As it was initially unveiled at Photokina last year, the Panasonic Lumix S1 and S1R cameras are their answer to the domination of larger sensors in stills and video mirrorless cameras. Is there any reason now to buy a Full Frame DSLR when mirrorless is so advanced? The only thing we can think of is to have marginally longer battery life. The mirror is on its last legs and fans better start offloading their lenses if they don’t want to mess with adapters. In the case of Panasonic however, it is not possible to use Lumix Micro 4/3 lenses on the Leica/Sigma/Panasonic Full Frame L-Mount.
The S1 and S1R will both shoot up to 180fps 1080p video with a crop that may or may not be impactful. Seems the S1R has less crop on 1080p than the video geared S1 which is an odd spec. We will have to wait for more samples and info on the HFR mode to see which of these cameras offers the best slow motion performance. From the limited samples, we can say that the quality looks very good and at least on par with the Lumix GH5 at 120fps.→ Continue Reading Full Post ←
The announcement of the Panasonic S series is a complete acceptance that smaller m4/3 sensors are not the future but the past. As now Canon, Nikon, Fuji, Sony, Leica and now Panasonic have shifted priorities to Full Frame Sensors as mirrorless has allowed the smaller form factor without compromising low light performance and absolute stills image quality. Fuji is also going strong on Medium Format stills oriented cameras like the new portable GFX 50R which meshes a rangefinder camera with a huge MF sensor.
The move by Panasonic, which had been leading in mirrorless frame rates in continued recording with their Lumix GH5 and GH5s Series up to 240fps 1080p, will now focus on larger sensors that produce more heat and may be much slower to read at high speeds. Sony has so far been able to only have 120fps 1080p recording in their a7 series for example. If the Panasonic S1 at 24MP can only do 120fps 1080p which is still unknown, it will not bode well for slow motion frame rates for some time.→ Continue Reading Full Post ←
Sony has released an altered version of the RX100 V camera for the Australian market which keeps all of the good features of the RX100 V camera but also changes it’s internals and software to allow for increased buffer space for images and video in HFR mode and allows the AF module to include the Fast Hybrid AF system with 315 focal-plane phase-detection points to match that of the RX100 VI which was announced just last month.
The memory increase itself allows for 24fps continuous shooting with a buffer up to 148 JPEG frames. That also allows improved High Frame Rate recording times, and fast continuous AF with stills and while recording UHD 4K video. Recording of 7 seconds of recording in Shoot Time Priority at the 240 fps setting which matches the one in the regular RX100 V and RX100 VI in America.→ Continue Reading Full Post ←
The new Fuji X-T100 may be an afterthought for videographers due to its stills focus. It has a 4k UHD mode but only records at 15fps which begs the question why bother including it? It is certainly useless for everything except time-lapse video recording if you think stuttering footage is rubbish. However, the camera does have a 720p 120fps mode that can record for up to 7minutes while conforming into a file at 30fps which equates to a 4x slowdown or if later edited at 24p a 5x slowdown from real time.
Fuji industrial design is just eye-catching and excellent when it comes to looks. The X-T100 does not disappoint with its retro but chiseled look with a flippy screen that screams for a better video mode. We are fans of the Fuji cameras and are glad to see that even in this low-end entry the high frame rate video recording feature is retained. We hope to see them implement 240fps or higher in future models as their recent efforts in the X-H1 show encouraging initial results in 1080p with superb color rendering.→ Continue Reading Full Post ←
The Japanese hi-tech company generated a loss of 500 million Yen (or $4.6 million U$) in the 2017 fiscal year for the division. They will effectively pull out of the market to stop the bleeding. It is quite sad to see a company that created the EX-F1 and the excellent EX-FH20 eliminate their entire consumer camera division. Could things have been different and could they have avoided the phone camera erosion that has obliterated the sales of most manufacturers? Our only thought would be that they did not innovate fast enough to remain competitive for the consumer to be a real alternative.→ Continue Reading Full Post ←
The newly announced Sony A7R Mark III is one impressive full-frame beast of a camera that aims for high-resolution enthusiasts who do not want to compromise on features, speed, and autofocus by having a superior pixel count sensor. The 42 MP Camera shares the same pixel count and what seems the same sensor as the A7R II but it is improving on both image quality and features.
It makes a mature revision to the series with 10fps shooting at full resolution, slow motion now is 1080p Full-HD 120fps in video mode compared to 720p HD before, AF is now a9 like with blazing fast performance with continuous tracking in video mode. Of note and what could be it’s most impressive new spec is an in Body Stabilization system claiming 5.5 f stops of shake correction. That is very impressive for an IBIS system.→ Continue Reading Full Post ←