Tag Archives: Panasonic

Slow Motion News & Footage July!

Slow Motion News

July is typically a slow month for hardware news but there are still several things happening on the slow motion front that deserves your attention. We have gathered a series of information and footage that is becoming viral with the help of slow motion imaging.

A fairly new Youtube Channel “9 Months old” is gaining momentum by filming a 60,000PSI water jet cutter slicing through all sorts of objects.  We are very impressed with the results of the Waterjet Channel and what they have been able to film in such a short time. They just broke 300k subscribers which is no easy feat.  We share their latest video and urge you to subscribe in order to support their endeavors.[...] → Continue Reading Full Post ←

AXIOM Beta Camera Kit in Production!

AXIOM Beta

The Axiom Apertus camera project is progressing forward with the completion of 25 developer Beta kits to backers of the camera. It is a working model without a final case and with ongoing software development. The camera is functional and has a Sony E-Mount at the moment but with the ability to change the mount if needed. The camera color science is being coded by A1ex of magic lantern fame. It will be a possibility to use digital “Film Stocks” at the push of a button to be able to match certain looks.

The footage from the beta camera is quite good with excellent film like characteristics in a 10-13 stop range.  There is a cinema camera feel that is absent from other cheaper camera options in the ILC and DSLR Camps.  The closest look is that from Blackmagic Design’s Cinema camera options.  When it comes to frame rates the Beta camera does 60fps full HD out of the HDMI but not much else.[...] → Continue Reading Full Post ←

Fake Slow Motion Is It Worth It?

Fake Slow Motion

There has been a lot of work put it developing software that can interpolate frames for video editing and compositing applications. Twixtor in the late 90’s was perhaps the first time the technology could make something worthwhile and really produce acceptable results in a computationally acceptable timeframe.

Today the most used algorithm is Adobe’s Optical Flow in Premiere or Time Warp in After Effects which use vector directional plus acceleration of pixel values to derive in between frame data to generate new frame information from the preceding frame as point A and the next frame as point B.  The results can do some wonders to really slow down things above the frame rate ceiling of the camera.[...] → Continue Reading Full Post ←

Panasonic EVA1 has 2k 240fps Spec!

Panasonic EVA1

The Panasonic AU-EVA1 Super 35mm Cinema Camera is a first for the company in several key fronts. For starters, it is abandoning the Micro 4/3 sensor in turn for a more industry standard S35 module which has a larger area and in turn much better light gathering power.  Gone also is the micro 4/3 lens mount which Panasonic favors and in its place a Canon EF Electronic mount which could have been called blasphemy to see this in a product line of this price range for Panasonic.

Since the sensor-flange distance is increased you will not be able to use the Micro 4/3 or 4/3 lenses you were using with an AF100 for example.  When it comes to slow motion this camera is no slouch with 240fps continuous recording to SDXC II v90 cards in both 2k resolution and full HD 1080p. It is also bringing it to the 4k 50/60p realm which now is becoming commonplace.[...] → Continue Reading Full Post ←

Panasonic GH5 vs Red Epic Slow Motion!

Panasonic GH5 vs Red Epic Slow Motion

The Youtube channel CRFTSHO has created a guessing video game that pits the Panasonic GH5 vs the RED EPIC Camera in a slow motion 1080p match.  The fun is that even for the trained eye there is no easy way to tell which camera is actually on screen playing until you get the revelation footage which is the 2nd part of the game.

What is interesting about the results is that the RED Epic a camera worth over 10 times more than the Panasonic Lumix GH5 is almost indistinguishable and in some shots the cheaper camera is preferable in sharpness and detail.  It probably has to do with the GH5 doing full sensor downsampling up to 120fps at 1080p vs the RED doing sensor windowed mode.[...] → Continue Reading Full Post ←

Olympus Tough TG-5 Digital Camera 120fps 1080p!

Olympus Tough TG-5

Olympus is announcing the TG-5 rugged camera which is the replacement for the popular TG-4. It has quite a number of new features and what may be a first for this type of cameras; a sensor pixel density reduction from 16MP to 12MP. A welcomed addition that will ensure better low light quality with a BSI CMOS sensor and speedier data acquisition which lets it output 4k and 120fps 1080p video.

It has also a 720p 240fps mode and a VGA 480fps mode which makes it stand out in the slow motion categories. This camera seems to be aiming at the GoPro Hero 5, Yi 4k+ and Sony Action Camera markets with more features, better usability and the features you expect from a portable camera. It can also be used in drones with some creative placement due to its low weight of 250g with battery![...] → Continue Reading Full Post ←