The announcement of the Panasonic S series is a complete acceptance that smaller m4/3 sensors are not the future but the past. As now Canon, Nikon, Fuji, Sony, Leica and now Panasonic have shifted priorities to Full Frame Sensors as mirrorless has allowed the smaller form factor without compromising low light performance and absolute stills image quality. Fuji is also going strong on Medium Format stills oriented cameras like the new portable GFX 50R which meshes a rangefinder camera with a huge MF sensor.
The move by Panasonic, which had been leading in mirrorless frame rates in continued recording with their Lumix GH5 and GH5s Series up to 240fps 1080p, will now focus on larger sensors that produce more heat and may be much slower to read at high speeds. Sony has so far been able to only have 120fps 1080p recording in their a7 series for example. If the Panasonic S1 at 24MP can only do 120fps 1080p which is still unknown, it will not bode well for slow motion frame rates for some time.→ Continue Reading Full Post ←
The new Laowa 24mm f/14 Probe Lens with included LED lighting at the tip is a really interesting lens for high-speed shooters that would like an edge in their shooting style. The lens looks like a gun barrel but it is really a snake tube-cam-like lens that permits focus at just 2cm from the front element and also shoots at a fairly long distance from the subject.
The Kickstarter campaign project seen here was asking for just $9,999 USD in funding but as of right now with several days to go has reached an extremely impressive $811,113 USD which translates to about 650 lenses to be delivered to backers. The footage that the campaign was able to provide is really amazing at showing what can be achieved when creative minds are able to freely utilize an innovative lens like this.→ Continue Reading Full Post ←
Panasonic has been known on having deals or rebates on cameras way before replacements are set to be unveiled. In that same manner, the latest price cuts or instant savings on the GH5 and GH5s make it a much easier proposition to get one of these cameras that shoots in the case of the GH5 up to 180fps 1080p and on the GH5s up to 240fps 1080p. In a previous post, we showed that the GH5s is actually less detailed in 1080p slow motion than the regular GH5s which suffers from more aliasing and moire artifacts.
The new Fuji X-T100 may be an afterthought for videographers due to its stills focus. It has a 4k UHD mode but only records at 15fps which begs the question why bother including it? It is certainly useless for everything except time-lapse video recording if you think stuttering footage is rubbish. However, the camera does have a 720p 120fps mode that can record for up to 7minutes while conforming into a file at 30fps which equates to a 4x slowdown or if later edited at 24p a 5x slowdown from real time.
Fuji industrial design is just eye-catching and excellent when it comes to looks. The X-T100 does not disappoint with its retro but chiseled look with a flippy screen that screams for a better video mode. We are fans of the Fuji cameras and are glad to see that even in this low-end entry the high frame rate video recording feature is retained. We hope to see them implement 240fps or higher in future models as their recent efforts in the X-H1 show encouraging initial results in 1080p with superb color rendering.→ Continue Reading Full Post ←
The Lumix TS7 by Panasonic “TS7 in the US, Canada, FT7 outside of North America” is a well-rounded package when it comes to pricing and features. It is a 4k 30/25/24 ready camera and it can go underwater 31 Meters or 102ft plus all the cool ruggedized features you might expect on a camera of this kind like being crush-proof up to 220lbs/100kg and freezeproof down to -10 °C / +14 °F. It is a real alternative to smaller action cameras like the GoPro, Xiaomi Yi 4k+ and Sony Action Cam series.
The lens is a 28–128 mm 35mm equivalent 4.6x zoom range which is quite sharp across the range as we have seen from samples. The main issue with this camera is the small 1/2.3″ BSI sensor and the fact that it packs 20MP or a resolution of 5184 x 3888px which is a little too cramped to be ideal for low light or in our view underwater performance without added bright artificial lighting. ISO goes from a low of 80 to a high of 6400 which probably is already pushing it too much. This camera would have been a better bet with a 10 or 12MP BSI sensor to maintain some edge in low light for the competition. → Continue Reading Full Post ←
There is an aura over the Panasonic GH5s that has not been seen in a m43 camera possibly ever. It is mainly due to the outstanding low light quality in 4k 24, 30p and 60p that beats full frame cameras like the Canon 5D Mark IV and competes head to head until ISO 25,600 with the king of low light the Sony a7s Mark II. But as always, our focus is on the high frame rates which the camera also does quite good on.
The 4k 60fps quality is very close to the 30p quality which means excellent and you can shoot at 60p at night without worrying about noise. The 240fps mode which is a first for a Lumix camera in full HD means that the camera aims to compete with Sony RX series cameras that have stacked sensors. We believe the quality to be acceptable but not good enough to be broadcast quality as stair stepping jaggies are all over the frame with the occasional moire pattern on fine detail that can break a shot.→ Continue Reading Full Post ←