The new Fuji X-T100 may be an afterthought for videographers due to its stills focus. It has a 4k UHD mode but only records at 15fps which begs the question why bother including it? It is certainly useless for everything except time-lapse video recording if you think stuttering footage is rubbish. However, the camera does have a 720p 120fps mode that can record for up to 7minutes while conforming into a file at 30fps which equates to a 4x slowdown or if later edited at 24p a 5x slowdown from real time.
Fuji industrial design is just eye-catching and excellent when it comes to looks. The X-T100 does not disappoint with its retro but chiseled look with a flippy screen that screams for a better video mode. We are fans of the Fuji cameras and are glad to see that even in this low-end entry the high frame rate video recording feature is retained. We hope to see them implement 240fps or higher in future models as their recent efforts in the X-H1 show encouraging initial results in 1080p with superb color rendering.→ Continue Reading Full Post ←
The Japanese hi-tech company generated a loss of 500 million Yen (or $4.6 million U$) in the 2017 fiscal year for the division. They will effectively pull out of the market to stop the bleeding. It is quite sad to see a company that created the EX-F1 and the excellent EX-FH20 eliminate their entire consumer camera division. Could things have been different and could they have avoided the phone camera erosion that has obliterated the sales of most manufacturers? Our only thought would be that they did not innovate fast enough to remain competitive for the consumer to be a real alternative.→ Continue Reading Full Post ←
The newly announced Sony A7R Mark III is one impressive full-frame beast of a camera that aims for high-resolution enthusiasts who do not want to compromise on features, speed, and autofocus by having a superior pixel count sensor. The 42 MP Camera shares the same pixel count and what seems the same sensor as the A7R II but it is improving on both image quality and features.
It makes a mature revision to the series with 10fps shooting at full resolution, slow motion now is 1080p Full-HD 120fps in video mode compared to 720p HD before, AF is now a9 like with blazing fast performance with continuous tracking in video mode. Of note and what could be it’s most impressive new spec is an in Body Stabilization system claiming 5.5 f stops of shake correction. That is very impressive for an IBIS system.→ Continue Reading Full Post ←
Sony Semiconductor division has announced the new IMX183CLK-J “Mono” & IMX183CQJ-J “Color” Sensors in 1″ size. The sensor seems to be a step up compared to the ones used in the last RX100 and RX10 camera series. While there is no mention in the press release of a stacked combo; the sensor itself should be able to be built on a high speed stacked memory package which should allow extreme frame rates at HD resolutions.
The sensor used in the RX100 V, for example, is a 1″ Exmor RS which allows for HDR capture in both photo and video modes. The new sensors announced are of the R variety “No video HDR” which could mean another variation of the sensor will debut with the RX100 VI. Considering the cameras are due for a refresh this year we expect Sony to up the ante when it comes to read-out data speeds and use their stacking technology.→ Continue Reading Full Post ←
There is no question Canon has had great success with their EOS Cinema line of cameras. They continue to dominate the rental production market and even when they are overpriced compared to competitor’s options it is in a class of its own when it comes to Dual Pixel Continuous AF with Canon EF lenses which are plentiful and part of the stable of most serious camera professionals.
The latest iteration just announced is the Canon EOS C200 EF Cinema Camera which has some serious performance improvements over the current price/performance kind in their camera line. The new camera slots between the lower priced C100 Mark II and the more professional 4k C300 Mark II. However the C200 records in 4k RAW Light format which gives 15 stops of dynamic range with all the benefits of RAW editing with some compression.→ Continue Reading Full Post ←
The JVC GY-LS300 camera had a firmware update last year that permitted the camera to shoot at 120fps full HD. Now the company is releasing a new update that adds the capability of recording of 4:2:2 (8-bit) 4K @ 24/25/30p video to internal storage. The camera previously only recorded at 4:2:0 color space. Not only that, the camera now can output to the Ninja Inferno external recorder a 4k UHD stream at 50p or 60p for 4k slow motion goodness.
The Version 4.0 firmware upgrade is free of charge for all current GY-LS300 owners and will be available in late May. This camera seems to continue to be supported by JVC due to its popularity and seems, for now, to be their best bet to offer a camera that competes with the Sony FS5 or Panasonic DVX 200 for example with a low price of around $2600 USD.→ Continue Reading Full Post ←