMPCC 4k looks like a DSLR crossed with a late 1990s digital camera but it’s insides are not only powerful but could also mean that you can essentially afford two units of this camera instead of a Panasonic GH5s for example and get similar quality with the added ability to shoot RAW and power an XLR microphone directly from the camera with phantom power. Bang for your buck!
As for fast frame rates the camera can shoot 4k 60fps & 120fps 1080p in full RAW or Apple ProRes codec options. We sure wished the camera could shoot 240fps in full HD and 120fps in 4k even while time limited. It would have placed the camera in a much better position on our list due to its $1,295.00 USD price tag which is really the best value for money in a camera today. Well for September 3rd which is the actual ship date which may or may not derail your purchasing plans.→ Continue Reading Full Post ←
After several camera announcements where slow motion was a main feature instead of an afterthought, things have been calming down until the next wave which will break closer to NAB 2018 from April 7th to 12th in Las Vegas. There will probably be quite a few announcements in the professional space which is mainly where things heat up when it comes to higher quality resolution at higher frame rates.
We expect Sony to steal the show with probably the a7s Mark III which by any measure will probably retain the low light king title for the foreseeable future. If the a7 III released recently is any indication then a lower megapixel sensor anywhere between 12-16MP Full Frame with the same technology in a stacked sensor will give us a camera so capable that room for improvement will be mainly on the ergonomics, interface and higher frame rates going forward.→ Continue Reading Full Post ←
The latest info from 43 Rumors stemming from supposed leaks on the GH5s or “Low Light Version of the GH5” suggest a 10.28MP sensor with up to 240fps Full HD recording capability. There seems to be an out of step rush to deliver this camera compared to previous releases by Panasonic which may or may not end with a product on the specified date of Jan 8th, 2018.
There has been a clear progression of frame rates from Lumix GH cameras from 60p to 96p, 120p and most recently 180fps with the GH5 and G9. However, if the GH5s ships with 240fps we can safely assume that the spec will now be the bare minimum frame rate for a flagship camera in full HD instead of the 120fps most can shoot in high-quality mode. The GH5 suffered from quality degradation above 120fps with aliasing and moire taking a toll. If the new camera can deliver 240fps with the same quality as 120fps then it will be a milestone mirrorless camera.→ Continue Reading Full Post ←
After a long hiatus since the fps1000 project was founded, Graham Rowan the creator of both that Kickstarter project and the fps1000HD which has shipped to backers; is now announcing two new camera specs aimed at satisfying the original Kickstarter project backers who did not receive their camera. The new models replace the fps1000 original, Hex and 4k models in a six camera matrix that is divided into two main lines.
The first line is the fps2000 which has a whopping 320 Gigabytes of flash memory that will record up to 120 seconds of continuous video at the maximum resolution and highest frame rate of 2000fps. The fps4000 line is essentially double the speed of the camera maximum frame rate of 4000fps depending on configuration and 640 Gigabytes of flash storage.→ Continue Reading Full Post ←