The people at Cinemartin have publicly released new specs and images of the first industrial prototype of the cinema camera. There are some killer features like 8k RAW video at 24p and up to 96fps RAW recording in both 4k DCI and1080p HD. Some other frame rates include 48p and 60p in a variety of resolutions which are needed for cinema production in either higher fps or just as a shooting necessity like 48p to get the Hobbit look.
One of the most impressive features listed is the ability to shoot in true Vista Vision format at 7920 x 6024 pixels for 8k at 24p that turns out to be 47.7MP; also the Dual ISO recording feature which will be available by August 2019 which allows dual recording capability for an extreme Dynamic Range improvement. Other features include: Global Shutter, Internal full sensor downsampling, and in-camera electronic image stabilization.→ Continue Reading Full Post ←
We are awaiting a 4k version of this camera in the future and the current fps4000 looks to be evolving to include a Sony Infolithium standard battery which also looks like a grip of sorts. You are able to rent it with a micro 4/3 mount or a Canon EF if needed. Some may point out that if its available for rent it should be ready to ship but these cameras are engineering non-mass production samples that are still evolving. The rental house also helps the project by testing and finding issues with the camera with the help of production users, that can be corrected before final production.→ Continue Reading Full Post ←
Z Cam the relatively new Camera company from Shenzhen, China has announced the Z Cam E2 at NAB 2018 MSRP $1,999.00 USD. It is not a direct replacement for their ambitious but half-baked Z E1 m4/3 camera which costs $399. The new camera is a beast specs wise with up to 120fps 4k and full HD 1080p at 240fps. The codecs will be H.264 and H.265 at 10 bit but no RAW support so far which might be acceptable if the codec is clean enough and their promised Log Flat curve preserves the estimated 13.5 stops of dynamic range.
The camera is still being developed for a June 2018 estimated ship date. It lacks a back screen and relies on a Wifi or Gigabit Ethernet link to their dedicated control application. They intend to support iOS devices and or a PC client. No mention of Android support or Mac which should be included in order to maintain the widest compatibility. We feel lacking Android control is a big deal and should be promised in a future update. It is also unclear if the camera will be possible to use by using a touch screen field monitor which probably will not be the case. Using an iPhone or an iPad as the control interface is probably the best use case.→ Continue Reading Full Post ←
There is an aura over the Panasonic GH5s that has not been seen in a m43 camera possibly ever. It is mainly due to the outstanding low light quality in 4k 24, 30p and 60p that beats full frame cameras like the Canon 5D Mark IV and competes head to head until ISO 25,600 with the king of low light the Sony a7s Mark II. But as always, our focus is on the high frame rates which the camera also does quite good on.
The 4k 60fps quality is very close to the 30p quality which means excellent and you can shoot at 60p at night without worrying about noise. The 240fps mode which is a first for a Lumix camera in full HD means that the camera aims to compete with Sony RX series cameras that have stacked sensors. We believe the quality to be acceptable but not good enough to be broadcast quality as stair stepping jaggies are all over the frame with the occasional moire pattern on fine detail that can break a shot.→ Continue Reading Full Post ←
The fps4000 is starting production of 1080p units with 4k cameras following closely behind. The Slow Motion Camera Company Ltd. has launched a new website today with specs, pricing and an easy order page which will let you finally be in the order queue for an fps1000, fps2000 and fps4000 camera. Website here: https://www.slomocamco.com
We are expecting an fps4000 camera for our lab sometime in the 1st quarter of the year which will let us put it through its paces. The cameras aim to change the way you record slow-motion footage by allowing up to 2 minutes continuous recording in camera solid state memory which can free up DPs from the typical few seconds in slow motion cameras. This, in theory, allows recording an entire production in slow motion which can be ramped in speed slow or faster if needed.→ Continue Reading Full Post ←
The fps4000 camera hinted in Q4 of 2017 as the camera to replace the fps lineup is now entering its first production batch and it will fulfill the promises to backers that expected a camera either in 1080p or 4k. The fps4000 will reach up to 4k resolution at 500fps in it’s highest configuration. This is half the performance of the Phantom Flex 4k camera when it comes to frame-rate at that resolution.
The fps4000 also has a lower resolution configuration for 1080p at 2000fps. Back in 2017 on the announcement, there were configurations up to 4000fps at 720p using different sensors. The hardware main design seems to be shared among the cameras which makes it possible to offer different models at accommodative costs. This should allow all Kickstarter backers to have their promised camera and continue the line for new customers who need low cost extra long recording times in camera.→ Continue Reading Full Post ←