We are awaiting a 4k version of this camera in the future and the current fps4000 looks to be evolving to include a Sony Infolithium standard battery which also looks like a grip of sorts. You are able to rent it with a micro 4/3 mount or a Canon EF if needed. Some may point out that if its available for rent it should be ready to ship but these cameras are engineering non-mass production samples that are still evolving. The rental house also helps the project by testing and finding issues with the camera with the help of production users, that can be corrected before final production.→ Continue Reading Full Post ←
Z Cam the relatively new Camera company from Shenzhen, China has announced the Z Cam E2 at NAB 2018 MSRP $1,999.00 USD. It is not a direct replacement for their ambitious but half-baked Z E1 m4/3 camera which costs $399. The new camera is a beast specs wise with up to 120fps 4k and full HD 1080p at 240fps. The codecs will be H.264 and H.265 at 10 bit but no RAW support so far which might be acceptable if the codec is clean enough and their promised Log Flat curve preserves the estimated 13.5 stops of dynamic range.
The camera is still being developed for a June 2018 estimated ship date. It lacks a back screen and relies on a Wifi or Gigabit Ethernet link to their dedicated control application. They intend to support iOS devices and or a PC client. No mention of Android support or Mac which should be included in order to maintain the widest compatibility. We feel lacking Android control is a big deal and should be promised in a future update. It is also unclear if the camera will be possible to use by using a touch screen field monitor which probably will not be the case. Using an iPhone or an iPad as the control interface is probably the best use case.→ Continue Reading Full Post ←
The Z Cam E1 which delivered excellent quality 4k footage from a tiny package and was able to do 720p 240fps frame rates “at less than ideal quality”, however, a new Rumor from 4/3 Rumors here shows a Twitter message that hints at a new Z E2 m4/3 camera that is able to do 120fps at full 4k resolution. If this turns out to be true it could yield further performance improvements in 1080p and 720p along with higher quality that could be usable.
As far as linear specs go a 120p 4k pipeline could in theory yield 480fps 1080p and 960/1000fps 720p without going out of spec. As we have come to know over the years, however, it is usually wrong to extrapolate these specs to the maximum possible metric as the sensor or memory could be bottlenecks that limit the performance. So this rumor could have some legs to it and NAB 2018 could be the show that makes 4k 120p a regular feature for cameras.→ Continue Reading Full Post ←
The fps4000 is starting production of 1080p units with 4k cameras following closely behind. The Slow Motion Camera Company Ltd. has launched a new website today with specs, pricing and an easy order page which will let you finally be in the order queue for an fps1000, fps2000 and fps4000 camera. Website here: https://www.slomocamco.com
We are expecting an fps4000 camera for our lab sometime in the 1st quarter of the year which will let us put it through its paces. The cameras aim to change the way you record slow-motion footage by allowing up to 2 minutes continuous recording in camera solid state memory which can free up DPs from the typical few seconds in slow motion cameras. This, in theory, allows recording an entire production in slow motion which can be ramped in speed slow or faster if needed.→ Continue Reading Full Post ←
The fps4000 camera hinted in Q4 of 2017 as the camera to replace the fps lineup is now entering its first production batch and it will fulfill the promises to backers that expected a camera either in 1080p or 4k. The fps4000 will reach up to 4k resolution at 500fps in it’s highest configuration. This is half the performance of the Phantom Flex 4k camera when it comes to frame-rate at that resolution.
The fps4000 also has a lower resolution configuration for 1080p at 2000fps. Back in 2017 on the announcement, there were configurations up to 4000fps at 720p using different sensors. The hardware main design seems to be shared among the cameras which makes it possible to offer different models at accommodative costs. This should allow all Kickstarter backers to have their promised camera and continue the line for new customers who need low cost extra long recording times in camera.→ Continue Reading Full Post ←
Panasonic seems to be doing a lot of things right lately with their fantastic GH5 with 10 bit recording and 4k 60p for the first time in a mirrorless camera and of course the 180fps Full HD slow motion to boot. The just-announced Lumix G9 is a monster of a camera in its own right but Panasonic is right to segment it as a Stills first and video second machine.
The GH5 is the best video-centric portable camera in recent memory and the aim with the G9 is to go after the Sony a9 which is arguably the best stills camera ever conceived performance wise. The G9 is capable of shooting 60 RAW images in a single burst per second and while the buffer is only 50 RAWs worth; it becomes easily renewed thanks to dual card slots.→ Continue Reading Full Post ←