Sony has released the RX0 Mark II which now includes the ability to record 4k internally as opposed to using an external recorder. Other goodies include a new flippy screen which while tiny, it allows for easy framing and selfie vlogger styles. A new stabilizer is included for reducing shake and it is a definite improvement even when the rolling shutter is a real problem.
Most of the camera is the same as before when it comes to body shape and usability, the higher frame rates are identical as the 2017 RX0 Mark I with essentially the same resolution and time recording. The big improvement comes in the screen and internal 4k recording with stabilization which seems to be directly aimed at vloggers. The sensor is, however, a tad less crowded by pixels at 15.3MP on the Mark II vs 21MP on the Mark 1. That should help in the low light department.→ Continue Reading Full Post ←
The newly announced Sony a6400 is what the a6300 should have been almost two years ago. It is still missing a key feature that was introduced with the a6500 that of IBIS or Sensor Stabilization which works with any lens added to the system. However, if you remove the IBIS fail from the equation this is a killer camera for just $900 which in this day and age of $1000+ cellphones, it is quite a bargain for the body only.
We were amazed by the 120fps full HD quality of other sony alpha cameras like the a9 and the a7 III which fully track subjects while recording in super slow motion which really makes the feature stand out compared to other cameras which force you to go manual while on that mode. The codec quality has also been bumped in this camera for 120p to 100Mbps from 60Mbps on earlier cameras like the a6300 which should preserve more detail while sacrificing little in image crispness.→ Continue Reading Full Post ←
The original Sony FS5 not the Mark II which does 240fps and 120fps full HD recording with excellent quality as well as 4k 240fps with an external recorder has dropped in price precipitously. The -$750 price drop makes the camera only $3,498 for the body only which is now competitive with pro SLRs and higher-end mirrorless cameras.
The FS5 camera has been used in productions all over the world and it is a favorite of many videographers for its form factor and dependability. We like it here at HSC by retaining the 10th position on our guide with excellent quality 120fps and 240fps full HD 1080p and pristine quality in 4k 240fps using a recorder like the Atomos Shogun series. The camera also allows 480fps and 960fps @ 1920*270px for short bursts much like the Sony RX series but slightly behind in quality to those latest cameras in those higher modes. Is an FS5 Mark III getting ready to launch or just end of product life rebates?→ Continue Reading Full Post ←
The Summer is usually a time of slow product releases with little to show for in the way of new products. That, however, means that the fall product cycle is close by and now releases should be picking up the pace. We have some rumors and information that may be valuable when considering upcoming high-speed capable devices.
Do note that rumors and speculation are subject to change or be completely incorrect so take a lot of this with a grain of salt. We strive to weed out the most outlandish rumors but concentrate on the most probable technology announcements.→ Continue Reading Full Post ←
Nikon has either gone crazy or has analyzed a market that is actually alive and well when it comes to all in one prosumer compact cameras. The P900 was a best seller for several years in the segment with an 83x optical zoom formula of 24-2000mm equivalent. Now the new P1000 increases that range by 1000mm to do a previously ludicrous spec of 24 wide-angle to 3,000mm telephoto range or 125x optical zoom.
The sensor is tiny at 1/2.3″ the same as small compact cameras and just slightly larger than the typical phone sensor of 1/3″. This is what makes it possible for the camera to create such a zoom range without the lens being larger than a Napoleonic war artillery cannon. The video modes are decent with 4k 30p but the high-speed modes are lackluster which is a shame considering this camera could be used effectively for extreme wildlife shots in super slow motion.→ Continue Reading Full Post ←
Sony has released an altered version of the RX100 V camera for the Australian market which keeps all of the good features of the RX100 V camera but also changes it’s internals and software to allow for increased buffer space for images and video in HFR mode and allows the AF module to include the Fast Hybrid AF system with 315 focal-plane phase-detection points to match that of the RX100 VI which was announced just last month.
The memory increase itself allows for 24fps continuous shooting with a buffer up to 148 JPEG frames. That also allows improved High Frame Rate recording times, and fast continuous AF with stills and while recording UHD 4K video. Recording of 7 seconds of recording in Shoot Time Priority at the 240 fps setting which matches the one in the regular RX100 V and RX100 VI in America.→ Continue Reading Full Post ←