There is no question the Sony a7 III just announced by Sony is making a splash in the midrange to professional camera markets. We have a $1,998.00 USD Full Frame camera that can shoot 10fps at the full 24MP sensor resolution with probably the best AF tracking system ever shipped on a camera aside from the slightly better Sony a9. The low light performance of the new a7 III is quite frankly impressive with nearly as clean video to the king of low light the a7s II up until ISO 12,800.
It also has the same high-quality 120fps Full HD mode in both full frame downsampling and APS-C crop modes with continuous reliable AF tracking that performs as good as the a9 system because when it comes to spec comparisons they seem identical. You will be better off with this camera if you are looking for 120fps full HD than any we have seen before as quality, low noise, focus tracking and dynamic range all come together to create a superb package.→ Continue Reading Full Post ←
The Fuji X-H1 just announced does a lot of things right; It has a 200mbps 4k codec in UHD / DCI, 120fps Full HD which from the initial looks of it looks gorgeous and it finally has the 5-Axis Stabilizer on the sensor 5.5 stops worth that had eluded Fuji cameras for two years now. It even has a new Eterna color profile which makes it easy to color correct without being too flat or too processed.
Panasonic announced two new cameras this week the ZS200 America / TZ200 Europe which offers the worlds longest wide to super zoom range in a 1″ sensor form factor with a 24-360mm equivalent F3.3-6.4 lens and the larger sensor 4/3ds 20MP “Same as GH5″ Lumix GX9 which tops out at 60fps 1080p which we will not cover any further. We have a cut off of 120fps for slow-motion cameras. The ZS200, however, looks to be Panasonic’s answer to the excellent and full-featured RX series of cameras like the RX10 IV and RX100 V.
The main selling point of this camera is the appeal of carrying a 15X zoom in your pocket along with a 1″ sensor which beats most superzoom cameras that use tiny 1/1.8″ or 1/2.5” sensors. Panasonic is able to do this by extending the lens to almost 3 times the camera’s width footprint including lens ring which looks kind of ridiculous but is effective at contracting enough to fit on a large pocket. The image below shows only 3/4ths of the extension.→ Continue Reading Full Post ←
The new Mavic Air may actually be the drone you have been waiting for. It has most of the technologies that have evolved on pricier drones like the Inspire series and Phantom high-end consumer offerings like obstacle avoidance, awareness sensors, and now at this tiny size, a 4k 30p 3-axis gimbal stabilized camera. The 4k recording ups the ante at 100mbps compared to the Mavic Pro’s 60mbps which was a big issue for motion artifacts and clearly separated the quality lines on phantom and Mavic series.
The new drone also has the ability to shoot 120fps Full HD 1080p video in what looks like improved quality “but still a little noisy” which is also a plus. The sensor is the same as on the Mavic Pro with a 1/2.3″ size at 12MP with HDR still shooting mode and an 85°-degree FOV. The main feature of course is the size which is slightly bigger than last year’s spark but with finally 4k image quality. Portability is probably the most important drone feature today.→ Continue Reading Full Post ←
Panasonic has released an updated firmware that claims to fix some instability issues while recording video at higher frame rates using VFR. The Firmware Version 2.2 Available here aims to reduce or eliminate instances where the camera could stop recording video or in some instances refuse to record in VFR mode. Some users have reported rare incidents of corrupted files, recording stops and some camera lockups that could be related to the VFR function buffer and write to SD card procedure. It will be a matter of testing this new firmware to see if it resolves these issues.
In some instances, it was narrowed down to slow SD cards that could not keep up with the data rates necessary or cards that had internal fragmentation that could cause corruption on clips. Glad to see Panasonic addressing this issue. The camera also adds a new menu item for customizing the function button on the new Leica H-ES200 200mm 2.8 lens to different parameters. Firmware Link!→ Continue Reading Full Post ←
Panasonic seems to be doing a lot of things right lately with their fantastic GH5 with 10 bit recording and 4k 60p for the first time in a mirrorless camera and of course the 180fps Full HD slow motion to boot. The just-announced Lumix G9 is a monster of a camera in its own right but Panasonic is right to segment it as a Stills first and video second machine.
The GH5 is the best video-centric portable camera in recent memory and the aim with the G9 is to go after the Sony a9 which is arguably the best stills camera ever conceived performance wise. The G9 is capable of shooting 60 RAW images in a single burst per second and while the buffer is only 50 RAWs worth; it becomes easily renewed thanks to dual card slots.→ Continue Reading Full Post ←