The phones have gathered little attention outside of China as Android cannot be updated and the Play Store is not accessible due to US restrictions on Huawei as a technology company that poses a risk to national security. Most of these phones are acquired by the use of importers or the pre-owned market and no US carriers offer them. Still, it is the amazing hardware design and the best slow motion performance on any phone to date that makes it impossible to ignore.→ Continue Reading Full Post ←
With all the COVID 19/Coronavirus news it seems out of place to fret over smartphone maker decisions. However, we have to mention the latest Sony smartphones which prioritize photo and video quality with one gigantic omission. All of the new lineup from Sony the Xperia 1 II, Xperia 10 II, and Xperia PRO 5G lack super slow motion features. Yes, the 960fps 1080p mode is gone and the only spec remaining is a paltry 120fps 1080p Full HD pseudo-slow-mo frame rate.
If you recall in years past, the Sony brand was incorporating their Motion eye™ technology which pairs a sensor with ultra-fast memory on the same package to allow for large datarates and super slow motion capture. In the lab, the phones were able to shoot up to 1000fps at full 1080p HD with excellent quality. What came out in the Xperia phones was a somewhat odd translation of 0.1 seconds recording time at 1080p 960fps/1000fps which came out to be extremely short and a kind of useless feature. Now that has been abandoned.→ Continue Reading Full Post ←
The team at Krontech.ca has been shipping the first units of the Chronos 2.1-HD 4/3″ Sensor high-speed camera to their customers and in turn, footage has started to become available online showing what this new super affordable 1080p slow-mo cam can do. We will be reviewing a unit in the future once the firmware is more polished and will give it a good spin to finally rank it in our camera guide.
At first glance, we have a very positive reaction to the footage shown. The noise control and per-pixel detail are excellent and a clear cut above what the much smaller 2/3″ sensor on the Chronos 1.4c was able to deliver. Larger sensors are a must for high-speed cameras to make use of more available light locations. We have gathered some excellent video examples that will let you have a pretty good idea of what you can shoot and at what quality level with this camera.→ Continue Reading Full Post ←
Quite a few of our readers have asked for HSC to comment on the rumors of a Canon R5 Mirrorless camera that according to unsubstantiated information claims 120fps at 4k and 8k at 30p. The R5 may be the modern non-DSLR successor camera to the EOS 5D Mark IV and could become a major release for the company for this decade. As rumors go we can probably believe some of it but we have to be skeptical on the full specs because Canon has not shown the willingness to push the envelope as far for many years and has calmy let Panasonic and Sony take the firsts spots on video features.
We would love to see Canon go ahead and push the envelope with amazing video features that can revive the platform for serious video production the same way the 5D Mark II did back in 2008 when it took the video world by storm and made it possible to shoot quality video that looked a lot like the 5D still images that have dominated certain segments of still imagery business like weddings.→ Continue Reading Full Post ←
The Spanish Association of Broadcast, Cinema and TV Producers or PNBE for short, is sharing some information about a camera they are custom building for the purpose of shooting a new series for Spanish Television that explores Nature and Astrology “Or maybe Astronomy” which could be a translation error. The new camera will be able to shoot at pretty remarkable specs like 10k and 8k video including higher frame rates at many resolutions that surpass anything in its class.
The camera needs to have extreme detail and low light performance with RAW capabilities. Only a dozen will be built for the TV program but we assume they share the information in order to see if there is interest in the market for DPs and other professionals to own such a camera. We were happy to see that the spec sheet is very detailed with both H.264 and H.265 support aside from RAW and Cinema DNG formats in recording.→ Continue Reading Full Post ←
CES brought a lot of weird tech like smarter toilets, personal companion robots and the occasional wearable smart tech that you really can’t wash in your home. As it is always the case at HSC we were looking for slow motion capable cameras and sadly we saw very little at the show. We are now showcasing three manufacturers who had 120fps Full HD cameras announced at the show and no frame rates above that.
These are primarily 4k 30 and 60p cameras that have a 1080p 120fps mode as a feature that no new camera can really ship without. Sony has already standardized this format in the last few years on most Alpha cameras and Panasonic has even gone above at 180fps and 240fps in some cases like the GH5 and S series. The cameras presented here are mainly either stills full-frame beasts or more standard video camera like. By 2020 we would have hoped to see better than 120fps 1080p on cameras of this caliber but it seems we will have to keep waiting…→ Continue Reading Full Post ←