Tag Archives: lens

Fuji X-T100 Records 120fps 720p for 7min!

Fuji X-T100

The new Fuji X-T100 may be an afterthought for videographers due to its stills focus. It has a 4k UHD mode but only records at 15fps which begs the question why bother including it?  It is certainly useless for everything except time-lapse video recording if you think stuttering footage is rubbish.  However, the camera does have a 720p 120fps mode that can record for up to 7minutes while conforming into a file at 30fps which equates to a 4x slowdown or if later edited at 24p a 5x slowdown from real time.

Fuji industrial design is just eye-catching and excellent when it comes to looks.  The X-T100 does not disappoint with its retro but chiseled look with a flippy screen that screams for a better video mode.  We are fans of the Fuji cameras and are glad to see that even in this low-end entry the high frame rate video recording feature is retained. We hope to see them implement 240fps or higher in future models as their recent efforts in the X-H1 show encouraging initial results in 1080p with superb color rendering. → Continue Reading Full Post ←

Canon C700 FF and RED EPIC-W Dual ISO do High Frame Rates!

With NAB 2018 getting near, new announcements are starting to trickle in.  The two newest are the Canon EOS C700 FF Full-Frame Cinema Camera & the RED DIGITAL CINEMA EPIC-W BRAIN with Gemini 5K S35 Sensor.  These two are serious cinema cameras aimed at recording in high-end codec formats and supporting RAW codecs.  Both cameras support higher frame rates but do not offer extreme high speeds like dedicated slow-motion cameras.

In the case of the RED EPIC-W with Gemini S35 sensor, it is the first time RED has used a dual Native ISO sensor like the ones seen on the Panasonic EVA1 and GH5s which have two different native sensitivities to deliver extremely clean footage with the widest dynamic range. Witha claimed 16.5 stops of dynamic range in standard mode & a gain of approximately two stops of light, from 800 to 3200 ISO without increasing the image noise. DPs of all kinds will savor these advances to shoot in dark situations knowing the output will be dependable. → Continue Reading Full Post ←

Sony PXW-Z90V Footage Starts to Show!

Sony PXW-Z90V Footage

We were excited last September when Sony announced a trio of Palmcorders based on their latest 1″ stacked image sensor. The FDR-AX700, the HXR-NX80 and the PXW-Z90V share essentially the same sensor and lens along with other common features but differ when it comes to codec bit rates, broadcasting output like SDI out and or HDMI but what interests us is the HFR high frame rate mode.

The Sony RX100 and RX10 series share the same 1″ stacked CMOS sensor in their latest iterations to these cameras but with a new form factor that is aimed at more professional shooters, there is a lot of expectations to see if quality has improved in Slow Motion.   We have gone thru the manuals on the cameras and have not been able to find the exact resolution specs when recording HFR but we estimate they are identical to the latest RX10 IV all in one prosumer camera. → Continue Reading Full Post ←

BEST SLOW MOTION CAMERAS OF 2017!

BEST SLOW MOTION CAMERAS

The end of 2017 is upon and its time to look back through the year’s camera releases and see which delivered quality at an affordable price in slow motion.  HD quality slow motion options took a big leap this year in the phone space and on new entrants in the semi-professional camera fields. It was quite a year in many respects!

Many promised cameras still have not seen the light of day which means they will not be counted in the running. Only cameras that are shipping in quantity with a reasonable wait time and available now are being considered for this post. We will still make note of what may be coming soon for high-speed enthusiasts. → Continue Reading Full Post ←

Panasonic G9 vs GH5 for Video Compared!

Panasonic G9 vs GH5

Panasonic seems to be doing a lot of things right lately with their fantastic GH5 with 10 bit recording and 4k 60p for the first time in a mirrorless camera and of course the 180fps Full HD slow motion to boot.  The just-announced Lumix G9 is a monster of a camera in its own right but Panasonic is right to segment it as a Stills first and video second machine.

The GH5 is the best video-centric portable camera in recent memory and the aim with the G9 is to go after the Sony a9 which is arguably the best stills camera ever conceived performance wise.  The G9 is capable of shooting 60 RAW images in a single burst per second and while the buffer is only 50 RAWs worth; it becomes easily renewed thanks to dual card slots. → Continue Reading Full Post ←

Sony A7R III Shares a9 120fps Full HD Capability!

Sony A7R III

The newly announced Sony A7R Mark III is one impressive full-frame beast of a camera that aims for high-resolution enthusiasts who do not want to compromise on features, speed, and autofocus by having a superior pixel count sensor.   The 42 MP Camera shares the same pixel count and what seems the same sensor as the A7R II but it is improving on both image quality and features.

It makes a mature revision to the series with 10fps shooting at full resolution, slow motion now is 1080p  Full-HD 120fps in video mode compared to 720p HD before, AF is now a9 like with blazing fast performance with continuous tracking in video mode. Of note and what could be it’s most impressive new spec is an in Body Stabilization system claiming 5.5 f stops of shake correction. That is very impressive for an IBIS system. → Continue Reading Full Post ←