Tag Archives: preview

Fuji X-T100 Records 120fps 720p for 7min!

Fuji X-T100

The new Fuji X-T100 may be an afterthought for videographers due to its stills focus. It has a 4k UHD mode but only records at 15fps which begs the question why bother including it?  It is certainly useless for everything except time-lapse video recording if you think stuttering footage is rubbish.  However, the camera does have a 720p 120fps mode that can record for up to 7minutes while conforming into a file at 30fps which equates to a 4x slowdown or if later edited at 24p a 5x slowdown from real time.

Fuji industrial design is just eye-catching and excellent when it comes to looks.  The X-T100 does not disappoint with its retro but chiseled look with a flippy screen that screams for a better video mode.  We are fans of the Fuji cameras and are glad to see that even in this low-end entry the high frame rate video recording feature is retained. We hope to see them implement 240fps or higher in future models as their recent efforts in the X-H1 show encouraging initial results in 1080p with superb color rendering. → Continue Reading Full Post ←

OnePlus 6 Initial Slow Motion Samples!

OnePlus 6 Initial Slow Motion Samples

There has been a lot of excitement about the OnePlus 6 for the past two weeks and while the slow motion feature is not the first feature you look for, it may be the biggest deal in phone slow motion in several years. The duration eclipses the competition by leaps and bounds at 3.75 seconds of recording vs 0.2s or 0.4s for the competition.

We have found a few samples that show the phone at 480fps 720p and 240fps 1080p quality which right off the bat show that the phone is capable but still a long way from competing with professional slow-motion cameras like the edgertronic series or Chronos 1.4 in both recording time and image quality.  Even with all of these negatives, the OnePlus 6 does bring the technology forward by allowing phone users to record enough slow-motion footage to make it usable for publishing on the web or specific uses in education or sports analysis. → Continue Reading Full Post ←

HTC U12+ Joins the Slow Motion Wave!

HTC U12+ Slow Motion

The new HTC U12+ bucks the trend in the latest flagship phones that offer extreme high frame rates like 480fps and 960fps for short time frames. Instead, the phone touts 240fps at 1080p and 4k 60p as the main frame rate specs.  This is competitive with the iPhone X & Samsung Galaxy S9 series where 4k at 60p is now the default offering for the UHD format on the high end and 240p at full HD on the SlowMo feature front.

This U12+ phone has dual cameras in the front and back which allow it to do interesting bokeh out of focus effects on all types of shots including video mode which may be a first. As to the quality of the effect in video, it will have to be scrutinized to see where it lands and if its good enough to use as a narrative video capture device. The phone has all the top specs of today and the camera has gathered a 103 score on the DXOMark test which is the 2nd best camera on a phone ever after the excellent Huawei P20 Pro at 109. → Continue Reading Full Post ←

OnePlus 6 480fps Shoots for 3.75sec!

OnePlus 6 480fps

The full specs are official now and the OnePlus 6 is now considered a flagship phone by any measure you can throw at it. It has massive memory, speed and a price that will not break the bank at just $529 USD  for the smaller capacity 64GB version.  It has dual cameras and 4K shooting at 60FPS, 1080p at full 240FPS, and our favorite spec 720p at 480FPS.

Gone is the 960fps spec of phones like the Samsung Galaxy S9 & Sony Xperia XZ2 but with the added benefit of shooting 1800 frames of it which translates to 60 seconds playback “1 Minute” at 30p on the OnePlus 6. So an entire usable minute of slow motion at 720p will be a welcomed addition to any slow motion fans and while quality will have to be seen and analyzed, it already makes for a better overall experience than the 0.2 seconds recording of the competition. → Continue Reading Full Post ←

FUJIFILM X-T2 vs X-H1 Slow Motion Quality Comparison by CVP!

The FUJIFILM X-H1 which offers 120fps 1080p slow motion was a worthwhile effort to offer high frame rates that are usable to their video-centric base. It still was not as good as the Sony or Panasonic slow motion options due to aliasing, moire, and noise but with a little post work, it could be used with success in an edited piece.  FUJI then with a firmware update for their stills flagship the X-T2 allowed the camera to now shoot the same 120fps 1080p slow motion which makes sense considering they use the same sensor on both cameras.

The camera site CVP has done a full comparison review here which pits the X-H1 against the X-T2 to see which camera strengths are ahead on each body and if it makes sense for X-T2 owners who are invested in a FUJI lens system to upgrade.  Their findings are interesting and as far as slow motion it is clear that while they use most of the same imaging pipeline; the X-H1 has the edge with less crop, less aliasing, and better artifact suppression when using the 120fps slow motion mode. → Continue Reading Full Post ←

Lumix TS7 First Rugged Cam Viewfinder Does 120fps!

Lumix TS7

The Lumix TS7 by Panasonic “TS7 in the US, Canada,  FT7 outside of North America” is a well-rounded package when it comes to pricing and features.  It is a 4k 30/25/24 ready camera and it can go underwater 31 Meters or 102ft plus all the cool ruggedized features you might expect on a camera of this kind like being crush-proof up to 220lbs/100kg and freezeproof down to  -10 °C / +14 °F.  It is a real alternative to smaller action cameras like the GoPro, Xiaomi Yi 4k+ and Sony Action Cam series.

The lens is a 28–128 mm 35mm equivalent 4.6x zoom range which is quite sharp across the range as we have seen from samples. The main issue with this camera is the small 1/2.3″ BSI sensor and the fact that it packs 20MP or a resolution of 5184 x 3888px which is a little too cramped to be ideal for low light or in our view underwater performance without added bright artificial lighting.  ISO goes from a low of 80 to a high of 6400 which probably is already pushing it too much.  This camera would have been a better bet with a 10 or 12MP BSI sensor to maintain some edge in low light for the competition.  → Continue Reading Full Post ←