Sony made a headline splash with the Xperia XZ2 last week but samples of the slow motion or HDR were not widely available to really see what the phone could do. Even today they are few and far between but we were able to find some to make a pretty good assessment of the quality offered in video mode.
We were quite impressed to find a resolution gain that it is quantifiable in 1080p 960fps Full HD mode slow motion that is greater than previously thought. It is still not true 1080p quality but it is slightly higher from 720p which in turn makes this XZ2 Phone the best 960fps phone out there for quality. The Galaxy S9 is close behind but with a severe aliasing increase by reducing the data captured.→ Continue Reading Full Post ←
The new Sony Xperia XZ2 from Sony is their flagship phone for early 2018. It has a lot going for it like 4k HDR movie mode which is a first for a phone and from what we can see it really makes a difference in dynamic range and color on the footage. It also has the latest Snapdragon 845 SoC for increased performance with the battery savings to boot.
What we are interested however is the slow motion high frame rate capabilities which after the Galaxy S9 with 960fps HD 720p announcement, Sony needed to respond accordingly. Well, Sony has done so and they now claim 1080p 960fps slow-motion video on their XZ2 phone which is a one up on the Galaxy with more resolution. However, it is not all that rosy as companies seem to equate a frame size with video quality which in many cases is not even close to spec.→ Continue Reading Full Post ←
Has Canon finally woken up from the deep slumber that has crippled the progress in their camera line when it comes to video performance? On paper, the Canon EOS M50 a mirrorless camera that seems to improve in almost every way to previous efforts by the company. We have 4k recording at 24/25 but where is 30P? 120fps slow Motion 720 HD Video in a lower cost body and their excellent Dual Pixel AF System which is one camera feature where the others are playing catch-up.
If the rumors are solid; which seem to be considering the images leaked and detailed information then Canon may finally be releasing cameras that will be worth your while and a clear path out of the EF mount into a mirrorless future. We remain detached until we have image samples and slow-motion footage but its clear Canon and possibly Nikon will not remain still for much longer and let Sony, Olympus, Panasonic, and smartphones eat their installed user base little by little.→ Continue Reading Full Post ←
The Chronos 1.4 Team has now posted the first incarnation of the RAW Camera data to DNG File tool to convert the sensor information files to usable Adobe DNG sequences. They also have posted a sample image comparing the before and after characteristics of the image quality if saved on H.264 in camera and then the same scene shot and saved in RAW format which converted to DNG yields a substantial improvement in image quality as we explored in our previous post about this issue here.
The camera is expected to allow direct to DNG format file saving in the future but now you can shoot in the camera RAW format and later convert as an interim solution without sacrificing quality on the H.264 files. Maybe in the future, the camera will be able to simultaneously save RAW and H.264 files as a proxy feature to be able to easily sample clips in editing before conversion. We believe the DNG format should be your one-stop solution for this camera if image quality is important for your use case.→ Continue Reading Full Post ←
The Fuji X-H1 just announced does a lot of things right; It has a 200mbps 4k codec in UHD / DCI, 120fps Full HD which from the initial looks of it looks gorgeous and it finally has the 5-Axis Stabilizer on the sensor 5.5 stops worth that had eluded Fuji cameras for two years now. It even has a new Eterna color profile which makes it easy to color correct without being too flat or too processed.
Panasonic announced two new cameras this week the ZS200 America / TZ200 Europe which offers the worlds longest wide to super zoom range in a 1″ sensor form factor with a 24-360mm equivalent F3.3-6.4 lens and the larger sensor 4/3ds 20MP “Same as GH5″ Lumix GX9 which tops out at 60fps 1080p which we will not cover any further. We have a cut off of 120fps for slow-motion cameras. The ZS200, however, looks to be Panasonic’s answer to the excellent and full-featured RX series of cameras like the RX10 IV and RX100 V.
The main selling point of this camera is the appeal of carrying a 15X zoom in your pocket along with a 1″ sensor which beats most superzoom cameras that use tiny 1/1.8″ or 1/2.5” sensors. Panasonic is able to do this by extending the lens to almost 3 times the camera’s width footprint including lens ring which looks kind of ridiculous but is effective at contracting enough to fit on a large pocket. The image below shows only 3/4ths of the extension.→ Continue Reading Full Post ←