This year we have decided to have a special post to highlight the advancements in smartphone camera systems that allow the recording of super slow motion video. We have seen after all huge advancement this year especially by Asian companies making their best efforts to exploit the camera module’s strengths without crippling them to sell a newer model. The Chinese have decided to create a camera war between phone builders that one-up each other every few months.
We value image quality just as high as frame rate and when phones claim to be 1080p in high frame rate modes we usually find that the real case if 720p or similar upscaled to full HD 1080 with artifacts and jagged edges that can make you dizzy. But not all phones are created equal and that is where this list of the best of 2019 comes in. If by any chance an even stronger contender comes in before the end of the year we might revise this list but it would be a fluke.→ Continue Reading Full Post ←
It is that time of the year again, to save on that coveted piece of kit that you have been eyeing for the better part of the year. We have gathered the deals that contain the slow motion camera capable gear so that you can browse fast and save time. Remember that with every link you support HSC at no added cost to you.
Rumors surrounding the 2020 release of the OnePlus 8 phone are already heating up with a tentative May release date and a new camera module that can capture 960fps super slow motion at 720p, a clear step up from their previous phones at 480p. The OnePlus 7T can shoot 960fps but it is an interpolated mode from doubling the frames of 480p by 2x and doing the in-betweens in software.
What is interesting is that OnePlus since the OnePlus 6 has allowed for a full minute of playback in super slow motion from their 480p mode and has been one of the go-to phones for dependable slow motion capture that offers the longest recording time still to this day in higher than 240p modes.→ Continue Reading Full Post ←
The latest beta version of One UI 2.0 which is the Samsung interface layer on top of Android 10, is featuring an initial selfie mode for the front camera in the Galaxy S10 and Note 10, to match Apple’s Slo-fie feature which debuted on the iPhone 11. The Samsung focused Sammobile.com has already tested the feature and has shown that it is working but with still some performance issues to be ironed out.
For starters, the footage stutters like it is losing some frames from what looks to be a 120fps 720p capture on the front selfie camera. Then there is no real adjustment at the moment of capture allowed on the interface but there are post-recording editing and speed stretching that should allow some level of control. It would be ideal to have access to a full manual feature on this mode, but it seems it is kind of a bolted-on software upgrade feature to allow a better feature for feature comparison with Apple. If that is the case Samsung should also allow all the cameras on the back to shoot slow motion video and not only the standard wide default cam.→ Continue Reading Full Post ←
The recently announced Canon 90D, Canon EOS M6 II, Sony a6100 and Sony a6600 are cameras that refine everything that is already a current technology but bundle it in a lower price package with great performance. However, it is clear from the spec sheets that high frame rates have stagnated for the past few years in these camera lines with a maximum of 120fps at 1080p.
Sure some of them offer full-time autofocus in slow motion modes and face tracking which in the case of Sony is so good that you may not even match it if you had the best focus puller in the business hired for your shoot. But the frame rate war seems to be left to other camera lines and brands. Panasonic, for example, offers up to 180fps in their new S1H camera which should be in theory the best Panasonic mirrorless camera ever made and it should also allow for outstanding quality in 1080p 180fps.→ Continue Reading Full Post ←
The folks at Blackmagic design are at it again when it comes to destroying spec sheets compared to price. The BMPCC 4k was already one of the best-reviewed and popular choice among budget filmmakers that needed excellent quality and dynamic range. At only $1,295 that camera was a smash hit but had only a four thirds (4/3) sensor which was not ideal in size and required speed booster adapters to get the needed depth of field to simulate an S35 image.
Now the BMPCC 6k ($2,495.00) with EF Canon mount comes in with a full APS-C sensor with dual ISO characteristics like before but with the added imager size and full electronic lens support for EF glass. It would have been in our view ideal to use an electronic mount with shorter flange like the Sony Alpha or the new Canon RF mount so you could adapt even more lens combinations but they are catering to a large installed base of glass owners.→ Continue Reading Full Post ←